Bøger af William Gershom Collingwood

The Art Teaching of John Ruskin is a book written by William Gershom Collingwood in 1891. The book is a comprehensive guide to the art teachings of John Ruskin, a renowned art critic and social thinker of the 19th century. Collingwood's book provides an in-depth analysis of Ruskin's ideas on art, aesthetics, and the role of the artist in society. The book is divided into several chapters, each dealing with a different aspect of Ruskin's art teachings. Some of the topics covered in the book include Ruskin's views on the importance of nature in art, his ideas on the relationship between art and morality, and his thoughts on the role of the artist in society. The book is a valuable resource for anyone interested in the history of art and the ideas of one of the most influential art critics of the 19th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Verona and Other Lectures is a collection of lectures by John Ruskin, a prominent British art critic, writer, and social thinker of the Victorian era. The lectures cover a wide range of topics, from art to literature to religion. This book is a must-read for anyone interested in the Victorian era and its cultural and intellectual movements.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Book of Coniston" from William Gershom Collingwood. English author, artist, antiquary and Professor of Fine Arts (1854-1932).

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Philosophy of Ornament is a book written by William Gershom Collingwood and originally published in 1883. It consists of eight lectures that explore the history of decorative art, with a focus on the philosophical and aesthetic principles that underlie the creation of ornamental designs. Collingwood examines the origins of ornament in primitive cultures and traces its evolution through ancient civilizations such as Egypt, Greece, and Rome. He then moves on to the Middle Ages, discussing the role of ornament in Gothic architecture and illuminated manuscripts. The book also delves into the Renaissance and Baroque periods, exploring the emergence of new styles and techniques in decorative art. Collingwood discusses the influence of Eastern art on Western ornamentation, as well as the impact of the Industrial Revolution on the production and consumption of decorative objects. Throughout the lectures, Collingwood emphasizes the importance of ornament as a form of expression and communication, and argues that the study of decorative art is essential for understanding the cultural and historical context in which it was created. Overall, The Philosophy of Ornament is a comprehensive and insightful exploration of the history and significance of decorative art, written by a renowned scholar and philosopher.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

" If origin, if early training and habits of life, if tastes, and character, and associations, fix a man's nationality, then John Ruskin must be reckoned a Scotsman. He was born in London, but his family was from Scotland. He was brought up in England, but the friends and teachers, the standards and influences of his early life, were chiefly Scottish. The writers who directed him into the main lines of his thought and work were Scotsmen from Sir Walter and Lord Lindsay and Principal Forbes to the master of his later studies of men and the means of life, Thomas Carlyle. The religious instinct so conspicuous in him was a heritage from Scotland; thence the combination of shrewd common-sense and romantic sentiment; the oscillation between levity and dignity, from caustic jest to tender earnest; the restlessness, the fervour, the impetuosity all these are the tokens of a Scotsman of parts, and were highly developed in John Ruskin.P. 13In the days of auld lang syne the Rhynns of Galloway that hammer- headed promontory of Scotland which looks towards Belfast Lough was the home of two great families, the Agnews and the Adairs. The Agnews, of Norman race, occupied the northern half, centring about their island-fortress of Lochnaw, where they became celebrated for a long line of hereditary sheriffs and baronets who have played no inconsiderable part in public affairs. The southern half, from Portpatrick to the Mull of Galloway, was held by the Adairs (or, as formerly spelt, Edzears) who took their name from Edgar, son of Dovenald, one of the two Galloway leaders at the Battle of the Standard. Three hundred years later Robert Edzear who does not know his descendant and namesake, Robin Adair? settled at Gainoch, near the head of Luce Bay; and for another space of 300 years his children kept the same estate, in spite of private feud, and civil war, and religious persecution, of which they had more than their share..."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Book of Verses is an unchanged, high-quality reprint of the original edition of 1885.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Life and Death of Cormac the Skald is an unchanged, high-quality reprint of the original edition .Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Poems, now first collected from original manuscript and printed sources; - And edited, in chronological order, with notes, biographical and critical - Vol. 1 is an unchanged, high-quality reprint of the original edition of 1891.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.