Bøger udgivet af AK Press

"Practicing New Worlds explores how principles of emergence, adaptation, iteration, resilience, transformation, interdependence, decentralization and fractalization can shape organizing toward a world without the violence of surveillance, police, prisons, jails, or cages of any kind, in which we collectively have everything we need to survive and thrive. Drawing on decades of experience as an abolitionist organizer, policy advocate, and litigator in movements for racial, gender, economic, and environmental justice and the principles articulated by adrienne maree brown in Emergent Strategy: Shaping Change, Changing Worlds, Ritchie invites us to think beyond traditional legislative and policy change to create more possibilities for survival and resistance in the midst of the ongoing catastrophes of racial capitalism--and the cataclysms to come. Rooted in analysis of current abolitionist practices and interviews with on-the-ground organizers resisting state violence, building networks to support people in need of abortion care, and nurturing organizations and convergences that can grow transformative cities and movements, Practicing New Worlds takes readers on a journey of learning, unlearning, experimentation, and imagination to dream the worlds we long for into being"--

A Cold War-era study of Latin American anarchism in action.>Arguably the most impactful anarchist organization globally in the Cold War era, the FAU viewed everyday people as revolutionary protagonists and sought to develop a popular counter-subjectivity through accumulating experiences directly challenging the market and the state. The FAU argued that everyday people transformed into revolutionary subjects through the regular practice of collective direct action in labor unions, student organizations, and neighborhood councils. Their slogan was "create popular power," and their praxis differed from nationalist strains of Marxism at the time. The strategies and tactics promoted by FAU, ones in which everyday people took on roles as historical protagonists, offered the largest threat to maintaining social order in Uruguay and thus spawned a military takeover of the state to dismantle and deflate their vibrant popular revolt. With less than 80 militants, FAU played a key role both sparking and networking popular protagonism in workplaces, neighborhoods, and on campuses. The FAU worked in coalition with the Communist Party (PCU), MLN-Tupamaros (MLN-T), and other Left organizations to support a unified Left project while simultaneously challenging hegemonic strategies, tactics, and discourses. Unlike other anarchist groups worldwide, which took to individualism and counterculture in response to Marxism's popularity throughout the sixties, the FAU embraced Third Worldism and a class struggle strategy that made them a relevant force amongst popular social movements. Throughout the constitutional dictatorship (1967-73), the Tendencia Combativa, a coalition of dissident labor unions spearheaded by FAU, controlled one-third of the nation's unions in some of the most lucrative industries, especially in the private sector. By the time of June 27, 1973, military coup, a majority of Uruguayan industrialists recognized organized labor as the most serious threat to national security. Moreover, communications between US Ambassador to Uruguay Ernest V. Siracusa and US Secretary of State Henry Kissinger, showed the dictatorship's primary concern was to repress the surging labor movement rather than confronting a waning Tupamaro guerrilla movement. The FAU's anarchist activism within this broader climate of worker revolt threw a wrench in the 1970s neoliberal experiments in Latin America that later migrated north to impoverish American workers from the 1980s until today.

A revolutionary fairy tale for adults that makes sharpening your critique of capitalism fun.Why? follows the travels of a boy named Pochemu--"Why" in Russian--as he tries to understand the Tsar's empire, capitalism, state violence, and more. The answers his rapid-fire questions elicit, which make less and less sense the deeper he probes, are just as ridiculous today as they were a century ago, and just as descriptive of a society gone wrong. When Pochemu eventually enters the Land of Anarchy, he is confronted by his own strangeness to its citizens, who study the bizarre customs he brings to their free society. This is a timeless tale of the ludicrousness of power and its deluded defenders.In this fable, a child's innocent questions meet the lies used to justify a world of cruelty and inequality. The result is quasi-absurdist, political comedy. Abba and Wolf Gordin, Jewish anarchists in the Russian Revolution, wrote proletarian literature to enlighten and entertain. It's a genre that no longer really exists, but given this delightful book, maybe it should.

A galactic class struggle against impossible odds, battling against exploitation, fighting capitalist moguls, building union solidarity, and finding hope in the darkest times. Sixty million miles from Earth, in the orbiting city of Station Six, work still sucks. Max is a dockyard worker (with an illegal sideline in hacking and cybersurgery) in the company town of the future. When the LMC Corporation announces its Automated Future Plan, which will turn Station Six into a vacation destination with as few human personnel as needed to stay functional, Max has had enough. Max and their fellow workers rise from their complacency and join forces with an underground revolutionary cell as all hell breaks loose. S.J. Klapecki's debut novel under the Black Dawn umbrella delivers action, intrigue, and politics, as Max and their friends face surveillance, raids, and armored rent-a-cops.

"In the second installment of the Grievers trilogy, adrienne maree brown brings to bear her background as an activist rooted in Detroit. The pandemic of Syndrome H-8 continues to ravage the city of Detroit and everyone in Dune's life. In Maroons, she must learn what community and connection mean in the lonely wake of a fatal virus. Emerging from grief to follow a subtle path of small pleasures through an abandoned urban landscape, she begins finding other unlikely survivors with little in common but the will to live. Together they begin to piece together the puzzle of their survival, and that of the city itself."--Provided by publisher.

Includes an excerpt from It should've been me.

In a style that bridges the divide between academia and activism, Street Rebellion develops a broader and more accurate understanding of how people struggle for liberation. We are living in a time of uprisings that routinely involve physical confrontation--burning vehicles, barricades, vandalism, and scuffles between protesters and authorities. Yet the Left has struggled to incorporate rioting into theories of change, remaining stuck in recurring debates over violence and nonviolence. Civil resistance studies have popularized the term "strategic nonviolence," spreading the notion that violence is wholly counter-productive. Street Rebellion scrutinizes recent research and develops a broad and grounded portrait of the relationship between strategic nonviolence and rioting in the struggle for liberation.

Political cartoonists and artists address social, political, and environmental damage, charting a path toward healing and repair.

Our ecological problems stem from our social problems. A framework for understanding both.

Fables and Spellsis a vibrant selection of visionary works, both previously published and brand new. Included here is browns most beloved story, The River, as well as the two sequel tales of her Water Trio. The remaining sixty-seven pieces explore moments of beauty, conflict, and transformation that also weave deep, radical lessons. With narrative fables of speculative fiction and spells that play with the lines between poetry, instruction, song, and chant,Fables and Spellsdemonstrates how good writing can engage the present while providing expansive visions of the possible worlds humans can build.adrienne maree browns previous work includesOctavias Brood,Emergent Strategy, theNew York Timesbest-sellingPleasure Activism,We Will Not Cancel Us,Holding Change, andGrievers. brown grows transformative ideas in public through her writing and art; she is a poet changing the world. She is the writer-in-residence at Emergent Strategy Ideation Institute.

In Anarchist Voices, Avrich lets anarchists speak for themselves.

The Creative Interventions Toolkit is a practical guide to community-based interventions against interpersonal violence, a process also known as community accountability or transformative justice. Originally an online resource, it is written for everyday people - survivors, people who caused harm, and friends/family who want to help without turning to the police or government. It provides basic information about interpersonal violence; advice for survivors of violence and people who have caused harm; guides for people who want to help; a framework to confront and transform violence; and stories from people who have used community-based interventions.

From the Spanish Civil War to the present day--the story of an exceptional life.

Dimos Horacki is a Borolian journalist and a cynical patriot, his muckraking days behind him. But when his newspaper ships him to the front, he''s embedded in the Imperial Army and the reality of colonial expansion is laid bare before him. His adventures take him from villages and homesteads to the great refugee city of Hronople, built of glass, steel, and stone, all while a war rages around him. The empire fights for coal and iron, but the anarchists of Hron fight for their way of life. A Country of Ghosts is a novel of utopia besieged and a tale that challenges every premise of contemporary society.

A call for a radical transformation in the face of widespread crisis.

Fun with a purpose. Crosswords for radicals--and everyone else.

Born from sustained organizing, and rooted in Black and women of color feminisms, disability justice, and other movements, abolition calls for an end to our reliance on imprisonment, policing and surveillance, and to imagine a safer future for our communities.Lessons in Liberation: An Abolitionist Toolkit for Educators offers entry points to build critical and intentional bridges between educational practice and the growing movement for abolition. Designed for educators, parents, and young people, this toolkit shines a light on innovative abolitionist projects, particularly in Pre-K-12 learning contexts.Sections are dedicated to entry points into Prison Industrial Complex abolition and education; the application of the lessons and principles of abolition; and stories about growing abolition outside of school settings. Topics addressed throughout include student organizing, immigrant justice in the face of ICE, approaches to sex education, arts-based curriculum, and building abolitionist skills and thinking in lesson plans.The result of patient and urgent work, and more than five years in the making, Lessons in Liberation invites educators into the work of abolition.Contributors include Black Organizing Project, Chicago Women's Health Center, Mariame Kaba and Project NIA, Bettina L. Love, the MILPA Collective, and artists from the Justseeds Collective, among others.

Representing Radicals helps lawyers understand ways to work with radical defendants, with an explicit focus on how to help them achieve ends that go beyond traditional legal goals. For example, many radical defendants want to use their trials to discuss political issues even if doing so could lead to a conviction when a standard criminal defense might lead to an acquittal. Understanding radical defendants' goals and political priorities is a crucial part of providing them with the most robust criminal defense while helping them strengthen and defend their social movements. This book and its precursor, A Tilted Guide to Being a Defendant, are based on the Tilted Scales Collective's belief that lawyers and radical defendants can work together in shared struggle in ways that strengthen movements when fighting criminal charges.

Why We Fight is a collection of essays written in the midst of the largest resurgence of the far-right in fifty years, and the explosion of antifascist, antiracist, and revolutionary organizing that has risen to fight it. The essays unpack the moment we live in, confronting the apocalyptic feelings brought on by nationalism, climate collapse, and the crisis of capitalism, but also delivering the clear message that a new world is possible through the struggles communities are leveraging today. Burley reminds us what we're fighting for not simply what we're fighting against.

On the obsolescence of the State.

The ';Tragic Week"e; in Spain, which took place in July 1909, began as anti-conscription riots, but soon evolved into a widespread uprising attacking the pillars of Spanish society: Church and State. It is known today mostly for its most famous martyr, Francisco Ferrer, the radical educator and founder of the Modern School who was executed by the Spanish army. But Ferrer was only one of hundreds of people who died that week in a brutal crackdown on anarchists and other radicals. Thousands were indicted by military courts, including at least fifty who received life sentences. In The July Revolution, the full story of these events is told for the first time in English, by an astute newspaper editor and eye-witness to the events. In a lively translation by Slava Faybysh and with a detailed historical Introduction by James Michael Yeoman, the notorious week is given its historical due and situated in its proper context of Spain's imperial ambitions and the revolutionary stirrings that were precursors to the Spanish Civil War.