Bøger af Yōko Tawada

Brudgommen var en hund er en dybt mærkværdig, bizar og udpræget drømmeagtig fortælling om et romantisk og seksuelt forhold mellem en lærerinde og en hundelignende mand. Romanen udpeges af The New York Times som Yoko Tawadas mesterværk, og dens drømmelignende karakter sammenlignes med værker af Kafka. Yoko Tawada (1960) er en af Japans største forfattere og har vundet et utal af litterære priser. Hun har i en årrække har været bosat i Berlin og skriver både på tysk og japansk. Kortroman Brudgommen var en hund vandt Akatugawa prisen i 1992 og er oversat fra japansk af Murakami-specialisten Mette Holm.

Efter en katastrofe har Japankappet alle forbindelser til omverdenen. Den 100-årige Yoshiro tager sigomsorgsfuldt af sit oldebarn Mumei. Børnene fødes syge og kraftesløse. Deresliv hænger i en tynd tråd, alligevel er de muntre og vise. De gamle bliverstadig ældre. Der er næsten ingen dyr tilbage, jorden, havet og luften erforurenet, blomsterne muterer, menneskene ligesådan. Efterhånden somhverdagslivet bliver sværere, forsøger en hemmelig organisation at smugleudvalgte børn, de såkaldte udsendinge, til udlandet i forskningsøjemed. Mumeier et af dem. Udsendingenhandler om menneskers måde at forholde sig til katastrofer på, og om hvad dersker med sproget i en undtagelsestilstand. Skrevet i Yoko Tawadas letteglasklare sprog, der gør en fantastisk verden næsten normal og det normaleusædvanligt smukt. @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536859905 -1073732485 9 0 511 0;}@font-face {font-family:"Calibri Light"; panose-1:2 15 3 2 2 2 4 3 2 4; mso-font-charset:186; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536859905 -1073732485 9 0 511 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Calibri",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;}.MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:"Calibri",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;}div.WordSection1 {page:WordSection1;}

Hvor Europa begynder er en samling af tekster der bevæger sig gennem skiftende landskaber af eventyr, familiehistorie, drømme, hverdagslivet, mærkværdige ord og løsrevne bogstaver. Tawada udvisker skellet mellem fakta og fiktion, mellem prosa og poesi, og fortællingerne beskriver fragmenterede verdener, hvor selv en by, eller en krop, kan blive en form for tekst, og hvor læseren pludselig bliver lige så meget en fremmed som forfatteren, eller som de karakterer der befolker fortællingerne: et spøgelse af en brændt kvinde, en kvinde der rejser med den trans-sibiriske jernbane, en mekanisk dukke, en tunge, en munk der dykker ned i sin egen reflektion. På subtil vis gør Tawada tilstande af fremmedgjorthed, og det at være i-mellem, til en både eksotiske og forvirrende oplevelse, og i processen opfinder hun nærmest en ny måde at opfatte ting på mens hun udfolder sine fine fortællinger.Yoko Tawada [1960] har været bosat i Tyskland siden de tidlige 8o´ere – først i Hamburg og siden i Berlin – og hun skriver sine værker på både tysk og japansk. Flere af værkerne har vundet stor international anerkendelse og modtaget nationale priser i både Tyskland og Japan. Hun optrådte på Louisiana Literature i 2018. Korridor har tidligere udgivet novellaen Brudgommen var en hund (i Mette Holms oversættelse).

Den 33-årige gymnasielærer Pietro har et lidenskabeligt, men lidt opslidende forhold til den sandhedskærlige Teresa. En dag betror de sig til hinanden om deres allermest forfærdelige og pinagtige træk – med et løfte om aldrig at røbe dem for nogen. Kort efter er forholdet forbi, og Pietro finder snart sammen med en anden kvinde. Men efterhånden som han bliver en kendt pædagog, melder fristelserne sig, erotisk og arbejdsmæssigt, og han opdager, at han ved at betro sig til Teresa har skabt et bånd, der ikke kan opløses. For at hun ikke skal afsløre ham, sætter han alt ind på at blive en ren og pletfri udgave af sig selv: en omsorgsfuld lærer, en hensynsfuld ægtefælle, den perfekte far. Men omskabelsen er ikke uden konsekvenser. Hemmeligheder er en bog om kærlighedens og frygtens pædagogik, en vedkommende og klog roman om moderne menneskers sammensatte følelsesliv og deres livtag med kærlighed og identitet. Af forfattren til Bånd og Drilleri.

Yoko Tawada-winner of the National Book Award-presents three terrific new ghost stories, each named after a street in Berlin

The highly anticipated, exquisite new novel from the award-winning, critically acclaimed Yoko Tawada, following our protagonist Patrik as he attempts to find connection in a world that constantly overwhelms him.

It's hard to believe there could be a more enjoyable novel than Scattered All Over the Earth--Yoko Tawada's rollicking, touching, cheerfully dystopian novel about friendship and climate change--but surprising her readers is what Tawada does best: its sequel, Suggested in the Stars, delivers exploits even more poignant and shambolic.As Hiruko--whose Land of Sushi has vanished into the sea and who is still searching for someone who speaks her mother tongue--and her new friends travel onward, they begin opening up to one another in new and extraordinary ways. They try to help their friend Susanoo regain his voice, both for his own good and so he can speak with Hiruko--and amid many often hilarious misunderstandings (some linguistic in nature)--they empower each other against despair. Coping with carbon footprint worries but looping singly and in pairs, they hitchhike, take late-night motorcycle rides, and hop on the train (learning about railway strikes but also packed-train-yoga) to convene in Copenhagen. There they find Susanoo in a strange hospital working with a scary speech-loss doctor. In the half-basement of this weird medical center (with strong echoes of Lars von Trier's 1990s TV series The Kingdom), they also find two special kids washing dishes. They discover magic radios, personality swaps, ship tickets delivered by a robot, and other gifts. But friendship--loaning one another the nerve and heart to keep going--sets them all (and the reader) to dreaming of something more... Suggested in the Stars delivers new delights, and Yoko Tawada's famed new trilogy will conclude in 2025 with Archipelago of the Sun, even if nobody will ever want this "strange, exquisite" (The New Yorker) trip to end.

The highly anticipated, exquisite new novel from the award-winning, critically acclaimed Yoko Tawada, following our protagonist Patrik as he attempts to find connection in a world that constantly overwhelms him.

A tale of passion and romance between a Japanese schoolteacher and a doglike man, from the prize-winning author of The Last Children of TokyoMitsuko, a schoolteacher at the Kitamura school, inspires both rumour and curiosity in the parents of her students because of her unconventional manner - not least when she tells the children the fable of a princess whose hand in marriage is promised to a dog she is intimate with. And when a young man with sharp canine teeth turns up at the schoolteacher's home and declares he's 'here to stay', the romantic - and sexual - relationship that develops intrigues the community, some of whom have suspicions about the man's identity and motives. Masterfully turning the rules of folklore and fable on their head, The Bridegroom Was a Dog is a disarming and unforgettable modern classic.

Patrik, who sometimes calls himself "the patient," is a literary researcher living in present-day Berlin. The city is just coming back to life after lockdown, and his beloved opera houses are open again, but Patrik cannot leave the house and hardly manages to get out of bed. When he shaves his head, his girlfriend scolds him, "What have you done to your head? I don't want to be with a prisoner from a concentration camp!" He is supposed to give a paper at a conference in Paris, on the poetry collection Threadsuns by Paul Celan, but he can't manage to get past the first question on the registration form: "What is your nationality?" Then at a café (or in the memory of being at a café?), he meets a mysterious stranger. The man's name is Leo-Eric Fu, and somehow he already knows Patrik...In the spirit of imaginative homage like Roberto Bolaño's Monsieur Pain, Antonio Tabucchi's Requiem, and Thomas Bernhard's Wittgenstein's Nephew, Yoko Tawada's mesmerizing new novel unfolds like a lucid dream in which friendship, conversation, reading, poetry, and music are the connecting threads that bind us together.

Chosen as a 2005 Times Literary Supplement Book of the Year, Where Europe Begins has been described by the Russian literary phenomenon Victor Pelevin as "a spectacular journey through a world of colliding languages and multiplying cities." In these stories' disparate settings-Japan, Siberia, Russia, and Germany-the reader becomes as much a foreigner as the author, or the figures that fill this book: the ghost of a burned woman, a traveler on the Trans-Siberian railroad, a mechanical doll, a tongue, a monk who leaps into his own reflection. Through the timeless art of storytelling, Yoko Tawada discloses the virtues of bewilderment, estrangement, and Hilaritas: the goddess of rejoicing.

The works of the Japanese writer Yoko Tawada, who lives in Germany and writes in both German and Japanese, demand the suspension of common concepts of reading, understanding, and thinking. Her translingual writing is based on a playful and, at the same time, critical handling of language and various processes of trans­lation: from one language into another, from thoughts into text or sounds, from sounds into text and vice versa. In many of her texts, the linguistic material is taken apart, alienated, and recomposed, in order to achieve new modes of expression, and raise its poetic potential. This book shows the challenges posed by this approach by documenting new translations and essays which originate from her time as DAAD Writer in Residence at St Edmund Hall, University of Oxford, and an exhibition at the Taylor Institution Library.The introduction is provided by Christoph Held who invited her, with a preface by Emma Huber on exhibitions in the Taylorian. Included are new translations of her texts (from German by Rey Conquer and Chiara Giovanni and from Japanese by Lucy Fleming-Brown) with a discussion of her translation techniques (by Alexandra Lloyd); this is contextualised by an essay based on an exhibition curated by Sheela Mahedevan under the supervision of Henrike Lähnemann. The ambition of this collection of creative work and essays is to showcase a transdisciplinary focus that does justice to the transcultural and multilingual nature of Yoko Tawada's works.

I bogen, Looking Writing Reading Looking, går 26 internationale forfattere i dialog med kunstværker fra Louisianas Samling. Forfatterne åbner vores øjne for værkerne med deres særlige, poetiske blik. Igennem en bred vifte af litterære genrer som digt, essay, erindringer og noter viser bogens bidrag, hvor forskelligt man kan opleve kunst. Forfatterne er her læsere af kunstværket – og herfra kan vi selv læse videre. I kunsten og i litteraturen. Bogens bidragsydere er Georgi Gospodinov, Colm Tóibín, Claudia Rankine, Richard Ford, Peter Laugesen, Chris Kraus, Sjón, Anne Carson, Roxane Gay, CAConrad, Mariana Enriquez, Hiromi Itō, Delphine de Vigan, Domenico Starnone, Yoko Tawada, Jacques Roubaud, Gunnhild Øyehaug, Eileen Myles, Tomas Espedal, Christian Kracht, Guadalupe Nettel, Anne Waldman, Matias Faldbakken, Chigozie Obioma, Péter Nádas og Tahar Ben Jelloun. I bogen omtales blandt andet værker af Francis Bacon, Asger Jorn, Henry Heerup, Alicja Kwade og mange andre.

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient-frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism. Yoshiro concentrates on nourishing Mumei, a strangely wonderful boy who offers "the beauty of the time that is yet to come."A delightful, irrepressibly funny book, The Emissary is filled with light. Yoko Tawada, deftly turning inside-out "the curse," defies gravity and creates a playful joyous novel out of a dystopian one, with a legerdemain uniquely her own.

Yoko Tawada's Portrait of a Tongue is a meditation on language and equivalence between German, Japanese, and English. Wright's experimental approach to the translation draws attention to the presence of the translator and her role in mediating Tawada's original reflection on language for an English-speaking audience.

Internationally acclaimed author Yoko Tawada's most famous - and bizarre - tale in a stand-alone, New Directions Pearl edition.

A precocious Vietnamese high school student - known as the pupil with "the iron blouse"-in Ho Chi Minh City is invited to an International Youth Conference in East Berlin. But, in East Berlin, as she is preparing to present her paper in Russian on "Vietnam as a Victim of American Imperialism," she is abruptly kidnapped and taken to a small town in West Germany. After a strange spell of domestic-sexual boredom with her lover-abductor-and though "the Berlin Wall was said to be more difficult to break through than the Great Wall of China" - she escapes on a train to Moscow . . . but mistakenly arrives in Paris. Alone, broke, and in a completely foreign land, Anh (her false name) loses herself in the films of Catherine Deneuve as her real adventures begin.Dreamy, meditative, and filled with the gritty everyday perils of a person living somewhere without papers (at one point Anh is subjected to some vampire-like skin experiments), The Naked Eye is a novel that is as surprising as it is delightful-each of the thirteen chapters titled after and framed by one of Deneuve's films. "As far as I was concerned," the narrator says while watching Deneuve on the screen, "the only woman in the world was you, and so I did not exist." By the time 1989 comes along and the Iron Curtain falls, story and viewer have morphed into the dislocating beauty of both dancer and dance.