Bøger af William Wells Brown

Discover the fascinating history of Haiti, one of the most vibrant and turbulent nations in the Caribbean. This lecture by William Wells Brown, one of the most important African American writers of the 19th century, explores the political, social, and cultural landscape of Haiti, from the slave revolt that led to its independence to the struggles of its people in the modern era. A must-read for anyone interested in the history of the African diaspora and the struggle for freedom.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Brown's insightful and engaging travelogue chronicles his experiences as an escaped slave traveling through Europe in the mid-19th century. With vivid descriptions of people and places, this book offers a unique perspective on the complex issues of race, slavery, and freedom that shaped America in the years leading up to the Civil War.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This documents the participation of both free blacks and slaves during the Civil War, as well as a background of African American participation in the Revolution and War of 1812. From the preface: "Feeling anxious to preserve for future reference an account of the part which the Negro took in suppressing the Slaveholders' Rebellion, I have been induced to write this work. In doing so, it occurred to me that a sketch of the condition of the race previous to the commencement of the war would not be uninteresting to the reader. For the information concerning the services which the blacks rendered to the Government in the Revolutionary War, I am indebted to the late George Livermore, Esq., whose "Historical Research" is the ablest work ever published on the early history of the negroes of this country. In collecting facts connected with the Rebellion, I have availed myself of the most reliable information that could be obtained from newspaper correspondents, as well as from those who were on the battle-field. To officers and privates of several of the colored regiments I am under many obligations for detailed accounts of engagements. No doubt, errors in fact and in judgment will be discovered, which I shall be ready to acknowledge, and correct in subsequent editions. The work might have been swelled to double its present size; but I did not feel bound to introduce an account of every little skirmish in which colored men were engaged. I waited patiently, before beginning this work, with the hope that some one more competent would take the subject in hand; but, up to the present, it has not been done, although many books have been written upon the Rebellion. WILLIAM WELLS BROWN."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Black Man 2 William Wells Brown

There is a saying that each person has strength enough to bear the misfortune of others; this story tests the limits of those words. It is difficult to imagine how owning slaves could ever be rationalized, particularly when the voice of one oppressed human being tells the tale of such inhumanities. The Narrative of William Wells Brown, though short, is emotional reading. Though not as well remembered as Sojourner Truth, Booker T. Washington, Frederick Douglass, or other famous African American's of the Civil War Era, William Wells Brown was one of the major Black political and intellectual leaders of the 19th Century. In addition to being an antislavery activist, he was one of the first to write works of African American history. Brown was among the first African Americans to publish a novel (Clotel, the President's Daughter). Brown's slave narrative provides the usual chilling view of that evil: it also celebrates the ability of Black men and women and their supporters to rise above, outwit and out struggle the slave masters. Clear political foresight is also provided, as Brown's narrative enters into a discourse that was opened by the publication of Uncle Tom's Cabin about what force would bring an end to slavery. Harriet Beecher Stowe put forward the idea of becoming born again in Christ through the evangelical experience inspired by the heroism of slaves, leading to a religious revival that would recognize slavery as the number one sin in the World. Delany proposed a Pan-African cultural revolution to set up a free Black nation that would lead an international slave revolt. Brown's prediction of the solution, and his recognition of the nature of the conflict, not simply between slavery and abolitionism, but between slavery and industrial capitalism, the actual lines of the civil war, was brilliant, prescient, and right.

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William Wells Brown (circa 1814 - November 6, 1884) was a prominent African-American abolitionist lecturer, novelist, playwright, and historian in the United States. Born into slavery in Montgomery County, Kentucky, near the town of Mount Sterling, Brown escaped to Ohio in 1834 at the age of 20. He settled in Boston, Massachusetts, where he worked for abolitionist causes and became a prolific writer. While working for abolition, Brown also supported causes including: temperance, women's suffrage, pacifism, prison reform, and an anti-tobacco movement. His novel Clotel (1853), considered the first novel written by an African American, was published in London, England, where he resided at the time; it was later published in the United States. Brown was a pioneer in several different literary genres, including travel writing, fiction, and drama. In 1858 he became the first published African-American playwright, and often read from this work on the lecture circuit. Following the Civil War, in 1867 he published what is considered the first history of African Americans in the Revolutionary War. He was among the first writers inducted to the Kentucky Writers Hall of Fame, established in 2013. A public school was named for him in Lexington, Kentucky. Brown was lecturing in England when the 1850 Fugitive Slave Law was passed in the US; as its provisions increased the risk of capture and re-enslavement, he stayed overseas for several years. He traveled throughout Europe. After his freedom was purchased in 1854 by a British couple, he and his two daughters returned to the US, where he rejoined the abolitionist lecture circuit in the North. A contemporary of Frederick Douglass, Brown was overshadowed by the charismatic orator and the two feuded publicly... Brown stayed abroad until 1854. Passage of the 1850 Fugitive Slave Law had increased his risk of capture even in the free states. Only after the Richardson family of Britain purchased his freedom in 1854 (they had done the same for Frederick Douglass), did Brown return to the United States. He quickly rejoined the anti-slavery lecture circuit. Perhaps because of the rising social tensions in the 1850s, Brown became a proponent of African-American emigration to Haiti, an independent black republic in the Caribbean since 1804. He decided that more militant actions[clarification needed] were needed to help the abolitionist cause. During the American Civil War and in the decades that followed, Brown continued to publish fiction and non-fiction books, securing his reputation as one of the most prolific African-American writers of his time. He also helped recruit blacks to fight for the Union in the Civil War. He introduced Robert John Simmons from Bermuda to the abolitionist Francis George Shaw, father of Colonel Robert Gould Shaw, the commanding officer of the 54th Massachusetts Volunteer Infantry Regiment. While continuing to write, Brown was active in the Temperance movement as a lecturer. After studying homeopathic medicine, he opened a medical practice in Boston's South End while keeping a residence in Cambridge. In 1882 he moved to the nearby city of Chelsea. William Wells Brown died on November 6, 1884 in Chelsea, Massachusetts at the age of 70.....

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

William Wells Brown (circa 1814 - November 6, 1884) was a prominent African-American abolitionist lecturer, novelist, playwright, and historian in the United States. Born into slavery in Montgomery County, Kentucky, near the town of Mount Sterling, Brown escaped to Ohio in 1834 at the age of 20. He settled in Boston, Massachusetts, where he worked for abolitionist causes and became a prolific writer. While working for abolition, Brown also supported causes including: temperance, women's suffrage, pacifism, prison reform, and an anti-tobacco movement. His novel Clotel (1853), considered the first novel written by an African American, was published in London, England, where he resided at the time; it was later published in the United States. Brown was a pioneer in several different literary genres, including travel writing, fiction, and drama. In 1858 he became the first published African-American playwright, and often read from this work on the lecture circuit. Following the Civil War, in 1867 he published what is considered the first history of African Americans in the Revolutionary War. He was among the first writers inducted to the Kentucky Writers Hall of Fame, established in 2013. A public school was named for him in Lexington, Kentucky. Brown was lecturing in England when the 1850 Fugitive Slave Law was passed in the US; as its provisions increased the risk of capture and re-enslavement, he stayed overseas for several years. He traveled throughout Europe. After his freedom was purchased in 1854 by a British couple, he and his two daughters returned to the US, where he rejoined the abolitionist lecture circuit in the North. A contemporary of Frederick Douglass, Brown was overshadowed by the charismatic orator and the two feuded publicly.William was born into slavery in 1814 (or March 15, 1815) near Lexington, Kentucky, where his mother Elizabeth was a slave (she was of Native American and Black ancestry). She was held by Dr. John Young and had seven children, each by different fathers. (In addition to William, her children were Solomon, Leander, Benjamin, Joseph, Milford, and Elizabeth.) William was of mixed race; his father was George W. Higgins, a white planter and half brother of his master Dr. Young. Higgins formally acknowledged William as his son and made Young promise not to sell him.But Young did sell the boy and his mother. In the end, William was sold several times before he was twenty years old. William spent the majority of his youth in St. Louis. His masters hired him out to work on steamboats on the Missouri River, then a major thoroughfare for steamships and the slave trade. His work allowed him to see many new places. In 1833, he and his mother escaped together across the Mississippi River, but they were captured in Illinois. In 1834, Brown made a second escape attempt, successfully slipping away from a steamboat when it docked in Cincinnati, Ohio, a free state. In freedom, he took the names of Wells Brown, a Quaker friend who helped him after his escape by providing food, clothes and some money. He learned to read and write, and eagerly sought more education, reading extensively to make up for what he had been deprived. Around this time he was hired by Elijah Lovejoy and worked with the famed abolitionist in his printing office.....

Thirteen years ago, I came to your door, a weary fugitive from chains and stripes. I was a stranger, and you took me in. I was hungry, and you fed me. Naked was I, and you clothed me. Even a name by which to be known among men, slavery had denied me. You bestowed upon me your own. Base indeed should I be, if I ever forget what I owe to you, or do anything to disgrace that honored name!

The Anti-Slavery Harp: A Collection of Songs for Anti-Slavery Meetings by William Wells Brown

Sketches of Places and People Abroad: The American Fugitive in Europe is a book written by William Wells Brown, an African-American abolitionist and writer. The book is a collection of sketches and essays that describe Brown's experiences traveling through Europe as a fugitive slave in the mid-19th century.In the book, Brown provides vivid descriptions of the places he visited, including Paris, London, and Liverpool. He also writes about the people he met, including fellow abolitionists, European intellectuals, and fellow African-Americans living abroad.Throughout the book, Brown reflects on the differences between European and American societies, particularly in terms of race and slavery. He also discusses his own experiences as a fugitive slave, including his escape from slavery and his subsequent travels through Canada and Europe.Overall, Sketches of Places and People Abroad provides a unique perspective on the experiences of an African-American fugitive in Europe during a pivotal moment in history.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

William Wells Brown (circa 1814 - November 6, 1884) was a prominent African-American abolitionist lecturer, novelist, playwright, and historian in the United States. Born into slavery in Montgomery County, Kentucky, near the town of Mount Sterling, Brown escaped to Ohio in 1834 at the age of 20. He settled in Boston, where he worked for abolitionist causes and became a prolific writer. His novel Clotel (1853), considered the first novel written by an African American, was published in London, where he resided at the time; it was later published in the United States. Brown was a pioneer in several different literary genres, including travel writing, fiction, and drama. In 1858 he became the first published African-American playwright, and often read from this work on the lecture circuit. Following the Civil War, in 1867 he published what is considered the first history of African Americans in the Revolutionary War. He was among the first writers inducted to the Kentucky Writers Hall of Fame. A public school was named for him in Lexington, Kentucky. Brown was lecturing in England when the 1850 Fugitive Slave Law was passed in the US; as its provisions increased the risk of capture and re-enslavement, he stayed overseas for several years. He traveled throughout Europe. After his freedom was purchased in 1854 by a British couple, he and his two daughters returned to the US, where he rejoined the abolitionist lecture circuit in the North. A contemporary of Frederick Douglass, Wells Brown was overshadowed by the charismatic orator and the two feuded publicl

THE calumniators and traducers of the Negro are to be found, mainly, among two classes. The first and most relentless are those who have done them the greatest injury, by being instrumental in their enslavement and consequent degradation. They delight to descant upon the "natural inferiority" of the blacks, and claim that we were destined only for a servile condition, entitled neither to liberty nor the legitimate pursuit of happiness. The second class are those who are ignorant of the characteristics of the race, and are the mere echoes of the first. To meet and refute these misrepresentations, and to supply a deficiency, long felt in the community, of a work containing sketches of individuals who, by their own genius, capacity, and intellectual development, have surmounted the many obstacles which slavery and prejudice have thrown in their way, and raised themselves to positions of honor and influence, this volume was written. The characters represented in most of these biographies are for the first time put in print. The author's long sojourn in Europe, his opportunity of research amid the archives of England and France, and his visit to the West Indies, have given him the advantage of information respecting the blacks seldom acquired.

William Wells Brown (circa 1814 - November 6, 1884) was a prominent African-American abolitionist lecturer, novelist, playwright, and historian in the United States. Born into slavery in Montgomery County, Kentucky, near the town of Mount Sterling, Brown escaped to Ohio in 1834 at the age of 20. He settled in Boston, where he worked for abolitionist causes and became a prolific writer. His novel Clotel (1853), considered the first novel written by an African American, was published in London, where he resided at the time; it was later published in the United States. Brown was a pioneer in several different literary genres, including travel writing, fiction, and drama. In 1858 he became the first published African-American playwright, and often read from this work on the lecture circuit. Following the Civil War, in 1867 he published what is considered the first history of African Americans in the Revolutionary War. He was among the first writers inducted to the Kentucky Writers Hall of Fame. A public school was named for him in Lexington, Kentucky. Brown was lecturing in England when the 1850 Fugitive Slave Law was passed in the US; as its provisions increased the risk of capture and re-enslavement, he stayed overseas for several years. He traveled throughout Europe. After his freedom was purchased in 1854 by a British couple, he and his two daughters returned to the US, where he rejoined the abolitionist lecture circuit in the North. A contemporary of Frederick Douglass, Wells Brown was overshadowed by the charismatic orator and the two feuded publicl

With the growing population in the Southern States, the increase of mulattoes has been very great. Society does not frown upon the man who sits with his half-white child upon his knee whilst the mother stands, a slave, behind his chair. In nearly all the cities and towns of the Slave States, the real negro, or clear black, does not amount to more than one in four of the slave population. This fact is of itself the best evidence of the degraded and immoral condition of the relation of master and slave. Throughout the Southern States, there is a class of slaves who, in most of the towns, are permitted to hire their time from their owners, and who are always expected to pay a high price. This class is the mulatto women, distinguished for their fascinating beauty. The handsomest of these usually pay the greatest amount for their time. Many of these women are the favorites of men of property and standing, who furnish them with the means of compensating their owners, and not a few are dressed in the most extravagant manner.

2017 Reprint of 1853 Edition. First published in December 1853, "Clotel" was written amid then unconfirmed rumors that Thomas Jefferson had fathered children with one of his slaves. The story begins with the auction of his mistress, here called Currer, and their two daughters, Clotel and Althesa. The Virginian who buys Clotel falls in love with her, gets her pregnant, seems to promise marriage--then sells her. Escaping from the slave dealer, Clotel returns to Virginia disguised as a white man in order to rescue her daughter, Mary, a slave in her father's house. A fast-paced and harrowing tale of slavery and freedom, of the hypocrisies of a nation founded on democratic principles, Clotel is more than a sensationalist novel. It is a founding text of the African American novelistic tradition, a brilliantly composed and richly detailed exploration of human relations in a new world in which race is a cultural construct.

A narrative of the life of the author of the present work has been most extensively circulated in England and America. The present memoir will, therefore, simply comprise a brief sketch of the most interesting portion of Mr. Brown's history while in America, together with a short account of his subsequent cisatlantic career. The publication of his adventures as a slave, and as a fugitive from slavery in his native land, has been most valuable in sustaining a sound anti-slavery spirit in Great Britain. His honourable reception in Europe may be equally serviceable in America, as another added to the many practical protests previously entered from this side of the Atlantic, against the absolute bondage of three millions and a quarter of the human race, and the semi-slavery involved in the social and political proscription of 600,000 free coloured people in that country.

The Narrative of William W. Brown a Fugitive Slave is a classic American slave biography by William Wells Brown. Thirteen years ago, I came to your door, a weary fugitive from chains and stripes. I was a stranger, and you took me in. I was hungry, and you fed me. Naked was I, and you clothed me. Even a name by which to be known among men, slavery had denied me. You bestowed upon me your own. Base indeed should I be, if I ever forget what I owe to you, or do anything to disgrace that honored name! As a slight testimony of my gratitude to my earliest benefactor, I take the liberty to inscribe to you this little Narrative of the sufferings from which I was fleeing when you had compassion upon me. In the multitude that you have succored, it is very possible that you may not remember me; but until I forget God and myself, I can never forget you. Your grateful friend, WILLIAM WELLS BROWN. William Wells Brown (circa 1814 - November 6, 1884) was a prominent African-American abolitionist lecturer, novelist, playwright, and historian in the United States. Born into slavery in Montgomery County, Kentucky, near the town of Mount Sterling, Brown escaped to Ohio in 1834 at the age of 20. He settled in Boston, Massachusetts, where he worked for abolitionist causes and became a prolific writer. While working for abolition, Brown also supported causes including: temperance, women's suffrage, pacifism, prison reform, and an anti-tobacco movement.[1] His novel Clotel (1853), considered the first novel written by an African American, was published in London, England, where he resided at the time; it was later published in the United States. Brown was a pioneer in several different literary genres, including travel writing, fiction, and drama. In 1858 he became the first published African-American playwright, and often read from this work on the lecture circuit. Following the Civil War, in 1867 he published what is considered the first history of African Americans in the Revolutionary War. He was among the first writers inducted to the Kentucky Writers Hall of Fame, established in 2013.[2] A public school was named for him in Lexington, Kentucky. Brown was lecturing in England when the 1850 Fugitive Slave Law was passed in the US; as its provisions increased the risk of capture and re-enslavement, he stayed overseas for several years. He traveled throughout Europe. After his freedom was purchased in 1854 by a British couple, he and his two daughters returned to the US, where he rejoined the abolitionist lecture circuit in the North. A contemporary of Frederick Douglass, Brown was overshadowed by the charismatic orator and the two feuded publicly

MORE than two hundred years have elapsed since the first cargo of slaves was landed on the banks of the James River, in the colony of Virginia, from the West coast of Africa. From the introduction of slaves in 1620, down to the period of the separation of the Colonies from the British Crown, the number had increased to five hundred thousand; now there are nearly four million. In fifteen of the thirty-one States, Slavery is made lawful by the Constitution, which binds the several States into one confederacy.

I WAS born in Lexington, Ky. The man who stole me as soon as I was born, recorded the births of all the infants which he claimed to be born his property, in a book which he kept for that purpose. My mother's name was Elizabeth. She had seven children, viz: Solomon, Leander, Benjamin, Joseph, Millford, Elizabeth, and myself. No two of us were children of the same father. My father's name, as I learned from my mother, was George Higgins. He was a white man, a relative of my master, and connected with some of the first families in Kentucky. My master owned about forty slaves, twenty-five of whom were field hands. He removed from Kentucky to Missouri, when I was quite young, and settled thirty or forty miles above St. Charles, on the Missouri, where, in addition to his practice as a physician, he carried on milling, merchandizing and farming. He had a large farm, the principal productions of which were tobacco and hemp. The slave cabins were situated on the back part of the farm, with the house of the overseer, whose name was Grove Cook, in their midst. He had the entire charge of the farm, and having no family, was allowed a woman to keep house for him, whose business it was to deal out the provisions for the hands. A woman was also kept at the quarters to do the cooking for the field hands, who were summoned to their unrequited toil every morning at four o'clock, by the ringing of a bell, hung on a post near the house of the overseer. They were allowed half an hour to eat their breakfast, and get to the field. At half past four, a horn was blown by the overseer, which was the signal to commence work; and every one that was not on the spot at the time, had to receive ten lashes from the negro-whip, with which the overseer always went armed. The handle was about three feet long, with the butt-end filled with lead, and the lash six or seven feet in length, made of cowhide, with platted wire on the end of it. This whip was put in requisition very frequently and freely, and a small offence on the part of a slave furnished an occasion for its use. During the time that Mr. Cook was overseer, I was a house servant--a situation preferable to that of a field hand, as I was better fed, better clothed, and not obliged to rise at the ringing of the bell, but about half an hour after. I have often laid and heard the crack of the whip, and the screams of the slave. My mother was a field hand, and one morning was ten or fifteen minutes behind the others in getting into the field. As soon as she reached the spot where they were at work, the overseer commenced whipping her. She cried, "Oh! pray--Oh! pray--Oh! pray"--these are generally the words of slaves, when imploring mercy at the hands of their oppressors. I heard her voice, and knew it, and jumped out of my bunk, and went to the door. Though the field was some distance from the house, I could hear every crack of the whip, and every groan and cry of my poor mother. I remained at the door, not daring to venture any farther. The cold chills ran over me, and I wept aloud. After giving her ten lashes, the sound of the whip ceased, and I returned to my bed, and found no consolation but in my tears. It was not yet daylight.

Published in 1863, this is a collection of sketches of various notable black people and the extraordinary things that they had done to prove that blacks were not inferior to whites.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

An honest account of one man's enslavement and eventual liberation. Narrative of William W. Brown is an autobiography detailing the life of an African American who is subjected to the cruelty and dehumanization of slavery. It follows his epic journey from working on a plantation to a successful literary career.

The first published novel by a black American author combines real-life stories, including his own story of escaping slavery and recollections he heard while helping others escape, with abolitionist agitprop, revealing ephemera from the newspapers of the time, and sympathetic (if somewhat melodramatic) characters. What emerges from this collage is an indictment of slavery and of American hypocrisy about liberty that found an enthusiastic and enraged audience when it was published in 1853.Clotel has a complex publishing history, with four separate editions published between 1853 and 1867. These editions contain huge differences in characters and plotting, so much so that they might each be considered separate novels in their own right. This edition is based on the first edition of 1853.