Bøger af William Hope Hodgson

" Now we had been five days in the boats, and in all this time made no discovering of land. Then upon the morning of the sixth day came there a cry from the bo'sun, who had the command of the lifeboat, that there was something which might be land afar upon our larboard bow; but it was very low lying, and none could tell whether it was land or but a morning cloud. Yet, because there was the beginning of hope within our hearts, we pulled wearily towards it, and thus, in about an hour, discovered it to be indeed the coast of some flat country.Then, it might be a little after the hour of midday, we had come so close to it that we could distinguish with ease what manner of land lay beyond the shore, and thus we found it to be of an abominable flatness, desolate beyond all that I could have imagined. Here and there it appeared to be covered with clumps of queer vegetation; though whether they were small trees or great bushes, I had no means of telling; but this I know, that they were like unto nothing which ever I had set eyes upon before.So much as this I gathered as we pulled slowly along the coast, seeking an opening whereby we could pass inward to the land; but a weary time passed or ere we came upon that which we sought. Yet, in the end, we found ita slimybanked creek, which proved to be the estuary of a great river, though we spoke of it always as a creek. Into this we entered, and proceeded at no great pace upwards along its winding course; and as we made forward, we scanned the low banks upon each side, perchance there might be some spot where we could make to land; but we found nonethe banks being composed of a vile mud which gave us no encouragement to venture rashly upon them."

" In response to Carnacki's usual card of invitation to have dinner and listen to a story, I arrived promptly at 427, Cheyne Walk, to find the three others who were always invited to these happy little times, there before me. Five minutes later, Carnacki, Arkright, Jessop, Taylor, and I were all engaged in the "pleasant occupation" of dining."You've not been long away, this time," I remarked, as I finished my soup; forgetting momentarily Carnacki's dislike of being asked even to skirt the borders of his story until such time as he was ready. Then he would not stint words."That's all," he replied, with brevity; and I changed the subject, remarking that I had been buying a new gun, to which piece of news he gave an intelligent nod, and a smile which I think showed a genuinely goodhumored appreciation of my intentional changing of the conversation.Later, when dinner was finished, Carnacki snugged himself comfortably down in his big chair, along with his pipe, and began his story, with very little circumlocution:"As Dodgson was remarking just now, I've only been away a short time, and for a very good reason tooI've only been away a short distance. The exact locality I am afraid I must not tell you; but it is less than twenty miles from here; though, except for changing a name, that won't spoil the story. And it is a story too! One of the most extraordinary things ever I have run against."

A romance of the far future, in which humankind has relocated underground, where it is beset by monsters from another dimension—but love leads on.In the far future, humankind’s survivors huddle below Earth’s frozen surface in a pyramidal fortress-city that, for centuries now, has been under siege by loathsome “Ab-humans,” enormous slugs and spiders, and malevolent “Watching Things” from another dimension. When our unnamed protagonist receives a telepathic distress signal from a woman whom (in a previous incarnation) he’d once loved, he sallies forth on an ill-advised rescue mission—into the fiend-haunted Night Land!“Like certain rare dreams,” C. S. Lewis wrote of Hodgson’s masterpiece, The Night Land can give “sensations we never had before and enlarge our conception of the range of possible experience.” H. P. Lovecraft agreed that this is “one of the most potent pieces of macabre imagination ever written.”William Hope Hodgson (1877–1918) was an English poet, sailor, bodybuilder, and weird fiction pioneer whose horror, fantastic, and proto-sf novels—in addition to The Night Land—include The Boats of the “Glen Carrig” (1907), The House on the Borderland (1908), and The Ghost Pirates (1909). He also wrote stories in the Sargasso Sea series, the Captain Gault series, and a series about the occult detective Carnacki.

" In response to Carnacki's usual card of invitation to have dinner and listen to a story, I arrived promptly at 427, Cheyne Walk, to find the three others who were always invited to these happy little times, there before me. Five minutes later, Carnacki, Arkright, Jessop, Taylor, and I were all engaged in the "pleasant occupation" of dining.....

British fantasy author William Hope Hodgson wrote the supernatural horror book The House on the Borderland in 1908. The book is a hallucinogenic description of a recluse's stay in a rural location and his encounters with paranormal beings and ethereal realms. Two men are taken aback when they come upon a peculiar abyss while on a two-week fishing trip in secluded western Ireland. They discover ruins and a journal buried in them on a rock spur above this hole. They read the journal. The journal's author describes himself as an elderly guy who has long resided in a historic building. A few months later, awful man-sized monsters with dead-white skin attack the House after emerging from a nearby Pit. Strong and intelligent, the Swine-Things are unable to enter; after a night and day during which the Recluse kills several of them, they vanish. He waits several days before leaving the House with Pepper to seek the previous gardens outside because he is scared of the dangerous monsters. The story closes with the guy in his study seeing the beast enter the Cellar through the trap door. After recovering from reading the journal, the two guys resume fishing without attempting to return to the terrifying abyss.

William Hope Hodgson, an English author, collected occult detective short stories under the title Carnacki the Ghost-Finder.The Grey Room, a chamber in an old mansion, was the scene of a gruesome murder many years ago. He underestimates the strength of the manifestation, and he spends a wretched, terrifying night within his electrified pentacle. In Ireland, a derelict home exhibits paranormal activity, including what seems to be blood falling from the roof. Carnacki assembles a team of strong neighborhood guys and many dogs for the investigation. According to a Celtic tradition, a court jester was once burned to death while whistling in the fireplace of the chamber. The chamber is then completely destroyed, with all of its components being burnt in a blast furnace inside of a protective pentacle that features an old Celtic inscription. There is a female firstborn for the first time in seven generations, and her fiancée has just had her arm shattered by an unidentified attacker. Carnacki looks into a haunting that has occurred at his mother's home. The tenant informs Carnacki about the house's enigmatic past and rumours of a ghostly woman. Carnacki spends the night at the chapel dressed in armour, his camera at the ready to capture any enigmatic occurrences. He had been hearing strange noises all night.

William H. Hodgson, né le 15 novembre 1877 à Blackmore et mort le 19 avril 1918 en Belgique, est un écrivain anglais réputé pour ses nouvelles et ses romans fantastiques. La porte du monstre : Carnacky, le célèbre détective des mystères, spécialisé dans la recherche des fantômes, se rend chez un riche propriétaire dont la propriété est hantée. C'est l'intrigue où Hodgson nous plonge, un récit court, tenu et au suspens étonnant. Carnacki a accepté d'aller étudier un problème de maison hantée dans une demeure peu éloignée de Londres. Trois personnes y ont trouvé la mort un siècle et demi plus tôt, étranglées dans la chambre grise. Toutes les nuits, la porte de cette chambre, bien que fermée à clef, s'ouvre et se referme brutalement et on y ressent une présence hostile. Après avoir constaté ces faits, Carnacki va devoir user de toute sa connaissance et sa science de la lutte contre les revenants pour résoudre cet angoissant problème et faire en sorte que cet esprit puissant disparaisse. / Le dernier voyage :"Le Shamraken, navire à voiles, en avait passé des jours sur les mers..." 60 ans de navigation, l'équipage composé de vieillards s'en retourne à terre. Un soir le navire entre dans une nappe de brouillard d'une teinte orange du plus bel effet, l'équipage pense aborder au Paradis...

"From the manuscript, discovered in 1877 by Messrs Tonnison and Berreggnog, in the ruins that lie to the south of the village of Kraighten, in the west of Ireland. Set out here, with notes."-This large format (6 x 9 trade paperback) exceptionally faithful reference edition by Along About Midnight Press presents William Hope Hodgson's chilling novel The House on the Borderland as published by Chapman and Hall, of London, in 1908. The novel is presented complete and unabridged. This edition has been carefully edited with the goal of restoring the original novel, and contains no interpretive essays, "modern perspectives," or other vanity content.About 236 strange, pit-watered pages.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

William Hope Hodgson was born in Essex, England on November 15th, 1877. Over his short career he produced a large body of work which explored and covered many genres. From horror, to science fiction, to stories on the sea, where he had spent much of his early life. In 1899, at the age of 22, he opened W. H. Hodgson's School of Physical Culture, in Blackburn, England, offering tailored exercise regimes for personal training. Eventually the business shut down and he immersed himself in writing. An article in 1903 "Physical Culture versus Recreative Exercises" seems to be one of the first and the following year came his first short story "The Goddess of Death". It was the beginning of an intensely creative period in his life. When war drew its shadow over Europe Hodgson received a commission as a Lieutenant in the Royal Artillery. In 1916 he was thrown from a horse and suffered a serious head injury; he received a mandatory discharge, and returned to writing. Hodgson recovered sufficiently to re-enlist but at the Battle of Ypres in April 1918 he was killed by an artillery shell.

William Hope Hodgson was born in Essex, England on November 15th, 1877. Over his short career he produced a large body of work which explored and covered many genres. From horror, to science fiction, to stories on the sea, where he had spent much of his early life. In 1899, at the age of 22, he opened W. H. Hodgson's School of Physical Culture, in Blackburn, England, offering tailored exercise regimes for personal training. Eventually the business shut down and he immersed himself in writing. An article in 1903 "Physical Culture versus Recreative Exercises" seems to be one of the first and the following year came his first short story "The Goddess of Death". It was the beginning of an intensely creative period in his life. When war drew its shadow over Europe Hodgson received a commission as a Lieutenant in the Royal Artillery. In 1916 he was thrown from a horse and suffered a serious head injury; he received a mandatory discharge, and returned to writing. Hodgson recovered sufficiently to re-enlist but at the Battle of Ypres in April 1918 he was killed by an artillery shell.

William Hope Hodgson was born in Essex, England on November 15th, 1877. Over his short career he produced a large body of work which explored and covered many genres. From horror, to science fiction, to stories on the sea, where he had spent much of his early life. In 1899, at the age of 22, he opened W. H. Hodgson's School of Physical Culture, in Blackburn, England, offering tailored exercise regimes for personal training. Eventually the business shut down and he immersed himself in writing. An article in 1903 "Physical Culture versus Recreative Exercises" seems to be one of the first and the following year came his first short story "The Goddess of Death". It was the beginning of an intensely creative period in his life. When war drew its shadow over Europe Hodgson received a commission as a Lieutenant in the Royal Artillery. In 1916 he was thrown from a horse and suffered a serious head injury; he received a mandatory discharge, and returned to writing. Hodgson recovered sufficiently to re-enlist but at the Battle of Ypres in April 1918 he was killed by an artillery shell.

William Hope Hodgson was born in Essex, England on November 15th, 1877. Over his short career he produced a large body of work which explored and covered many genres. From horror, to science fiction, to stories on the sea, where he had spent much of his early life. In 1899, at the age of 22, he opened W. H. Hodgson's School of Physical Culture, in Blackburn, England, offering tailored exercise regimes for personal training. Eventually the business shut down and he immersed himself in writing. An article in 1903 "Physical Culture versus Recreative Exercises" seems to be one of the first and the following year came his first short story "The Goddess of Death". It was the beginning of an intensely creative period in his life. When war drew its shadow over Europe Hodgson received a commission as a Lieutenant in the Royal Artillery. In 1916 he was thrown from a horse and suffered a serious head injury; he received a mandatory discharge, and returned to writing. Hodgson recovered sufficiently to re-enlist but at the Battle of Ypres in April 1918 he was killed by an artillery shell.

The Night Land (1912) is a terrifying tale of romance and fantasy in which William Hope Hodgson imagines humanity at the end of the world. Noted for its creative exploration of concepts such as telepathy, futuristic technologies, and reincarnation, Hodgson's novel is an indisputable classic of literary science fiction.When a widower dreams of Earth in a far-off future, what he sees is nearly unrecognizable. The sun has been extinguished, and all human life has been forced to gather within the Last Redoubt, a metal pyramid looming miles above the darkened planet. Outside, monstrous forces gather, waiting for the mysterious energy source powering humanity's last refuge to die out. When the narrator unexpectedly connects with a young woman telepathically, he makes the horrifying choice to leave the safety of the pyramid in order to search for her at the rumored Lesser Redoubt, long thought lost to the dark. The Night Land journeys to the outer reaches of space and time to see how far humanity will go to keep love, and itself, alive.Complex and kaleidoscopic, William Hope Hodgson's The Night Land is a classic story of romance and loss projected into a harsh, unpredictable future. It is often considered a seminal work in the Dying Earth or apocalyptic subgenre of science fiction and fantasy. For its strange blend of futuristic imagery and archaic narration, the book was initially deemed difficult to read. However, as time has passed, and with the help of positive reviews by such figures as H.P. Lovecraft, The Night Land is now appreciated for the depths of its vision and the experimental nature of its form.For modern readers, who face the daily reality of a deadly pandemic and a future threatened by global climate disaster, Hodgson's work can only prove timely. For fans of classic science fiction, horror, and fantasy, The Night Land is a guaranteed hit.With a beautifully designed cover and professionally typeset manuscript, this new edition of William Hope Hodgson's The Night Land is a classic work of science fiction reimagined for modern readers.

he Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in the Last Redoubt, a gigantic metal pyramid, nearly eight miles high, which is under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For thousands of years vast living shapes known as the Watchers have waited in the darkness near the pyramid. It is thought that they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness, some of unknown origins, and others that may once have been human. Hodgson uses the term "Abhuman" to name several different species of intelligent beings evolved from humans who interbred with alien species or adapted to changed environmental conditions, and are seen as decayed or maligned by those living inside the Last Redoubt.