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After Dark is a collection of six short stories by Wilkie Collins, first published in 1856. It was the author's first collection of short stories. Five of the stories were previously published in Household Words, a magazine edited by Charles Dickens. The stories are linked by a narrative framework.At the beginning and end of the book are "Leaves from Leah's Diary" William Kerby, a travelling portrait-painter, is in danger of losing his sight, and is required by his doctor to cease painting for a while. His wife Leah realizes that destitution threatens. He is a good story-teller, and Leah has the idea of writing down his stories and publishing them.Each story has a prologue, which was added to the original story that appeared in Household Words. (wikipedia.org)
William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist and playwright known for The Woman in White (1859) and The Moonstone (1868). The last has been called the first modern English detective novel. Born to a London painter, William Collins, and his wife, the family moved to Italy when Collins was twelve, living there and in France for two years, so that he learned Italian and French. He worked at first as a tea merchant. On publishing his first novel, Antonina, in 1850, Collins met Charles Dickens, who became a friend and mentor. Some Collins works appeared first in Dickens's journals Household Words and All the Year Round. The two also collaborated on drama and fiction. Collins reached financial stability and an international following in the 1860s from his best-known works, but began to suffer from gout. He took opium for the pain, but became addicted to it. His health and his writing quality declined in the 1870s and 1880s. Collins was critical of the institution of marriage: he later split his time between widow Caroline Graves, with whom he had lived most of his adult life, treating her daughter as his, and the younger Martha Rudd, by whom he had three children. Collins's works were classified at the time as "sensation novels", a genre seen nowadays as the precursor to detective and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. For example, his 1854 Hide and Seek contained one of the first portrayals of a deaf character in English literature. As did many writers of his time, Collins first published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week. ...Collins died at 82 Wimpole Street, following a paralytic stroke. He is buried in Kensal Green Cemetery, West London. His headstone describes him as the author of The Woman in White. (wikipedia.org)
This collection of eerie premonitions and ghostly apparitions features ten expertly crafted short stories by one of the greatest writers of the Victorian era. Wilkie Collins masterfully captures the essence of the ghost story genre, infusing it with his unique blend of literary brilliance. With vivid descriptions and intriguing characters, this collection is a chilling world of suspense, terror, and intrigue. Each story, including 'The Last Stage Coachman' and 'The Clergyman's Confession', showcases Collins' exceptional ability to weave mystery, horror, and psychological tension into unforgettable tales of the macabre.
Novel dedicated to Mrs Henry Powell Bartley (Carrie Graves) acknowledging her skill and patience in copying manuscripts for the printer. Henry Bartley was Collin's solicitor and, ironically, embezzled from the estate - the fate suffered by Miss Jillgall in the story. Published in 1888, it was the final novel completed by Collins and the last to be syndicated by Tillotson. The Legacy of Cain explores the theme of hereditary evil, and attacks the idea that 'bad blood' necessarily results in a criminality. BIOWilliam Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist and playwright known for The Woman in White (1859) and The Moonstone (1868). The last has been called the first modern English detective novel. Born to a London painter, William Collins, and his wife, the family moved to Italy when Collins was twelve, living there and in France for two years, so that he learned Italian and French. He worked at first as a tea merchant. On publishing his first novel, Antonina, in 1850, Collins met Charles Dickens, who became a friend and mentor. Some Collins works appeared first in Dickens's journals Household Words and All the Year Round. The two also collaborated on drama and fiction. Collins reached financial stability and an international following in the 1860s from his best-known works, but began to suffer from gout. He took opium for the pain, but became addicted to it. His health and his writing quality declined in the 1870s and 1880s. Collins was critical of the institution of marriage: he later split his time between widow Caroline Graves, with whom he had lived most of his adult life, treating her daughter as his, and the younger Martha Rudd, by whom he had three children. Collins's works were classified at the time as "sensation novels", a genre seen nowadays as the precursor to detective and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. For example, his 1854 Hide and Seek contained one of the first portrayals of a deaf character in English literature. As did many writers of his time, Collins first published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week. ...Collins died at 82 Wimpole Street, following a paralytic stroke. He is buried in Kensal Green Cemetery, West London. His headstone describes him as the author of The Woman in White. (wikipedia.org)
William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist and playwright known for The Woman in White (1859) and The Moonstone (1868). The last has been called the first modern English detective novel. Born to a London painter, William Collins, and his wife, the family moved to Italy when Collins was twelve, living there and in France for two years, so that he learned Italian and French. He worked at first as a tea merchant. On publishing his first novel, Antonina, in 1850, Collins met Charles Dickens, who became a friend and mentor. Some Collins works appeared first in Dickens's journals Household Words and All the Year Round. The two also collaborated on drama and fiction. Collins reached financial stability and an international following in the 1860s from his best-known works, but began to suffer from gout. He took opium for the pain, but became addicted to it. His health and his writing quality declined in the 1870s and 1880s. Collins was critical of the institution of marriage: he later split his time between widow Caroline Graves, with whom he had lived most of his adult life, treating her daughter as his, and the younger Martha Rudd, by whom he had three children. Collins's works were classified at the time as "sensation novels", a genre seen nowadays as the precursor to detective and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. For example, his 1854 Hide and Seek contained one of the first portrayals of a deaf character in English literature. As did many writers of his time, Collins first published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week. ...Collins died at 82 Wimpole Street, following a paralytic stroke. He is buried in Kensal Green Cemetery, West London. His headstone describes him as the author of The Woman in White. (wikipedia.org)
William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist and playwright known for The Woman in White (1859) and The Moonstone (1868). The last has been called the first modern English detective novel. Born to a London painter, William Collins, and his wife, the family moved to Italy when Collins was twelve, living there and in France for two years, so that he learned Italian and French. He worked at first as a tea merchant. On publishing his first novel, Antonina, in 1850, Collins met Charles Dickens, who became a friend and mentor. Some Collins works appeared first in Dickens's journals Household Words and All the Year Round. The two also collaborated on drama and fiction. Collins reached financial stability and an international following in the 1860s from his best-known works, but began to suffer from gout. He took opium for the pain, but became addicted to it. His health and his writing quality declined in the 1870s and 1880s. Collins was critical of the institution of marriage: he later split his time between widow Caroline Graves, with whom he had lived most of his adult life, treating her daughter as his, and the younger Martha Rudd, by whom he had three children. Collins's works were classified at the time as "sensation novels", a genre seen nowadays as the precursor to detective and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. For example, his 1854 Hide and Seek contained one of the first portrayals of a deaf character in English literature. As did many writers of his time, Collins first published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week. ...Collins died at 82 Wimpole Street, following a paralytic stroke. He is buried in Kensal Green Cemetery, West London. His headstone describes him as the author of The Woman in White. (wikipedia.org)
Basil (1852) is the second novel written by British author Wilkie Collins, after Antonina. Basil, son of a father who values the family pedigree and who would not let him marry below his station, falls in love at first sight with a girl he sees on a bus. He follows her and discovers she is Margaret Sherwin, only daughter of a linen draper. He persuades her father to let him marry her secretly. He agrees on the condition, that, as his daughter is only seventeen, they live apart for the first year. At first the secret works, but then the mysterious Mannion, whose emotions cannot be read in his face, returns from abroad. On the last night of the year Basil follows Margaret and Mannion and discovers them in flagrante delicto. Basil attacks Mannion in the street and tries to murder him, but succeeds only in mutilating his face by pushing it into the fresh tarmacadam in the road. Mannion survives, recovers and swears revenge, and it is revealed that Basil's father indirectly caused Mannion's father to be hanged for forgery.Basil repudiates Margaret, but Sherwin threatens him with exposure unless he holds to his marriage. Basil confesses to his father, who disowns him, but his sister Clara stands by him. Basil's brother Ralph undertakes to buy Sherwin off, but meanwhile Margaret flees to Mannion, thereby acknowledging her guilt. Visiting Mannion in hospital, she catches typhus and dies. Basil, having been put on her track by Ralph, visits her on her deathbed.Basil flees from Mannion to Cornwall. The dénouement is worthy of Conan Doyle, set among whirlpools and cliffs near Lands End. n her introduction (Oxford World's Classics Edition), Dorothy Goldman applies psychoanalytic theories to argue that Basil and Mannion, Margaret and Clara, are each like opposite halves of the same person. A further doublet is between the active Ralph and the passive Basil, as the former notes in his dialogue. Mrs Sherwin, Margaret's mother, is apparently feeble-minded and as such is the precursor of Sarah Leeson (The Dead Secret), Mrs Wragge (No Name) and other of Collins' deranged woman characters - though she is astute enough to suspect Margaret and Mannion's guilty secret.One criticism of the book's plot is that it is highly coincidental that Mannion's father lost his life as a consequence of actions set in motion by Basil's father. The fact that the very woman Basil randomly follows is so closely connected to Basil, via Mannion, despite being a total stranger, can be considered to be a plot flaw. (wikipedia.org)
Blind Love was an unfinished novel by Wilkie Collins, which he left behind on his death in 1889. It was completed by historian and novelist Sir Walter Besant.Collins's novel had already begun serialization in The Illustrated London News, even though the author had not yet completed it. (It ran from 6 July to 28 December of that year.) When it was published in book form on 1890, the volume included Besant's preface explaining the circumstances of the collaboration.Collins had started writing the novel in 1887, when newspapers were full of stories about Fenian violence in the wake of the previous year's defeat of the First Irish Home Rule Bill. Collins frequented Ye Olde Cheshire Cheese off London's Fleet Street and borrowed some traits for his male protagonist from John O'Connor Power who was also well known in the convivial tavern. Collins links the Irish Question to the Woman Question. The novel recounts the story of Lord Harry Norland, a member of a squad of political assassins; the book's heroine is Iris Henley, a bold and nonconformist Englishwoman who falls in love with the Irish Norland despite his criminal activities (the "blind love" of the title). The title was originally to have been Lord Harry, the colloquial name for the devil. (wikipedia.org)
The Moonstone (1868) by Wilkie Collins is a 19th-century British epistolary novel. It is an early modern example of the detective novel, and established many of the ground rules of the modern genre. The story was serialised in Charles Dickens's magazine All the Year Round. Collins adapted The Moonstone for the stage in 1877. Rachel Verinder, a young English woman, inherits a large Indian diamond on her eighteenth birthday. It is a legacy from her uncle, a corrupt British army officer who served in India. The diamond is of great religious significance and extremely valuable, and three Hindu priests have dedicated their lives to recovering it. The story incorporates elements of the legendary origins of the Hope Diamond (or perhaps the Orloff Diamond or the Koh-i-Noor diamond). Rachel's eighteenth birthday is celebrated with a large party at which the guests include her cousin Franklin Blake. She wears the Moonstone on her dress that evening for all to see, including some Indian jugglers who have called at the house. Later that night the diamond is stolen from Rachel's bedroom, and a period of turmoil, unhappiness, misunderstandings and ill luck ensues. Told by a series of narratives from some of the main characters, the complex plot traces the subsequent efforts to explain the theft, identify the thief, trace the stone and recover it. (wikipedia.org)
The Woman in White is Wilkie Collins's fifth published novel, written in 1859. It is considered to be among the first mystery novels and is widely regarded as one of the first (and finest) in the genre of "sensation novels".The story is sometimes considered an early example of detective fiction with protagonist Walter Hartright employing many of the sleuthing techniques of later private detectives. The use of multiple narrators (including nearly all the principal characters) draws on Collins's legal training, and as he points out in his preamble: "the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witness". In 2003, Robert McCrum writing for The Observer listed The Woman in White number 23 in "the top 100 greatest novels of all time", and the novel was listed at number 77 on the BBC's survey The Big Read. (wikipedia.org)
The Black Robe is an 1881 epistolary novel by famed English writer, Wilkie Collins. The book relates the misadventures of Lewis Romayne, and is also noted for a perceived anti-Catholic bias. As the story begins, Romayne and his friend, Major Hynd, are in Boulogne to visit Romayne's aunt, who is dying. While there, Romayne attends a card game, where he has an argument with a corrupt card sharp, the General, who challenges him to a duel. However, the general doesn't turn up himself but nominates his son, an accurate shot, who should win the duel. Romayne absolutely does not want to fight but is goaded into doing so. Against the odds, he accidentally kills his opponent, and the screams of the man's brother after the death come to haunt Romayne for the rest of his life.Romayne returns to his Yorkshire home, called Vange Abbey. Even in his own home, the Frenchman's younger brother's awful cries follow him. He finally leaves for London, to visit his old friend Lord Loring, who is the patriarch of a well-heeled Catholic family. While there, he meets Stella Eyrecourt, who falls in love with him. A Catholic priest named Father Benwell, who serves as a spiritual leader for the Lorings, determines that he will convert Romayne to the church, employing the services of young priest, Arthur Penrose, to this end. This is all done in an attempt to bring Romayne's family home, Vange, back to the church, who owned it before Romayne's family.Romayne, who is still haunted by the duel, sends Major Hynd to enquire about the family of the man he killed in hopes of assisting them monetarily. Additionally, he confides in Penrose who becomes a true friend to Romayne, despite his presumed ulterior motives.Father Benwell employs various tactics to undermine Romayne's marriage to Stella, finally culminating in the revelation of Stella's prior bigamous marriage to Bernard Winterfield. Winterfield had fallen in love with Stella and married her while erroneously believing that his wife from a previous marriage was dead.Eventually, Romayne is promoted to an ecclesiastical post in Paris. However, knowing that he is dying, Romayne finally decides to see Stella and his son. Father Benwell brings Romayne's lawyer to his deathbed, trying to confirm the validity of the will in an attempt to ensure the church inherits Vange. But as he dies, Romayne acknowledges he loves his wife and child, and has the will destroyed. This causes Vange-and the entire inheritance-to pass to his family, foiling Benwell's plans. (wikipedia.org)
This is a fascinating Victorian novel that has a bit of everything--utopian socialism, prostitution, gilded-age crooks, premarital sex, and sympathetic feminism. Fascinating look at England in the 1870's with themes that few novels of the time dared to explore. I have never been a fan of Collin's Moonstone, but this book changed my opinion of him as a writer. I was riveted. (Jim Jones)
The Dead Secret was Wilkie Collins's fourth published novel. Like its predecessor Hide and Seek, the "secret" and the mystery are made clear to the reader, though not to the novel's characters, at an early stage.The obsessed and arguably deranged Sarah prefigures the character of Hester Dethridge in Collins's Man and Wife, and more distantly those of Lydia Gwilt in Armadale and the female protagonist of his late novel, The Haunted Hotel.The blind Leonard is another of Collins's disabled characters. He plays only a small part in the novel, but Collins drew another and more significant blind character in Lucilla, the heroine of his 1872 novel Poor Miss Finch.Much of the novel is set in Cornwall, one of Collins's favourite English counties, which also features in his early melodrama Basil. Contemporary critics held mixed opinions, some seeing an advance on Collins's previous Hide and Seek, and some less enthusiastic. Peters regards the handling of the "secret" as a weakness in construction, and does not rate the novel highly within Collins's oeuvre. Nadel's description of it as the last of Collins's "apprentice novels" emphasises the gap between it and Collins's next novel, the acclaimed The Woman in White. Nevertheless it has proved enduringly popular and remains in print. (wikipedia.org)
No Name is a novel by Wilkie Collins, first published in 1862. Illegitimacy is a major theme of the novel. It was originally serialised in Charles Dickens' magazine All the Year Round before book publication. The story is told in eight major parts, called Scenes. ...(wikipedia.org)
Man and Wife was Wilkie Collins's ninth published novel. It is the second of his novels (after No Name) in which social questions provide the main impetus of the plot. Collins increasingly used his novels to explore social abuses, which according to critics tends to detract from their qualities as fiction. The social issue which drives the plot is the state of Scots marriage law; at the time the novel was written, any couple who were legally entitled to marry and who asserted that they were married, either before witnesses or in writing, were regarded in Scotland as being legally married. The novel, the next in sequence after Collins's highly successful The Moonstone, was a commercial success. Among modern critics, Peters holds a low opinion of its plot and characterisation, but Page argues that it should be classed with Collins's acclaimed 1860s fiction rather than with his later, and inferior, polemical novels. The novel has proved enduringly popular and remains in print. (wikipedia.org)
Wilkie Collins is an amazing author and a favourite of mine, with a knack for spinning the happiest possible endings from his dark and integrating murder plots. This book will have you suspecting everything but the truth and smiling by the end. It is well written true to form and as usual for Mr Collins has some kind and loveable servants to round out the the sad stories. (Rebecca Williams)
The Yellow Mask (1887) is a novel by Wilkie Collins. Written toward the end of his life, The Yellow Mask recaptures some of the author¿s trademark sense of mystery and psychological unease that made him a household name around the world. Recognized as an important Victorian novelist and pioneer of detective fiction, Wilkie Collins was a writer with a gift for thoughtful entertainment, stories written for a popular audience that continue to resonate with scholars and readers today. Father Rocco is a Catholic priest in the Italian city of Pisa. Through his brother, a sculptor and teacher, he becomes aware of Count Fabio D¿Ascoli, a wealthy heir and an eager student of art. Vindictive and ruled by jealousy, Rocco fabricates a story accusing D¿Ascoli¿s family of stealing from the Church centuries before. Determined to obtain the D¿Ascoli fortune, Father Rocco creates a rift between the Count and his young lover Nanina, then places his innocent niece Maddalena in a position to marry D¿Ascoli. When Maddalena dies in childbirth, however, a strange figure in a yellow mask begins haunting her distraught widower, driving him to the brink of insanity. Beyond its sensational plot, The Yellow Mask is a novel that effectively critiques the institution of marriage and the morality of leaders in the Roman Catholic Church. Collins¿ novel is a masterpiece of Gothic horror and mystery for seasoned readers of Victorian fiction and newcomers alike. With a beautifully designed cover and professionally typeset manuscript, this edition of Wilkie Collins¿ The Yellow Mask is a classic work of English literature reimagined for modern readers.
Reprinted Pieces - and The lazy tour of two idle apprentices is an unchanged, high-quality reprint of the original edition of 1896.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
The woman in white;There, in the middle of the broad bright high-road -- there, as if it had that moment sprung out of the earth or dropped from the heaven -- stood the figure of a solitary Woman, dressed from head to foot in white garments, her face bent in grave inquiry on mine, her hand pointing to the dark cloud over London, as I faced her. I was far too seriously startled by the suddenness with which this extraordinary apparition stood before me, in the dead of night and in that lonely place, to ask what she wanted. The strange woman spoke first. "Is that the road to London?" she said. I looked attentively at her, as she put that singular question to me. It was then nearly one o'clock. All I could discern distinctly by the moonlight was a colorless, youthful face, meager and sharp to look at about the cheeks and chin; large, grave, wistfully attentive eyes; nervous, uncertain lips; and light hair of a pale, brownish-yellow hue. There was nothing wild, nothing immodest in her manner: it was quiet and self-controlled, a little melancholy and a little touched by suspicion; not exactly the manner of a lady, and, at the same time, not the manner of a woman in the humblest rank of life.Written by Wilkie Collins
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