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RMIT Architecture is interested in ideas-led venturous design exploration that aspires to contribute to the future of our discipline and an increasingly complex world. This publication contains a selection of RMIT Master of Architecture independent graduating projects from seven semesters between 2019 and 2022. It seeks to capture the ideas, pre-occupations, motivations and propositions of this cohort of architectural designers who are searching for new ideas and possibilities through design and by designing. RMIT Architecture is interested in ideas-led venturous design exploration that aspires to contribute to the future of our discipline and an increasingly complex world. Architecture schools should be concerned with experimentation that challenges the orthodoxies of the discipline, as well as our underlying assumptions about what architecture is and what it should do next. Architecture schools should point towards possible futures not yet evident within existing understandings of the discipline or the profession. The significant challenges of our time are wicked problems, which require new ideas and transdisciplinary approaches. Architects need to find ways to contribute, be effective and have agency in situations in which architecture - in its expanded definition - is often considered to be a peripheral contributor.
This book features innovative and productive responses, in the form of architectural design and thinking, to the shift in Japan's social condition under demographic changes that are evident in regional cities. These responses also demonstrate the new wave of architectural practice in Japan, focused on the challenges of degrowth. The shrinking and aging of the population is exacerbating the social decline in the regional cities of Japan. While excluded from the market-driven metropolitan areas, architects of the young generation are beginning to build ways of revitalizing regional cities through innovative design or new ways of practicing. This book features works by seven named or unnamed younger architects in Japan that preempt architectural responses to the post-growth condition, a gripping essay by community designer Ryo Yamazaki, and a captivating photo documentation by Kenta Hasegawa. Keynote essay by Toyo Ito.
In May 2015, Studio Link-Arc completed the China Pavilion for Expo Milano 2015, its most prominent work to date. As China's first free-standing Expo Pavilion beyond its own borders, the design and construction of the project raised a number of issues relevant to current architectural discourse: temporality and the legacy of Expos; nationality and representation; instant place-making and iconicity; and the relationship between parametric design and craft. This book is not conceived as a monograph that focuses on one project. Instead, it carefully examines the larger ideas woven into the design of the China Pavilion and explores their implications for design and global culture. In addition to presenting the story of the project--from conception through construction and occupancy--the book addresses the larger design forces at play via discussions with key figures in the architecture community. The parallel reading of the Pavilion dialogues and the project sections provides a deeper understanding of the process of conceiving an Expo, the constraints associated with building within an Expo environment, and the potential for global cultural exchange that is only possible through an event in which thousands of people from diverse backgrounds converge in one locale for a brief moment in time to share ideas and experiences within a physical space that embodies the diversity of global culture. The ideas seen in the China Pavilion are discussed and expanded by a respected group of professionals, with contributions by Stefano Boeri, Italian architect and one of the original master planners for Expo Milano 2015; Dr. Xiangning Li, Assistant Dean and Professor at Tongji University College of Architecture and Urban Planning and Visiting Professor in Architecture at the Harvard University Graduate School of Design; Daniel Libeskind, the internationally renowned architect and designer of the Vanke Pavilion for Expo Milano 2015; and Studio Link-Arc, the architects of the China Pavilion.
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