Bøger af Zora Neale Hurston

Zora Neale Hurston's masterpiece is perhaps the most widely read and highly regarded novel in the entire canon of African American literature.

Hun lå på ryggen under pæretræet og badede i biernes brummen, solens guld og brisens pustende vejrtrækning, da altings uhørlige stemme åbenbarede sig for hende. Hun skulle søge lykken. Da 16-årige Janie bliver taget i at kysse med den uregerlige Johnny Taylor i 1920’ernes Florida, gifter hendes bedstemor hende væk til en ældre mand med 60 tønder land. Janie går igennem to kvælende ægteskaber, som ikke tillader hende at være sig selv, ikke lader hende opleve kærlighed og frihed, men tøjrer hende med vold, tvang og overvældende patriarkalsk magt. Da hun endelig møder sine drømmes udkårne, tilbyder han hende ikke guld og jord, men en lille pose blomsterfrø.Deres øjne så mod Gud er en klassiker i amerikansk litteratur og en hjørnesten i The Harlem Renaissance. Det er en roman om at være sort kvinde i starten af det 20. århundrede, hvor sorte blev diskrimineret, og kvinder stadig blev opfattet som en ejendel, manden kunne bestemme over. Men den handler også om ikke at lade sig nøje, om at søge kærligheden, selv når den er meget langt væk.ZORA NEALE HURSTON (1891-1960) var en amerikansk forfatter og antropolog. Hun blev født i Alabama, men familien flyttede til Eatonville, Florida, i 1898. Hurston var en central del af The Harlem Renaissance. Deres øjne så mod Gud blev hendes udensammenligning mest populære værk, men hun skrev tre yderligere romaner, skuespil, noveller og instruerede flere film.

Abducted from Africa, sold in America. "A deeply affecting record of an extraordinary life"- Daily Telegraph A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker.

Jonah's Gourd Vine, Zora Neale Hurston's first novel, originally published in 1934, tells the story of John Buddy Pearson, "a living exultation" of a young man who loves too many women for his own good. Lucy, his long-suffering wife, is his true love, but there's also Mehaley and Big 'Oman, as well as the scheming Hattie, who conjures hoodoo spells to ensure his attentions. Even after becoming the popular pastor of Zion Hope, where his sermons and prayers for cleansing rouse the congregation's fervor, John has to confess that though he is a preacher on Sundays, he is a "natchel man" the rest of the week. And so in this sympathetic portrait of a man and his community, Zora Neale Hurston shows that faith, tolerance, and good intentions cannot resolve the tension between the spiritual and the physical. That she makes this age-old dilemma come so alive is a tribute to her understanding of the vagaries of human nature.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

De Turkey and De Law A Comedy in Three Acts

"Set in Florida in 1900, Colour Struck begins on a Jim Crow train carriage. Barely making the train, Emma and John's journey commences with an argument. Emma saw John speaking to a lighter-skinned Black woman, Effie, and was immediately jealous, assuming he was flirting. Throughout the play Emma continues to display animosity towards those with lighter skin, which often results in calamity. Exploring themes of colorism, self-destruction, and hatred, Zora Neale Hurston's 1926 tragedy comments on intra-racial racism and warns of the adverse effects of harbouring hatred. Color Struck was first published in Fire!! magazine and won second prize in the Opportunity magazine's contest for best play. Now republished in a new edition, Hurston's play is not one to be missed by those with an interest in Harlem Renaissance literature."--Publisher description.

'One of the greatest writers of our time.' Toni Morrison

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.--Publisher's website.

From the prolific Harlem Renaissance writer Zora Neale Hurston, 'Spunk' and 'Sweat' are thought-provoking short stories set in the heart of African-American communities following the civil war. 'Spunk', first published in 1925, is set in an all-Black community in rural America and poses the question of whether moral strength is more powerful than physical strength. Spunk Banks is described as a 'giant'. He is unafraid of anything or anyone, but when he openly flaunts his affair with Lena Kanty, Joe Kanty's wife, could it be his superstition rather than a physical weakness that is his downfall?'Sweat', first published in 1926, is an early feminist story, presenting the contrasting lives of a married couple: the sweat and toil of Delia and the leisure and privilege of her abusive husband, Sykes. When it becomes apparent that both want their relationship to end, Sykes appears to be willing to go to horrific measures to ensure Delia is out of his life for good.Zora Neale Hurston explores themes of fortitude, integrity, and early intersectional feminism. Portraying contemporary issues in the everyday lives of Black people, Hurston was an important literary figure in the Harlem Renaissance.This collection has been published together with an introductory essay on the Harlem Renaissance and would make a wonderful addition to the bookshelves of Zora Neale Hurston fans.

Harlem Renaissance writer Zora Neale Hurston explores a battle between physical and moral strength in this pocket-sized short story, 'Spunk'.

'Sweat' is an early feminist short story by Harlem Renaissance writer, Zora Neale Hurston. This pocket-sized tale presents the contrasting lives of a married couple: the sweat and toil of Delia and the leisure and privilege of her husband, Sykes.

Zora Neale Hurston's tragic 1926 play Color Struck is a thought-provoking commentary on colorism within the Black community.

A MOST ANTICIPATED BOOK FROM: Oprah Daily, Business Insider, Marie Claire, The Seattle Times, Lit Hub, Bustle, and New York Magazine's Vulture Introduction by New York Times bestselling author Henry Louis Gates Jr. Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.?One of the greatest writers of our time.??Toni MorrisonYou Don't Know Us Negroes is the quintessential gathering of provocative essays from one of the world's most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston's writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people's inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture?"modif[ying] the language, mode of food preparation, practice of medicine, and most certainly religion.? White supremacy prevents the world from seeing or completely recognizing Black people in their full humanity and Hurston made it her job to lift the veil and reveal the heart and soul of the race. These pages reflect Hurston as the controversial figure she was?someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor.Demonstrating the breadth of this revered and influential writer's work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer's development and a window into her world and mind.

This story begins in Eatonville, Florida, on a Saturday afternoon with Jim and Dave fighting for Daisy's affection. An argument breaks out between two men, and Jim picks up a hock bone from a mule and knocks Dave out. Because of that Jim gets arrested and is held for trial in Joe Clarke's barn. When the trial begins the townspeople are divided along religious lines: Jim's Methodist supporters sit on one side of the church, Dave's Baptist supporters on the other. The issue to be decided at the trial is whether or not Jim has committed a crime.

A collection of essays, fiction, journalism, folklore, and autobiography, preserving the legacy of one of the Harlem Renaissance's greatest writers.

A MOST ANTICIPATED BOOK FROM: Oprah Daily, Business Insider, Marie Claire, The Seattle Times, Lit Hub, Bustle, and New York Magazine's Vulture Introduction by New York Times bestselling author Henry Louis Gates Jr. Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.?One of the greatest writers of our time.??Toni MorrisonYou Don't Know Us Negroes is the quintessential gathering of provocative essays from one of the world's most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston's writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people's inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture?"modif[ying] the language, mode of food preparation, practice of medicine, and most certainly religion.? White supremacy prevents the world from seeing or completely recognizing Black people in their full humanity and Hurston made it her job to lift the veil and reveal the heart and soul of the race. These pages reflect Hurston as the controversial figure she was?someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor.Demonstrating the breadth of this revered and influential writer's work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer's development and a window into her world and mind.

From the author of the classic Their Eyes Were Watching God comes a landmark publication ? a never-before-published work of the American experience.In 1927, Zora Neale Hurston traveled to Plateau, Alabama, to visit eighty-six-year-old Cudjo Lewis, a survivor of the Clotilda, the last slaver known to have made the transatlantic journey. Illegally brought to the United States, Cudjo was enslaved fifty years after the slave trade was outlawed.At the time, Cudjo was the only person alive who could recount this integral part of the nation's history. As a cultural anthropologist, Hurston was eager to hear about these experiences firsthand. But the reticent elder didn't always speak when she came to visit. Sometimes he would tend his garden, repair his fence, or appear lost in his thoughts.Hurston persisted, though, and during an intense three-month period, she and Cudjo communed over her gifts of peaches and watermelon, and gradually Cudjo, a poetic storyteller, began to share heartrending memories of his childhood in Africa; the attack by female warriors who slaughtered his townspeople; the horrors of being captured and held in the barracoons of Ouidah for selection by American traders; the harrowing ordeal of the Middle Passage aboard the Clotilda as ?cargo? with more than one hundred other souls; the years he spent in slavery until the end of the Civil War; and finally his role in the founding of Africatown.Barracoon employs Hurston's skills as both an anthropologist and a writer, and brings to life Cudjo's singular voice, in his vernacular, in a poignant, powerful tribute to the disremembered and the unaccounted. This profound work is an invaluable contribution to our history and culture.

A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who dont know how to live properly. Zadie SmithOne of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty yearsdue largely to initial audiences rejection of its strong black female protagonistHurstons classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature. The audio is performed by the legendary Ruby Dee.

This landmark gathering of Zora Neale Hurston's short fiction?most of which appeared only in literary magazines during her lifetime?reveals the evolution of one of the most important African American writers. Spanning her career from 1921 to 1955, these stories attest to Hurston's tremendous range and establish themes that recur in her longer fiction. With rich language and imagery, the stories in this collection not only map Hurston's development and concerns as a writer but also provide an invaluable reflection of the mind and imagination of the author of the acclaimed novel Their Eyes Were Watching God.

This Library of America volume, with its companion, brings together for the first time all of Zora Neale Hurston's best writing in one authoritative set. When she died in poverty and obscurity in 1960, all of her books were out of print. Today Hurston's groundbreaking works, suffused with the culture and traditions of African Americans and the poetry of black speech, have won her recognition as one of the most significant modern American writers.Hurston's fiction is free-flowing and frequently experimental, exuberant in its storytelling and open to unpredictable and fascinating digressions. Jonah's Gourd Vine (1934), based on the lives of her parents and evoking in rich detail the world of her childhood, recounts the rise and fall of a powerful preacher torn between spirit and flesh in an all-black town in Florida."There is no book more important to me than this one," novelist Alice Walker has written about Their Eyes Were Watching God (1937), Hurston's lyrical masterpiece about a woman's determined struggle for love and independence. In this, her most acclaimed work, she employs a striking range of tones and voices to give the story of Janie and Tea Cake the poetic intensity of a myth.In Moses, Man of the Mountain (1939), her high-spirited and utterly personal retelling of the Exodus story, Hurston again demonstrates her ability to use the black vernacular as the basis for a supple and compelling prose style.Seraph on the Suwanee (1948), Hurston's last major work, is set in turn-of-the-century Florida and portrays the passionate clash between a poor southern "cracker" and her willful husband.A selection of short stories (among them "Spunk," "The Bone of Contention," and "Story in Harlem Slang") further displays Hurston's unique fusion of folk traditions and literary modernism-comic, ironic, and soaringly poetic.The chronology of Hurston's life prepared for this edition sheds fresh light on many aspects of her career. In addition, this volume contains detailed notes and a brief essay on the texts.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

From beloved African American folklorist Zora Neale Hurston comes a moving adaptation by National Book Award winner and #1 New York Times bestselling author of How to Be an Antiracist and Antiracist Baby, Ibram X.