Bøger af Zbigniew Herbert

From one of Poland's most acclaimed poets comes a new collection of poems and plays spanning almost five decades and translated for the first time.Encapsulating the prolific work of the poet and playwright Zbigniew Herbert, Reconstruction of the Poet is both a celebration of a profound life of letters and a wide-ranging collection of work never published before that casts a new light on a much loved poet. Spanning 1950-1998, Reconstruction of the Poet contains three plays - The Philosophers Cave The Other Room, and Reconstruction of the Poet - and over fifty poems. This collection takes the reader through the mind of a man attempting to look at the ruins of a post-war world while seeking the living sources of European culture, with poems commemorating contemporaries fallen in wartime, erotic experience and friendship, and exploring political and metaphysical passions.A rich expansion of previously published works by Herbert, Reconstruction of the Poet is also an introduction for those who might still be unfamiliar with this important poet's work while being a fresh instigation to reflection and an enlargement of knowledge for longtime readers of Herbert.

Published for the centenary of his birth, a gathering of lucid, intensely lyrical poetry from one of the twentieth century¿s pre-eminent literary voicesbe courageous when reason fails you becourageous in the final reckoning it is theonly thing that countsZbigniew Herbert was one of the best-known and most-translated poets of post-war Poland, opposed alike to Communism, Fascism, nationalism and the Church, yet moved, throughout his work, by `a powerful sense of right and wrong without a corresponding belief in a system¿ (New York Times).His is a poetry of compression, lucidity and profound humanity. The universe he conjures is deeply informed not only by his own time, but by history ¿ by that of the Medieval Mediterranean and Central Europe, as much as of the Classical world ¿ and by a taste for historical and philosophical paradox. In the early and middle works, the figure of the trickster never seems far from view. Throughout, Herbert asks questions about the nature and needs of sentient beings. His desire, always, is to `touch the essence¿: to get to the heart of life.Selected with an introduction and afterword by J. M. Coetzee and Alissa Valles, this outstanding gathering from the full range of Herbert¿s poetic output invites readers to experience the beauty and profundity of a remarkable body of work.

In "Still Life with a Bridle," poet and essayist Zbigniew Herbert takes an intriguing look at the cultural, artisitic, and aesthetic legacy of 17th-century Holland. These sixteen essays reveal Hervert's discriminating artistic eye and poetic sensibility, one that revels in irony, humor, and a satirist's appreciation of the absurd. An inveterate museum-goer, he focuses on the art of the Dutch masters, using it as a stepping-off point for a thoroughly individual and entertaining examination of the foibles, genius, and character of the Dutch people as a whole. The result is an unorthodox and revealing glimpse into the past that gives us a keener understanding not only of a distant people, but of ourselves as well.

This outstanding new translation brings a uniformity of voice to Zbigniew Herbert's entire poetic output, from his first book of poems, String of Light, in 1956, to his final volume, previously unpublished in English, Epilogue Of the Storm. Collected Poems: 1956-1998, as Joseph Brodsky said of Herbert's SSelected Poems, is "bound for a much longer haul than any of us can anticipate." He continues, "For Zbigniew Herbert's poetry adds to the biography of civilization the sensibility of a man not defeated by the century that has been most thorough, most effective in dehumanization of the species. Herbert's irony, his austere reserve and his compassion, the lucidity of his lyricism, the intensity of his sentiment toward classical antiquity, are not just trappings of a modern poet, but the necessary armor?in his case well-tempered and shining indeed?for man not to be crushed by the onslaught of reality. By offering to his readers neither aesthetic nor ethical discount, this poet, in fact, saves them frorn that poverty which every form of human evil finds so congenial. As long as the species exists, this book will be timely."

Polish poet and essayist Zbigniew Herbert easily stands beside Nobel Prize laureates Milosz and Szymborska as part of a remarkable literary tradition. Though Herbert is very much an Eastern European writer, the urgency, vitality, and relevance of his work extend far beyond the borders of his particular region and his particular time. His fascination with other subjects?from painting to all things Dutch?enriched the scope and depth of his poetry, and made for compelling explorations in his essays and short prose pieces.The first collected English edition of his prose work, this outstanding volume consists of four books?Labryinth on the Sea, Still Life with a Bridle, King of the Ants, and Barbarian in the Garden. Brilliant and erudite, dazzling and witty, these essays survey the geography of humanity, its achievements and its foibles. From Western civilization's past, as witnessed through the Greek and Roman landscape, to musings on the artistic that celebrate the author's discriminating eye, poetic sensibility, and gift for irony, humor, and the absurd; from a sage retelling of myths and tales that became twentieth-century philosophical parables of human behavior to thoughts on art, culture, and history inspired by journeys in France, Italy, and the Netherlands, Collected Prose is a rich compendium that celebrates the mastery and wisdom of a remarkable artist.

A gathering of artful essays by one of Poland's most translated post-war writers is here brought to a new audience. Poet and essayist Zbigniew Herbert takes an intriguing look at the cultural, artistic, and aesthetic legacy of 17th-century Holland. These sixteen essays reveal Herbert's discriminating artistic eye and poetic sensibility, one that revels in irony, humour, and a satirist's appreciation of the absurd. An inveterate museum-goer, he focuses on the art of the Dutch masters, using it as a stepping-off point for a thoroughly individual and entertaining examination of the foibles, genius, and character of the Dutch people as a whole, from Tulipmania to the devastating stirrings of early capitalism. Part travelogue, the result is an unorthodox and revealing glimpse into the past that gives us a keener understanding not only of a distant people, but of ourselves as well.