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Composed around 1779 while still in Salzburg, this youthful setting of the Marian text in C major has been a staple of the choral repertoire for more than a century. This new, digitally-enhanced vocal score is reproduced from the one originally issued by Breitkopf und Hartel, Leipzig, to coincide with the complete works (1876-1905) with a piano reduction by J. G. Scheel. IMSLP page Choral Wiki
This guide contains articles about the historical background to the opera, as well as musical and dramatic commentaries. Further articles deal with the changes in musical performance brought about in recent times by the period practice movement and with the particular uses Mozart makes of recitatives.
Contains more than thirty photographs covering performances of Don Giovanni to the present day, a detailed thematic analysis, the libretto in Italian with a facing literal translation, an up-to-date bibliography and a discography, as well as DVD and website guides.
[front flap]The Mozart Violin ConcertiWolfgang Amadeus Mozart Only about a tenth of Mozart's works were printed during his lifetime, the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozart's violin concertos according to the composer's intentions. Thanks to the well-preserved condition of the original manuscripts and Mozart's legible handwriting, these reproductions of his scores can be used for study, reference, and performance. In addition to the five works―Concerto No. 1 in B Flat, K. 207; Concerto No. 2 in D, K. 211; Concerto No. 3 in G, K. 216; Concerto No. 4 in D, K. 218; and Concerto No. 5 in A, K. 219―the volume includes two additional pieces, the Adagio in E, K. 261, and the Rondo in B Flat, K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat, who located the manuscripts, missing since World War II, supplement the collection: the first one traces Mozart's relationship with the violin, and the other examines the history and importance of these manuscripts, thought to have been forever lost. This outstanding edition offers teachers, violinists, conductors, musicologists, and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the master's own hand. A Calla Edition, originally published by Raven Press, New York, 1986. See every Dover book in print atwww.doverpublications.com ISBN 10: 0-486-60660-059-1 ISBN 13: 978-1-60660-059-7 $80.00 USA [back flap] Wolfgang Amadeus MozartA child prodigy who blossomed into the Classical period's most influential composer, Wolfgang Amadeus Mozart (1756-91) wrote more than 600 works in his brief life. His oeuvre encompasses a wide variety of genres, including symphonic, chamber, operatic, and choral music. Mozart's genius as a composer tends to overshadow his image as a performer, just as his reputation as a pianist eclipses his identity as a violinist, but these works attest to his close and enduring relationship with the violin. Gabriel Banat Born in Romania and educated in Budapest, Hungary, as a concert violinist, Gabriel Banat came to the United States after World War II. Performing since the age of twelve in recital and as soloist with orchestras, he taught violin at Smith College, Hartt School of Music at Hartford University, and was head of the department and conducted the orchestra at the Westchester Conservatory. He also gave master classes on Mozart in Japan, Argentina, and Spain. After a quarter of a century touring the United States, Europe, and Japan, he joined the New York Philharmonic for 23 years. He published Masters of the Violin, a six-volume facsimile collection of seventeenth- and eighteenth-century violinist-composers, and his 2006 biography of Chevalier de Saint-Georges, the first composer of African origin, earned unanimous critical acclaim. In 1986, Banat published the autographs of Mozart's violin concertos, missing from Berlin since 1941. He rediscovered them in Poland, and performed them the following year from the manuscript in Tokyo, Japan. Isaac Stern described Banat's edition of the concertos as of enormous interest and inestimable value.
This guide contains articles that describe the genesis of the opera and the circumstances surrounding its first performances, a musical commentary, a detailed description of its performance history. It also includes sixteen pages of illustrations, a musical thematic guide, the full libretto with English translation, a discography and bibliography.
This new vocal score is a digitally enhanced reissue of the score prepared by the renowned English musicologist J. A. Fuller-Maitland in 1896 to coincide with the full score issued several years before as part of Breitkopf & Hartel's complete edition of Mozart's works. In contrast so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable, is beautifully printed on off-white stock with a quality cover. IMSLP page Wikipedia
Mozart wrote Idomeneo when he was twenty-four years old. It is one of most astonishing achievements of an altogether astonishing career. This guide explains the special nature of the music in an analysis of its themes and development, and places the opera in its context as an expression of the Enlightenment.
An original concept: in one volume, a study-size score of a major musical work, and a comprehensive body of tools for the study of that work.
This study has been revised to include new finds about the composition dates of several Mozart works. A new bibliography and a collation with the Neue Mozart-Ausgabe edition of letters, edited by O.E.Deutsch, W.A.Bauer and J.H.Eibl: Baerenreiter, 1962-75 is also included.
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