Bøger af Wang Wei

Wang Wei, one of Chinese literature's greatest poets, divided his time between the court and his country estate, where he drew inspiration from the mountains and solitude. His poetry affirms his belief in a whole natural order, and his delicately observed descriptions of landscapes are infused throughout with a sense of unity and Buddhist devotion. Yet it also bears testament to the tension Wang Wei experienced in his own life, between that unity and the worldly pleasures of life at court: the result is some of the most memorable poetry in Chinese literature.

Based on a major research project undertaken by a team at the Institute of Market Economy, Development Research Center of the State Council of China, this book explores the possible future trajectories for urbanization in China.

Wang Wei (701-761 C.E.) is often spoken of, with his contemporaries Li Po and Tu Fu, as one of the three greatest poets in China's 3,000-year poetic tradition. Of the three, Wang was the consummate master of the short imagistic landscape poem that came to typify classical Chinese poetry. He developed a nature poetry of resounding tranquility wherein deep understanding goes far beyond the words on the page-a poetics that can be traced to his assiduous practice of Ch'an (Zen) Buddhism. But in spite of this philosophical depth, Wang is not a difficult poet. Indeed, he may be the most immediately appealing of China's great poets, and in Hinton's masterful translations he sounds utterly contemporary. Many of his best poems are incredibly concise, composed of only twenty words, and they often turn on the tiniest details: a bird's cry, a splinter of light on moss, an egret's wingbeat. Such imagistic clarity is not surprising since Wang was also one of China's greatest landscape painters. This is a breathtaking poetry, one that in true Zen fashion renders the ten thousand things of this world in such a way that they empty the self even as they shimmer with the clarity of their own self-sufficient identity.