Bøger af William Congreve

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

First presented in 1697, The Mourning Bride is William Congreve's only tragic drama, which includes two of his most quoted phrases, "Musick has Charms to sooth a savage Breast," (Act I, Scene 1), and "Heav'n has no Rage, like Love to Hatred turn'd, Nor Hell a Fury, like a Woman scorn'd." (Act III, Scene 2).................. William Congreve (24 January 1670 - 19 January 1729) was an English playwright and poet of the Restoration period. He is known for his clever, satirical dialogue and influence on the comedy of manners style of that period. He was also a minor political figure in the British Whig Party. Early life: William Congreve was born in Bardsey, Yorkshire, England near Leeds.[note 1] His parents were William Congreve (1637-1708) and Mary née Browning (1636?-1715). The family moved to London in 1672. They relocated again in 1674 to the Irish port town of Youghal where his father served as a lieutenant in the British army. Congreve spent his childhood in Ireland, where his father, a Cavalier, had settled during the reign of Charles II. Congreve was educated at Kilkenny College where he met Jonathan Swift, and at Trinity College in Dublin. Upon graduation, he matriculated in the Middle Temple in London to study law, but preferred literature, drama, and the fashionable life. Congreve used the pseudonym Cleophil, under which he published Incognita: or, Love and Duty reconcil'd in 1692. This early work, written when he was about 17 years of age, gained him recognition among men of letters and an entrance into the literary world. He became a disciple of John Dryden whom he met through gatherings of literary circles held at Will's Coffeehouse in the Covent Garden District of London. John Dryden supported Congreve's work throughout his life, taking the form of complimentary introductions written for some of Congreve's publications. Literary career: William Congreve shaped the English comedy of manners through his use of satire and well-written dialogue. Congreve achieved fame in 1693 when he wrote some of the most popular English plays of the Restoration period. This period was distinguished by the fact that female roles were beginning to be played predominately by women, and was evident in Congreve's work. One of Congreve's favorite actresses was Mrs. Anne Bracegirdle, who performed many of the female lead roles in his plays. His first play The Old Bachelor, written to amuse himself while convalescing, was produced at the Drury Lane Theatre in 1693 and later produced by the Theatre Royale. It was recognized as a success, and ran for a two-week period when it opened. Congreve's mentor John Dryden gave the production rave reviews and proclaimed it to be a brilliant first piece. The second play to be produced was called The Double-Dealer which was not nearly as successful as the first production. By the age of thirty, he had written four comedies, including Love for Love (premiered 30 April 1695) staged in Lincoln's Inn Field which was nearly as well received as the first major success for Congreve, and The Way of the World (premiered March 1700). This play was a failure at the time of production but is seen as one of his masterpieces today, and is still revived. He wrote one tragedy, The Mourning Bride (1697) which was extremely popular at the time of creation but is now one of his least regarded dramas. After the production of Love for Love, Congreve became one of the managers for the Lincoln's Inn Fields in 1695..........

he Old Bachelor is the first play written by British playwright William Congreve, produced in 1693. The 'Old Bachelor' is Heartwell, 'a surly old pretended woman-hater', who falls in love with Silvia, not knowing her to be the forsaken mistress of Vainlove, and is lured into marrying her, only discovering her true character afterwards, from the gibes of his acquaintances. The parson who has been brought in to marry them, however, is in fact Vainlove's friend Belmour, who has assumed the disguise for the purpose of an intrigue with Laetitia, the young wife of an uxorious old banker, Fondlewife; and Heartwell is relieved to discover that the marriage was a pretence. The comedy includes the amusing characters of Sir Joseph Wittol, a foolish knight, who allows himself to be really married to Silvia, under the impression that she is the wealthy Araminta; and his companion, the cowardly bully, Captain Bluffe, who under the same delusion is married to Silvia's maid. The success of this comedy was in part due to the acting of performers Thomas Betterton and Anne Bracegirdle

The Old Bachelor is a play written by William Congreve, first performed in 1693. The play is a comedy of manners, which satirizes the fashionable society of the time. The story revolves around the character of Heartwell, an old bachelor who is content with his single life, but is constantly pressured by his friends to marry. Heartwell is initially resistant to the idea of marriage, but eventually falls in love with a young woman named Silvia. However, Silvia's father, Sir Simon, disapproves of Heartwell and tries to force her to marry someone else. The play is filled with witty dialogue, mistaken identities, and romantic entanglements. It also explores themes such as love, marriage, and the role of women in society. The Old Bachelor is considered to be one of Congreve's most successful plays, and is still performed and studied today.SIR JO. Um--Ay, this, this is the very damned place; the inhuman cannibals, the bloody-minded villains, would have butchered me last night. No doubt they would have flayed me alive, have sold my skin, and devoured, etc.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Way of the World is a play written by the English playwright William Congreve. It premiered in early March 1700 in the theatre in Lincoln's Inn Fields in London. It is widely regarded as one of the best Restoration comedies and is still occasionally performed. At the time, however, the play struck many audience members as continuing the immorality of the previous decades, and it was not well received. Plot Act 1 is set in a chocolate house where Mirabell and Fainall have just finished playing cards. A footman comes and tells Mirabell that Waitwell (Mirabell's male servant) and Foible (Lady Wishfort's female servant) were married that morning. Mirabell tells Fainall about his love of Millamant and is encouraged to marry her. Witwoud and Petulant appear and Mirabell is informed that should Lady Wishfort marry, he will lose £6000 of Millamant's inheritance.He will only get this money if he can make Lady Wishfort consent to his and Millamant's marriage. Act 2 is set in St. James' Park. Mrs. Fainall and Mrs. Marwood are discussing their hatred of men. Fainall appears and accuses Mrs. Marwood (with whom he is having an affair) of loving Mirabell (which she does). Meanwhile, Mrs. Fainall (Mirabell's former lover) tells Mirabell that she hates her husband, and they begin to plot to deceive Lady Wishfort into giving her consent to the marriage. Millamant appears in the park and, angry about the previous night (when Mirabell was confronted by Lady Wishfort), she tells Mirabell of her displeasure in his plan, which she only has a vague idea about. After she leaves, the newly wed servants appear and Mirabell reminds them of their roles in the plan. Acts 3, 4 and 5 are all set in the home of Lady Wishfort. We are introduced to Lady Wishfort who is encouraged by Foible to marry the supposed Sir Rowland - Mirabell's supposed uncle - so that Mirabell will lose his inheritance. Sir Rowland is, however, Waitwell in disguise, and the plan is to entangle Lady Wishfort in a marriage which cannot go ahead, because it would be bigamy, not to mention a social disgrace (Waitwell is only a serving man, Lady Wishfort an aristocrat). Mirabell will offer to help her out of the embarrassing situation if she consents to his marriage. Later, Mrs. Fainall discusses this plan with Foible, but this is overheard by Mrs. Marwood. She later tells the plan to Fainall, who decides that he will take his wife's money and go away with Mrs. Marwood. Mirabell and Millamant, equally strong-willed, discuss in detail the conditions under which they would accept each other in marriage (otherwise known as the "proviso scene"), showing the depth of their feeling for each other. Mirabell finally proposes to Millamant and, with Mrs. Fainall's encouragement (almost consent, as Millamant knows of their previous relations), Millamant accepts. Mirabell leaves as Lady Wishfort arrives, and she lets it be known that she wants Millamant to marry her nephew, Sir Wilfull Witwoud, who has just arrived from the countryside. Lady Wishfort later gets a letter telling her about the Sir Rowland plot. Sir Rowland takes the letter and accuses Mirabell of trying to sabotage their wedding. Lady Wishfort agrees to let Sir Rowland bring a marriage contract that night...... William Congreve (24 January 1670 - 19 January 1729) was an English playwright and poet of the Restoration period. He is known for his clever, satirical dialogue and influence on the comedy of manners style of that period. He was also a minor political figure in the British Whig Party............

LORD TOUCH. I don't believe it true; he has better principles. Pho, 'tis nonsense. Come, come, I know my Lady Plyant has a large eye, and would centre everything in her own circle; 'tis not the first time she has mistaken respect for love, and made Sir Paul jealous of the civility of an undesigning person, the better to bespeak his security in her unfeigned pleasures.

William Congreve (24 January 1670 - 19 January 1729) was an English playwright and poet of the Restoration period. He is known for his clever, satirical dialogue and influence on the comedy of manners style of that period. He was also a minor political figure in the British Whig Party. Early life: William Congreve was born in Bardsey, Yorkshire, England near Leeds.[note 1] His parents were William Congreve (1637-1708) and Mary née Browning (1636?-1715). The family moved to London in 1672. They relocated again in 1674 to the Irish port town of Youghal where his father served as a lieutenant in the British army. Congreve spent his childhood in Ireland, where his father, a Cavalier, had settled during the reign of Charles II. Congreve was educated at Kilkenny College where he met Jonathan Swift, and at Trinity College in Dublin. Upon graduation, he matriculated in the Middle Temple in London to study law, but preferred literature, drama, and the fashionable life. Congreve used the pseudonym Cleophil, under which he published Incognita: or, Love and Duty reconcil'd in 1692. This early work, written when he was about 17 years of age, gained him recognition among men of letters and an entrance into the literary world. He became a disciple of John Dryden whom he met through gatherings of literary circles held at Will's Coffeehouse in the Covent Garden District of London. John Dryden supported Congreve's work throughout his life, taking the form of complimentary introductions written for some of Congreve's publications. Literary career: William Congreve shaped the English comedy of manners through his use of satire and well-written dialogue. Congreve achieved fame in 1693 when he wrote some of the most popular English plays of the Restoration period. This period was distinguished by the fact that female roles were beginning to be played predominately by women, and was evident in Congreve's work. One of Congreve's favorite actresses was Mrs. Anne Bracegirdle, who performed many of the female lead roles in his plays. His first play The Old Bachelor, written to amuse himself while convalescing, was produced at the Drury Lane Theatre in 1693 and later produced by the Theatre Royale. It was recognized as a success, and ran for a two-week period when it opened. Congreve's mentor John Dryden gave the production rave reviews and proclaimed it to be a brilliant first piece. The second play to be produced was called The Double-Dealer which was not nearly as successful as the first production. By the age of thirty, he had written four comedies, including Love for Love (premiered 30 April 1695) staged in Lincoln's Inn Field which was nearly as well received as the first major success for Congreve, and The Way of the World (premiered March 1700). This play was a failure at the time of production but is seen as one of his masterpieces today, and is still revived. He wrote one tragedy, The Mourning Bride (1697) which was extremely popular at the time of creation but is now one of his least regarded dramas. After the production of Love for Love, Congreve became one of the managers for the Lincoln's Inn Fields in 1695. During that time, he wrote public occasional verse. As a result of his success and literary merit, he was awarded one of the five positions of commissioner for licensing hackney coaches................

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

William Congreve (24 January 1670 - 19 January 1729) was an English playwright and poet of the Restoration period. He is known for his clever, satirical dialogue and influence on the comedy of manners style of that period. He was also a minor political figure in the British Whig Party. Early life: William Congreve was born in Bardsey, Yorkshire, England near Leeds.[note 1] His parents were William Congreve (1637-1708) and Mary née Browning (1636?-1715). The family moved to London in 1672. They relocated again in 1674 to the Irish port town of Youghal where his father served as a lieutenant in the British army. Congreve spent his childhood in Ireland, where his father, a Cavalier, had settled during the reign of Charles II. Congreve was educated at Kilkenny College where he met Jonathan Swift, and at Trinity College in Dublin. Upon graduation, he matriculated in the Middle Temple in London to study law, but preferred literature, drama, and the fashionable life. Congreve used the pseudonym Cleophil, under which he published Incognita: or, Love and Duty reconcil'd in 1692. This early work, written when he was about 17 years of age, gained him recognition among men of letters and an entrance into the literary world. He became a disciple of John Dryden whom he met through gatherings of literary circles held at Will's Coffeehouse in the Covent Garden District of London. John Dryden supported Congreve's work throughout his life, taking the form of complimentary introductions written for some of Congreve's publications. Literary career: William Congreve shaped the English comedy of manners through his use of satire and well-written dialogue. Congreve achieved fame in 1693 when he wrote some of the most popular English plays of the Restoration period. This period was distinguished by the fact that female roles were beginning to be played predominately by women, and was evident in Congreve's work. One of Congreve's favorite actresses was Mrs. Anne Bracegirdle, who performed many of the female lead roles in his plays. His first play The Old Bachelor, written to amuse himself while convalescing, was produced at the Drury Lane Theatre in 1693 and later produced by the Theatre Royale. It was recognized as a success, and ran for a two-week period when it opened. Congreve's mentor John Dryden gave the production rave reviews and proclaimed it to be a brilliant first piece. The second play to be produced was called The Double-Dealer which was not nearly as successful as the first production. By the age of thirty, he had written four comedies, including Love for Love (premiered 30 April 1695) staged in Lincoln's Inn Field which was nearly as well received as the first major success for Congreve, and The Way of the World (premiered March 1700). This play was a failure at the time of production but is seen as one of his masterpieces today, and is still revived. He wrote one tragedy, The Mourning Bride (1697) which was extremely popular at the time of creation but is now one of his least regarded dramas. After the production of Love for Love, Congreve became one of the managers for the Lincoln's Inn Fields in 1695. During that time, he wrote public occasional verse. As a result of his success and literary merit, he was awarded one of the five positions of commissioner for licensing hackney coaches...............

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Dramatic Works Of William Congreve, Esq; In Two Volumes. ...; The Dramatic Works Of William Congreve, Esq; In Two Volumes; William Congreve William Congreve printed for S. Crowder, C. Ware, and T. Payne, 1773 Drama; English, Irish, Scottish, Welsh; Drama / English, Irish, Scottish, Welsh; Literary Criticism / Drama

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Mourning Bride is a tragedy written by British playwright William Congreve. It premiered in 1697 at Betterton's Co., Lincoln's Inn Fields. The play centres on Zara, a queen held captive by Manuel, King of Granada, and a web of love and deception which results in the mistaken murder of Manuel who is in disguise, and Zara's also mistaken suicide in response.

The Complete Works of William Congreve V1 is a book that contains all the works of the famous English playwright and poet, William Congreve. This volume includes all of Congreve's plays, poems, and essays, making it a comprehensive collection of his literary works. Congreve is known for his witty and satirical writing style, which is reflected in his plays such as ""The Way of the World"" and ""Love for Love"". In addition to his plays, Congreve also wrote poetry and essays on various topics, which are included in this collection. This book is a must-read for anyone interested in English literature and the works of William Congreve in particular.1923. This is Volume I of II of the Complete Works of William Congreve. Congreve's literary apprenticeship was served under the tutelage of John Dryden, the leading playwright of the day. William Congreve only wrote five plays before retiring from writing to work in government. Contents: Letters; Incognita; The Old Bachelor (which is the author's first play); The Double-Dealer; Love for Love; and The Mourning Bride. Volume 2 ISBN 076618739X.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Love for Love is a Restoration comedy written by British playwright William Congreve. It premiered on 30 April 1695 at Betterton's Co., Lincoln's Inn Fields. The play is a comical farce enlivened by its witty dialogue and its humorous characters, and perhaps more successful in its day than The Way of the World, now considered Congreve's best. The main character is Valentine, then Jeremy, Valentine's resourceful servant; Sir Sampson, with his 'blunt vivacity'; Ben, the rough young sea-dog, who intends to marry whom he chooses; Miss Prue, only too ready to learn the lessons in love given her by Tattle, the vain, half-witted beau, who finds himself married to Mrs. Frail, the lady of easy virtue, when he thinks he has captured Angelica; and Foresight, the gullible old astrologer

Some Authors are so fond of a Preface, that they will write one tho' there be nothing more in it than an Apology for its self. But to show thee that I am not one of those, I will make no Apology for this, but do tell thee that I think it necessary to be prefix'd to this Trifle, to prevent thy overlooking some little pains which I have taken in the Composition of the following Story.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

William Congreve (24 January 1670 - 19 January 1729) was an English playwright and poet of the Restoration period. He is known for his clever, satirical dialogue and influence on the comedy of manners style of that period. He was also a minor political figure in the British Whig Party. Early life: William Congreve was born in Bardsey, Yorkshire, England near Leeds.[note 1] His parents were William Congreve (1637-1708) and Mary née Browning (1636?-1715). The family moved to London in 1672. They relocated again in 1674 to the Irish port town of Youghal where his father served as a lieutenant in the British army. Congreve spent his childhood in Ireland, where his father, a Cavalier, had settled during the reign of Charles II. Congreve was educated at Kilkenny College where he met Jonathan Swift, and at Trinity College in Dublin. Upon graduation, he matriculated in the Middle Temple in London to study law, but preferred literature, drama, and the fashionable life. Congreve used the pseudonym Cleophil, under which he published Incognita: or, Love and Duty reconcil'd in 1692. This early work, written when he was about 17 years of age, gained him recognition among men of letters and an entrance into the literary world. He became a disciple of John Dryden whom he met through gatherings of literary circles held at Will's Coffeehouse in the Covent Garden District of London. John Dryden supported Congreve's work throughout his life, taking the form of complimentary introductions written for some of Congreve's publications. Literary career: William Congreve shaped the English comedy of manners through his use of satire and well-written dialogue. Congreve achieved fame in 1693 when he wrote some of the most popular English plays of the Restoration period. This period was distinguished by the fact that female roles were beginning to be played predominately by women, and was evident in Congreve's work. One of Congreve's favorite actresses was Mrs. Anne Bracegirdle, who performed many of the female lead roles in his plays. His first play The Old Bachelor, written to amuse himself while convalescing, was produced at the Drury Lane Theatre in 1693 and later produced by the Theatre Royale. It was recognized as a success, and ran for a two-week period when it opened. Congreve's mentor John Dryden gave the production rave reviews and proclaimed it to be a brilliant first piece. The second play to be produced was called The Double-Dealer which was not nearly as successful as the first production. By the age of thirty, he had written four comedies, including Love for Love (premiered 30 April 1695) staged in Lincoln's Inn Field which was nearly as well received as the first major success for Congreve, and The Way of the World (premiered March 1700). This play was a failure at the time of production but is seen as one of his masterpieces today, and is still revived. He wrote one tragedy, The Mourning Bride (1697) which was extremely popular at the time of creation but is now one of his least regarded dramas. After the production of Love for Love, Congreve became one of the managers for the Lincoln's Inn Fields in 1695. During that time, he wrote public occasional verse. As a result of his success and literary merit, he was awarded one of the five positions of commissioner for licensing hackney coaches. Congreve's career as a playwright was successful but brief. He only wrote five plays, authored from 1693 to 1700, in total. This was partly in response to changes in taste, as the public turned away from the sort of high-brow sexual comedy of manners in which he specialized. Congreve may have been forced off of the stage due to growing concerns about the morality of his theatrical comedies....

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Plays; Plays; William Congreve William Congreve

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Works: In Three Volumes: Consisting Of His Plays And Poems. Containing Love For Love - A Comedy, The Mourning-Bride - Tragedy, The Jugement Of Paris - Masque, Volume 2; The Works: In Three Volumes: Consisting Of His Plays And Poems. Containing Love For Love - A Comedy, The Mourning-Bride - Tragedy, The Jugement Of Paris - Masque; William Congreve William Congreve Tonson, 1752

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Old Batchelor: A Comedy. Written By Mr. Congreve William Congreve printed for J. and R. Tonson and S. Draper, 1754 Drama; English, Irish, Scottish, Welsh; Drama / English, Irish, Scottish, Welsh; Language Arts & Disciplines / Linguistics

""A Description of the Sights: or Instruments for Pointing Guns, Proposed by William Congreve, for the Use of the Navy or for Heavy Ordnance in Battery"" is a book written by William Congreve and published in 1818. The book provides a detailed description of the sights or instruments that can be used for pointing guns in the navy or for heavy ordnance in battery. William Congreve, a British inventor, proposed the use of these sights to improve the accuracy of guns and cannons. In the book, he explains the various types of sights that can be used, their construction, and how they can be used to improve the accuracy of firing. The book is a valuable resource for anyone interested in the history of military technology and the development of gunnery. It provides a unique insight into the mind of a brilliant inventor and his ideas for improving the effectiveness of naval and artillery warfare. Overall, ""A Description of the Sights"" is an informative and interesting read for anyone interested in the history of military technology, gunnery, and the development of weapons.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Works: In Three Volumes: Consisting Of His Plays And Poems. Containing The Old Batchelor, The Double Dealer, The Way Of The World: Comedies, Volume 1; The Works: In Three Volumes: Consisting Of His Plays And Poems. Containing The Old Batchelor, The Double Dealer, The Way Of The World: Comedies; William Congreve William Congreve Tonson, 1752

This is a new release of the original 1923 edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.