Bøger af Youssef Alaoui

The Bioptic Review was started out of a vision to create liaisons between insular poetry circles, and to bridge ideological divides between writers of the English, French and Spanish languages, with the hope to circulate ideas between the literary spaces that stretch from North America to Central and South America, and across the Atlantic Ocean to Europe, most notably to Paris, France where the majority of the Bioptic Review poets, artists, and writers are situated.La Revista Bioptica nació de una visión de unir círculos de poesía aislados y hacer puentes entre divisiones ideológicas entre escritores en las lenguas de inglés, de francés, y de castellana, con la esperanza de hacer circular ideas entre los espacios literarios que se extienden de América del Norte hasta Centroamérica y América del Sur y a través del Océano Atlántico hasta Europa, principalmente en París, Francia donde la mayoría de las poetas, artistas, y escritores viven.La Revue Bioptique est née d'une vision de construire des liens entre des cercles de poésie insulaires et de faire des ponts entre les divisions idéologiques des écrivains anglophones, francophones, et hispanophones, avec l'espoir de faire passer des idées entre les espaces littéraires qui vont de l'Amérique du nord à l'Amérique centrale et à l'Amérique du Sud, et à travers l'Océan Atlantique jusqu'à l'Europe, notamment à Paris, France où la majorité des poètes, artistes, et écrivains de la Revue Bioptique vivent.

Youssef Alaoui's short-story collection, Fiercer Monsters, is concerned with the symbology of letters and the word as invocation, contrasted with the futility of language. In these stories, Alaoui presents a Neanderthal oracle, a little girl in Venezuela in the 1950s, a 19th-century hallucinating sailor, and a WWI soldier. The voices are sometimes salty, always salient. Each voice ultimately laments the fall of the tower of Babel and the resulting confusion.-----¿¿Youssef Alaoui's investigation sifts through language finding and discarding gods along the way. Not so much a trip down rabbit holes, but rather the invention of mirrors. Storytelling in which you find instruments where time should be. Or the monologue of a man who is shuffling cards near his own crime scene.- Tongo Eisen-Martin, author of someone's dead already When unraveling the layers and folds of a Fabulist, you are never sure whether your experience is new or if you are lost in the embroidery. With Youssef Alaoui you get some kind of delirious weave reminiscent of Donald Barthelme and Arthur Conan Doyle. The ultimate critique is whether you stay engaged or find yourself dumped overboard. That is the game and mystery of Fiercer Monsters. Youssef Alaoui delivers!- Michael Rothenberg, author of Big Bridge MagazineFiercer Monsters is a colorful tapestry of stories striking and bleak, elusive and blunt. Alaoui weaves his spicy and tangy world together with gusto. He smudges edible paints on his literary canvas, molds his literary dough without fear, everything goes into his boiling, steaming cauldron and-voila!-he serves you the bright jambalaya of his own folkloric jazz. Dare to meander along his pungent alleys and sunny paths, and connect to your very own Brothers Grimm and the mysterious.- Zarina Zabrisky, author of We, MonstersThe fiction of Youssef Alaoui illuminates the labyrinth of mysticism in the body. His book, Fiercer Monsters, navigates unique terrain ranging from the borders of legend to visceral city encounters. Alaoui combines intoxicating visions with an intellectual clarity that challenges the nature of language itself.- John Swain, author or Under the Mountain BornWhether he is recasting the Tower of Babel story with forest creatures saved by a shamanic chihuahua, or deciphering Arabish text slang in the mind of a tortured prisoner whose last refuge-that of his imagination-is threatening to implode, Youssef Alaoui is never merely out to entertain, though the richness of his metaphors and the kookiness of his tales do not fail to charm and delight. No, Alaoui is engaged in a fiercer struggle, between cultures intent on destroying each other and themselves, in the cavernous gaps between what can be felt and known and what can be spoken and understood. Vibrantly lonely, steeped in the sad funk of human pathos, the fables and incantations in Fiercer Monsters sing from the belly, from the groin, from the broken bone, and from the whole and sheltering heart.- Sarah Fran Wisby

CRITICS OF MYSTERY MARVEL is Youssef Alaoui's debut full-length poetry collection, which explores human relationships between individuals, cultures, races, and genders. He deftly utilizes archaic tones to formulate an artistic approach to metaphor in verse, creating images that appear wholly in the mind and not on the page. This volume consists of ten sections that explores Alaoui's family and heritage, an endless source of inspiration for his varied, dark, spiritual and carnal writings. Blending surrealism, magical realism, and language alchemy, Alaoui explores the human mythos of love, poverty, politics, racism, and war. A few of the poems are written in French and Spanish, translated to English. Post-beat verse from the San Francisco Bay area and the Big-Sur, CRITICS OF MYSTERY MARVEL touches the depth of the soul with poetry that is metaphorically luminous.