Bøger af William Faulkner

The annotation to Go Down, Moses illuminate family relationships, chronology, narrative voice, and the complexities of racial identity in the novel. The full breadth of the novel is explored in the commentary, from Indian history and traditions to an overview of the logging industry in Mississippi.

This novel won both the Pulitzer Prize and the National Book Award in 1955. An allegorical story of World War I, set in the trenches in France and dealing ostensibly with a mutiny in a French regiment, it was originally considered a sharp departure for Faulkner. Recently it has come to be recognized as one of his major works and an essential part of the Faulkner oeuvre. His descriptions of the war "rise to magnificence," according to The New York Times, and include, in Malcolm Cowley's words, "some of the most powerful scenes he ever conceived."

The complete text of Faulkner's third novel, published for the first time in 1973, appeared with his reluctant consent in a much cut version in 1929 as Sartoris.

"You cannot swim for new horizons until you have courage to lose sight of the shore." -William Faulkner These short works offer three different approaches to Faulkner, each representative of his work as a whole. Spotted Horses is a hilarious account of a horse auction, and pits the "cold practicality" of women against the boyish folly of men. Old Man is something of an adventure story. When a flood ravages the countryside of the lower Mississippi, a convict finds himself adrift with a pregnant woman. And The Bear, perhaps his best known shorter work, is the story of a boy's coming to terms wit the adult world. By learning how to hunt, the boy is taught the real meaning of pride, humility, and courage.

"What a pleasure! . . . Essential for understanding Faulkner, and a good read for everybody." -Noel Polk

"Reissued by Liveright 1997, 2011"--T.p. verso.

Spolit, feckless Temple Drake, the daughter of a judge, runs away from school with an unsuitable man. Abandoned by him with a gang of moonshiners, Temple falls into the clutches of the psychotic Popeye, one of the most grotesque characters of Faulkner's imagination.

This is the second volume of Faulkner's trilogy about the Snopes family, his symbol for the grasping, destructive element in the post-bellum South. Like its predecessor, The Hamlet, and its successor, The Mansion, The Town is completely self-contained, but it gains resonance from being read with the other two. The story of Flem Snopes's ruthless struggle to take over the town of Jefferson, Mississippi, the book is rich in typically Faulknerian episodes of humor and profundity.

Seven dramatic stories which reveal Faulkner's compassionate understanding of the Deep South. His characters are humble people who live out their lives within the same small circle of the earth, who die unrecorded. Their epitaphs make a fitting introduction to one of the great American writers of the century.

Faulkner's final novel is a tale of three Mississippi travellers. Ned, Boon and young Lucius travel to Memphis in a stolen car to find love and fortune. Once there, Ned trades in the car for a racehorse, Lucius comes of age, and Boon sets about trying to win the heart of a prostitute named 'Miss Corrie'.

Included are classics of short-form fiction such as 'A Bear Hunt', 'A Rose for Emily', 'Two Soldiers' and 'The Brooch'. Faulkner's ability to compress his epic vision into narratives of such grace and tragic intensity defines him as one of the finest and most original writers America has ever produced.

'The past is never dead. The night before the execution, a lawyer pleads with Temple to intercede, but will the past allow for justice or absolution in the present? Switching between narrative prose and play script, this is Faulkner's haunting sequel to his earlier bestseller, Sanctuary.

In a series of episodes set during and after the American Civil War Faulkner profiles the people of the South - who might surrender but could never be vanquished.

This narrative chronicles the decline of the American South through the experiences of Benjy Compson, who struggles to articulate his vision of life. William Faulkner is the author of "As I Lay Dying" and "Sanctuary" and he won the Nobel Prize in 1949.

An elderly, proud black farmer, Lucas Beauchamp, is wrongfully arrested for the murder of a white man. The lynch mob are baying for his blood. His sole hope lies with a young white boy, bent on repaying an old favour, who with the help of Lucas's cynical lawyer will work to find the truth and hatch a risky plot to prove his innocence.

'Between grief and nothing I will take grief'In New Orleans in 1937, a man and woman embark on a headlong flight into the wilderness of illicit passion, fleeing her husband and the temptations of respectability.

A group of soldiers travel by train across the United States in the aftermath of the First World War. Moved by his condition, a few civilian fellow travellers decided to see him home to Georgia, to a family who believed him dead, and a fiancee who grew tired of waiting. Faulkner's first novel deals powerfully with lives blighted by war.

Selected by the Modern Library as one of the 100 best novels of all timeFrom the Modern Library's new set of beautifully repackaged hardcover classics by William Faulkner-also available are Snopes, As I Lay Dying, Light in August, Absalom, Absalom!, and Selected Short StoriesThe Sound and the Fury, first published in 1929, is perhaps William Faulkner's greatest book. It was immediately praised for its innovative narrative technique, and comparisons were made with Joyce and Dostoyevsky, but it did not receive popular acclaim until the late forties, shortly before Faulkner received the Nobel Prize for Literature. The novel reveals the story of the disintegration of the Compson family, doomed inhabitants of Faulkner's mythical Yoknapatawpha County, through the interior monologues of the idiot Benjy and his brothers, Quentin and Jason. Featuring a new Foreword by Marilynne Robinson, this edition follows the text corrected in 1984 by Faulkner expert Noel Polk and corresponds as closely as possible to the author's original intentions. Included also is the Appendix that Faulkner wrote for The Portable Faulkner in 1946, which he called the "key to the whole book."