Bøger udgivet af 3TimesRebel Press

Remei, the main character of Beloved, is a prestigious illustrator in her fifties who considers herself an attractive, happily married mother. Yet one evening, sitting in the back seat of the family car, she clearly predicts that her younger husband, a principal violinist in an orchestra, will fall in love with the second violinist, the woman sitting beside him, as they head to their home to rehearse. Neither Remei's husband nor the young woman have realised this yet. But Remei has. This devastating certainty leads Remei, a determined woman who since childhood has had to fight to survive, to a harsh realization of what it is to grow old inside. She must suddenly accept the vulnerability of marital love, the addictive dependence of motherhood, and the expiration date on her artistic career. We experience the progressive emotional and physiological transformation of a mature woman who fights against age, a woman that when she goes jogging, has a constant inner monologue in which she wel

This is a story that will touch the world and help people cope with grief and loss. A reminder of the power of love in the face of sickness and hatred.Belgian artist Fleur Pierets wanted to marry her partner Julian in all countries where two women are allowed to marry. The aim was to raise awareness of equal marriage rights in a positive way. But the 'world tour of love' was interrupted: after her fourth marriage, in Paris, Julian was diagnosed with an aggressive brain tumour. She died two months later. Pierets had only one thing left to do: write.Fleur Pierets and Julian P. Boom worked as an artist duo under the name JF. Pierets and created, among other things, the magazine Et Alors? On 20 September 2017, they launched their performance Project 22 in New York. Julian died on 22 January 2018.We could think of this book as the three strands of hair that form a braid that intertwine throughout the book: Love, LGBTQ+ activism and grief. First, Pierets tells the story of how they met, delves into their careers before they fell in love, and gives context to their intense relationship and collaboration. Then, we are at the centre of the memoir: a celebration of love, freedom, progress and, above all, the power of their commitment. It is about their magazine Et Alors? and their famous Project 22: to get married in every country where same-sex marriage was legal. They got married in New York, Paris, Amsterdam and Antwerp, while raising awareness of same-sex relationships. The last part is about Julian's illness and eventual death.Fleur writes about her grief and how she coped with the loss of her soulmate, describing her life with Julian with clarity and insight, making it easy for the reader to empathise with her feelings. Although this is not a sad book, tears are guaranteed. But there's also lightness, hope and, above all, the realisation that true love does exist. Her love for Julian is so palpable in every sentence that it's like a force of nature.JULIAN explores themes of love, commitment, activism, loss and grief. It is so tactile, you can feel its energy. It's a testament to the power of love in the face of illness and hatred. Pieret's writing is deceptively simple, very essay-like, yet full of heart. It is a lesbian version of Joan Didion's Year of Magical Thinking (Alfred A. Knopf, Inc., 2005).

Anna has lived alone for decades. She is cocooned by, and marooned in, an isolated cottage called Nant yr Aur in the Welsh mountains. The arrival of Sion, a young man who seems strangely at home in the house, leads to an unpicking of Anna's past. As Anna's relationship with Sion develops - to the point where he feels comfortable showering at Nant yr Aur - her perspective on the solidity of her past shifts. Uncertainty, distortion, illusion and subtle betrayal are gradually exposed. Ultimately, a quietly devastating revelation changes the lives of both Sion and Anna. Sian Northey writes with economy and precision, setting out what the life of a middle-aged woman with an emotionally complicated past feels like from the inside.

A NEW MOTHER IS A WOMAN GRIEVING FOR THE WOMAN SHE HAS LEFT BEHIND. A GRIEF THAT RECEIVES NO CONSOLATION. A PLACE WITHOUT ROOM FOR CONTROVERSY OR REGRET. Would you ever want to go back to that place?THE DEAR ONES is a book about a woman who, five years after giving birth, decides to have an abortion. A mother full of guilt, who does not fit into the imposed canon. It is a book in which the protagonist defends the freedom of choice: to continue to be herself and to be a mother at the same time. The idea of guilt in motherhood, the obligation to feel a certain way, the loneliness implicit in all processes that involve taking in emotions that are considered wrong or atavistic, and an enormous isolation that is invisible to others, hover over the pages of the book.Berta D¿vila's prose is transparent, simple and precise. But its skeleton is made up of a temporal braid in which a writer recalls the birth and the first months of her son's life, just when, five years later, she has decided to have an abortion and not to have her second. She does this with a slimmed-down style and a direct structure, without any rhetorical flourishes. Everything is bones.

After 25 years of marriage, an accidental love affair will push Nora into a universe of abuse and luxury prostitution. From there, she will face her deepest fears in a journey that will put her world upside down. Sex without constraints will be the trigger to get back in the driver's seat of her own life. A journey from submission to freedom.