Bøger udgivet af AEBERSOLD

One of the most important exercises one can attempt in jazz is to play tunes in all twelve keys. But often, this seems mysteriously difficult - Where do you begin? How can you hear the changes in those "odd" keys? Now anyone can do it with this fantastic Play-A-Long of 7 easy to medium difficulty songs in all twelve keys! The professional rhythm section provides the energy to really inspire you, and is absolutely rock solid. The first chorus for each tune is in the standard (original) key, followed by choruses in the 11 other keys.

A logical, cohesive method of sliding, slurring, and positioning of the fingers on exercises through several major and Dom. 7th keys. Also covers the Cycle of Fifths and ii/Vs.

If you want to infuse your keyboard playing with modern, up-to-the-minute sounds used by Andy LaVerne, Chick Corea, Herbie Hancock, McCoy Tyner, John Coltrane, Miles Davis, John Abercrombie and the cutting edge musicians of tomorrow, this book will be invaluable. Written by jazz pianist Andy LaVerne, who is celebrated for his interesting sense of harmony and sophisticated style, it shows you hundreds of keyboard runs - the streams of notes jazz artists use to glide across the keyboard with interesting melodic touches and chord colors. These runs are shown with the chords and chord progressions that make them work best - on seventh chords, diminished chords, minor chords, altered chords, and more. Some are written to work with the most common chord progressions, and some are designed to fit just one chord. Some will work with almost any chord at all - and Andy tells you which ones.   You'll get each run in several keys, with chord applications and appropriate fingering tips. Practice them slowly for developing great jazz-style finger dexterity. Then, bring them up to speed so you can insert them into your own improvisations. You'll discover exactly how contemporary musicians get those great, unusual sounds. Every page is a learning experience and you'll gain a whole new repertoire on runs, licks, and fills - remarkable sounds and colors to make your playing richer than ever.   As a teacher and a workshop leader, Andy LaVerne has helped thousands of students become better at performing. With this first-of-a-kind guide to contemporary piano runs and riffs, he will help you too!

Introducing a new version of Jamey's world famous Volume 1 - How To Play Jazz And Improvise completely revised and specifically tailored for you by jazz pianist Luke Gillespie of the prestigious IU school of music. This edition is perfectly aligned with the original classic Sixth Edition that introduced tens of thousands of musicians to essential jazz fundamentals such as scale/chord relationships, note choices, etc. In this special edition, however, the text has been carefully edited and rewritten to speak specifically to pianists. The musical examples have been rewritten, as well, in grand staff format and include suggested left-hand and two had voicing examples to be played with the CD tracks. The play-a-long/demonstration CD includes special stereo separation, allowing the piano to be eliminated so that the student can play along with bassist Rufus Reid and drummer Jonathan Higgins. A second CD includes the same play-a-long tracks as the first CD, but at slower practice tempos. A complete package for the beginning jazz pianist! 106 pages, spiral bound for easy opening.   Includes: Voicings and Considerations Suggested Fingerings Scales/Chords Developing Creativity Improv Fundamentals 12 Blues Scales Bebop Scales Pentatonic Scales Time, Touch, and Feel Melodic Development II/V7s Related Scales and Modes Practical Exercises Patterns and Licks Dominant 7th Tree of Scale Choices Nomenclature Chromaticism Scale Syllabus and more!

by Yusef Lateef.This classic, highly endorsed 282 page spiral-bound book, with a wealth of patterns, licks, and ideas, has been popular among jazz players for a long time. Page after page of material. Often referred to as a jazz" version of Slominski's classic book "The Thesaurus of Scales and Melodic Patterns." Also available in Bass Clef.

by Jerry Coker. Jerry presents an easy-to-understand no nonsense approach for quickly analyzing any tune to make it easier to understand, transpose, and improvise over. Thinking in Roman numerals, recognizing the common elements from which nearly all tunes are derived, and knowing the traditional road maps will make you a more prepared and, therefore, a more confident improvisor.

15 Traditional Dixieland Classics with an authentic rhythm section (Banjo, Piano, Tuba, and Drums or Washboard).

The first of its kind! This long awaited masterpiece includes 25 legendary solos by the influential master transcribed note-for-note from classic recordings Miles Davis at the Blackhawk, Undiluted, Piano Interpretations, Full View, It's All Right!, Kelly at Midnight, and Kelly Blue! 130 pages, spiral bound to lay flat on your piano. Titles: All of You * Blues on Purpose * Don't Cha Hear Me Calling to Ya? * I Thought * Kelly Roll * Never * On a Clear Day * On Green Dolphin Street * Someday My Prince Will Come * Swingin' Till the Girls Come Home * Whisper Not * and 14 more originals and standards.

Geared to the beginning to intermediate student, this book starts with triadic and four part chords, and transitions into the concept of voice leading via inversions which is the key to moving voicings in a smooth manner. The book then covers the concepts of diatonic harmony and substitutions, playing a left hand voicing with a single-note melodic line, melodic embellishment, improvisation techniques, and note palettes. The topics progress to cadences, the II-7 V7 pattern, secondary dominants, tensions, left hand voicings, spread (2 hand) voicings, and finishing with a discussion of blues progressions and the blues scale. Numerous exercises and examples are included and performed on the accompanying CD. Great for either the classroom or individual study.

The Dominant Seventh is possibly the most substituted, colored, and altered sound in modern music. Its flexibility and distinctive nature made it a favorite of composers throughout the 20th century and allowed it to dominate Blues and Rock And Roll. This unique Play-A-Long explores the very nature of the Dom. 7th sound and describes different ways jazz masters have used it for color and texture. Many written patterns will open your ears and extended tracks on 2 CDs will allow you to practice licks and patterns, refine your technique and reaction time, and give you the skills to navigate Dominant 7ths with confidence.

From the source! Paquito produced and oversaw the recording himself using his own world renowned band! The diverse music presented here is a welcome addition to every musician's Play-A-Long library. This set contrasts the thrill of hot, exciting Latin classics with the meditative, laid-back feel of Brazilian favorites. A refreshing change of pace.

If you're ready for further challenges, try these slightly more difficult tunes in all 12 keys. Each tune begins with one chorus in the original key, and then moves through the other 11 keys. The tempos are moderate, but the real work-out begins when you start going through the various "un-common" keys. This challenging set is for anyone ready to put themselves through the paces - the right way!

Twelve tracks of the best music ever written. Songs represented here appeal to a variety of musical tastes. Jazz players have kept these tunes alive. From the lush, expressive ballads to the grooving, swinging standards, the appeal of these songs is worldwide. The book includes lyrics. Rhythm Section: Dan Haerle (p); Todd Coolman (b); Ed Soph (d). Titles: The Boy Next Door * East of the Sun * Falling in Love with Love * Honeysuckle Rose * I Wish I Knew * Just Squeeze Me * Melancholy Baby * My Heart Stood Still * Old Folks * One O'Clock Jump * The Second Time Around.

Thirteen of the most popular songs ever produced by composers such as George Gershwin and Cole Porter. Like jazz tunes, many of these originated from Broadway shows. Beautiful ballads, bluesy slow swings, soaring melodies, interesting bridges, and daring lyrics have all been discovered and reinvented by Jazz's most influential players including Monk, Tatum, Parker, and Brecker. Rhythm Section: Jim McNeely (p); Steve Gilmore (b); Bill Goodwin (d). Titles: Embraceable You * Night and Day * The Man I Love * Tea for Two * I Got Rhythm * Three Little Words * I'm a Fool to Want * Just One of Those Things * My One and Only Love * You Do Something to Me * With a Song in My Heart * How Long Has This Been Going On * I Get a Kick Out of You.

Six must-know bebop tunes and two essential standards you'll play on every gig. Tempos are comfortable. Bebop is the ultimate jazz language builder and most of today's greatest players like Terrence Blanchard, Jerry Bergonzi, Chick Corea, Freddie Hubbard, and the Brecker's have all used it as a foundation for building their unique styles. It's no doubt they know all the tunes on this set inside and out. The heart of the jazz sound! Rhythm Section: Dan Haerle (p); Todd Coolman (b); Steve Davis (d). Titles: Groovin' High * I'll Remember April * A Night in Tunisia * Bluesette * West Coast Blues * High Fly * All the Things You Are * An Afternoon in Paris.

Jam with this all-star rhythm section on 9 fresh, original tunes by the great Cedar Walton with Cedar on piano! Many of these tunes are well on their way to becoming jazz standards. Several tunes have Cedar's own harmony parts as used on his original recordings! These tunes make great additions to your school Jazz Combo. Hear the sound of authentic New York Jazz. Several tunes have written harmony parts too.

These are tunes everyone has heard and every musician should know. The names of the composers and lyricists read like a musical Hall of Fame. 18 tunes from the cream of the golden age of songwriting in America. Lyrics included. NOTE TO BASSISTS: Steve's bass lines to these timeless standards were so terrific we decided to publish them in book form. This is your chance to see what he's doing.

Designed for ALL rhythm section players and teachers. Listen as you would any jazz recording as the melody is played in and out, solo, comp., and trade 4s. Tremendous tool for teachers; allows isolation and careful study of each instrument's role with definitive chapters in the booklet. Includes piano & guitar voicings, transcribed bass lines, outstanding drum information, and transcribed solos by Haerle, Petersen, and Coolman. Our first Play-A-Long where the drummer can be turned off and students can trade 4s and 8s with the pros (Vol. 30B only). Vol. 30A is for Keyboardists/Guitarists; Vol. 30B is for Bassists/Drummers.

For all levels---instrumentalists and vocalists. Hear David Libbman solo over every scale listed in The Scale Syllabus". He solos on two versions of each scale: the first is slow and simple, and the second is more complex and fast. Stereo separation allows you to practice and improvise too! David is on one channel and Jamey is on the other. An excellent list of piano voicings are included. Rhythm Section: David Libbman (Soprano Sax); Jamey Aebersold (p). Includes: Major * Minor * Dom. 7 * Lydian * Harmonic Major & Minor * Augmented * Lydian Augmented * Sus 4 * Hindu * Blues * Whole Tone * Major & Minor Pentatonic * Dim. Whole Tone * Diminished * and 21 more!"

The largest collection of standards in the series. This rhythm section has played extensively with jazz legend Phil Woods! Lyrics included. Rhythm Section: Hal Galper (p); Steve Gilmore (b); Bill Goodwin (d). Titles: Speak Low * I Love You * September Song * Old Devil Moon * I Can't Get Started * The Party's Over * A Foggy Day * Foolish Heart * Summertime * My Funny Valentine * My Favorite Things * Come Rain or Come Shine * Our Love Is Here to Stay * I Could Write a Book * It Might as Well Be Spring * I've Grown Accustomed to Your Face * Have You Met Miss Jones.