Bøger udgivet af Alfred Music

Release the Kraken!, by Michael Story, is a fantastic overture that captures the enormity of these gigantic, mythical creatures. They have many tentacles or claws that can engulf a ship and pull it to the depths of the sea! Multiple textures, memorable themes, and terrific orchestration make this the perfect choice for your concert or contest performance. (2:10)

Tchaikovsky strolls the streets of the French Quarter! Arranger Michael Kamuf reimagines the Overture," "Dance of the Sugar Plum Fairies," and "Trepak" themes by using different New Orleans-based grooves, rich jazz harmony, and plenty of syncopation and rhythmic twists. Students will love playing these themes, and your audience will dance in the aisles! A New Orleans Nutcracker Suite is the perfect addition to your holiday program. Though written as a suite, each movement can stand alone. (6:00)"

Tchaikovsky strolls the streets of the French Quarter! Arranger Michael Kamuf reimagines the Overture," "Dance of the Sugar Plum Fairies," and "Trepak" themes by using different New Orleans-based grooves, rich jazz harmony, and plenty of syncopation and rhythmic twists. Students will love playing these themes, and your audience will dance in the aisles! A New Orleans Nutcracker Suite is the perfect addition to your holiday program. Though written as a suite, each movement can stand alone. (6:00)"

A Beacon of Light, by Patrick Roszell, was written for and dedicated to Mr. Gene Inglis and his incredible 49-year career in music education. With lively melodies, a touch of jazz harmonies, and a beautiful setting of Be Thou My Vision," this new contribution to instrumental literature will be a welcomed addition for contest and concert settings. (5:20)"

Full of energy and excitement, Exuberance, by Jon Bubbett, is a thrilling way to start your next concert. Opening percussion begins softly and gradually builds to the high brass theme. Thickly scored with lush harmony and rhythms that sparkle, this piece will leave your audience and players exhilarated! (3:00)

A Beacon of Light, by Patrick Roszell, was written for and dedicated to Mr. Gene Inglis and his incredible 49-year career in music education. With lively melodies, a touch of jazz harmonies, and a beautiful setting of Be Thou My Vision," this new contribution to instrumental literature will be a welcomed addition for contest and concert settings. (5:20)"

Full of energy and excitement, Exuberance, by Jon Bubbett, is a thrilling way to start your next concert. Opening percussion begins softly and gradually builds to the high brass theme. Thickly scored with lush harmony and rhythms that sparkle, this piece will leave your audience and players exhilarated! (3:00)

A Moorside Suite was written in 1928 as a test piece for the National Brass Band Festival championship competition held that year. The three-movement work includes a jaunty Scherzo," a lovely "Nocturne," and the popular "March," which has enjoyed countless performances since its premiere. Douglas E. Wagner created this arrangement with younger players in mind. Though slightly abridged, the main themes and styles are present in a carefully-crafted performance piece accessible to concert bands at this level. This authentic arrangement still bears Holst's unmistakable musical signature. (3:35)"

March to Nowhere, by the renowned and brilliant Czech composer Václav Nelhýbel, was originally published in 1976. This arrangement, by Chris M. Bernotas, has been scored for intermediate-level bands as the perfect vehicle to introduce students to this significant and historic composer. The work's unique character and intriguing musical lines and textures will captivate your students. (3:40)

A Moorside Suite was written in 1928 as a test piece for the National Brass Band Festival championship competition held that year. The three-movement work includes a jaunty Scherzo," a lovely "Nocturne," and the popular "March," which has enjoyed countless performances since its premiere. Douglas E. Wagner created this arrangement with younger players in mind. Though slightly abridged, the main themes and styles are present in a carefully-crafted performance piece accessible to concert bands at this level. This authentic arrangement still bears Holst's unmistakable musical signature. (3:35)"

March to Nowhere, by the renowned and brilliant Czech composer Václav Nelhýbel, was originally published in 1976. This arrangement, by Chris M. Bernotas, has been scored for intermediate-level bands as the perfect vehicle to introduce students to this significant and historic composer. The work's unique character and intriguing musical lines and textures will captivate your students. (3:40)

Rio Bravo draws on artifacts of iconic western film music to portray the rugged landscape surrounding one of the longest, most fabled rivers in North America. The challenging, arid region along the brave river" that divides Mexico from the southwestern United States---depicted in many a song and story---is characterized by mountains, canyons, and desert plains. The river, known north of the border as the Rio Grande, has called to itself settlers, cattle drivers, gunslingers, and outlaws. Rio Bravo transports listeners to a time and place where legends of the Old West were made! (3:00)"

Run Toward the Sky is a fast-paced, vibrant work that evokes images of wide-open spaces, vast wheat-covered fields, and endless stretches of prairie grasslands. With its Western-inspired themes, intricate rhythms, and driving percussion, your students will enjoy performing this piece. (2:25)

Run Toward the Sky is a fast-paced, vibrant work that evokes images of wide-open spaces, vast wheat-covered fields, and endless stretches of prairie grasslands. With its Western-inspired themes, intricate rhythms, and driving percussion, your students will enjoy performing this piece. (2:25)

In Zach Docter's Prairie Dance, every instrument gets a chance to shine. A simple tune starts in the clarinets. As it's passed through the ensemble, it grows louder before culminating in a rhythmic Americana-Esque hoedown that would make Copland proud. After this spirited climax, the tune winds down before ending quietly with the clarinets, precisely as it began. Every instrument group is featured in this piece. Transparency allows students to gain experience playing in thin textures, which may be a new experience at this grade level. (1:50)

In Zach Docter's Prairie Dance, every instrument gets a chance to shine. A simple tune starts in the clarinets. As it's passed through the ensemble, it grows louder before culminating in a rhythmic Americana-esque hoedown that would make Copland proud. After this spirited climax, the tune winds down before ending quietly with the clarinets, precisely as it began. Every instrument group is featured in this piece. Transparency allows students to gain experience playing in thin textures, which may be a new experience at this grade level. (1:50)

Who doesn't love an exhilarating, one-octave, E-minor tune about Dragons?! In Dragon Chase, by Katie O'Hara LaBrie, driving rhythms and melodies echoing from section to section will engage your students. Musical elements---such as marcato, accents, crescendos, and bow lifts---make it an excellent teaching piece. The first violin part includes carefully placed low 2s on the A string, while the other sections stick mainly to a 6-note range. (2:20)

Who doesn't love an exhilarating, one-octave, E-minor tune about Dragons?! In Dragon Chase, by Katie O'Hara LaBrie, driving rhythms and melodies echoing from section to section will engage your students. Musical elements---such as marcato, accents, crescendos, and bow lifts---make it an excellent teaching piece. The first violin part includes carefully placed low 2s on the A string, while the other sections stick mainly to a 6-note range. (2:20)

Galactic Nature, by Victor López, for young string ensembles, is captivating and perfect for integrating music into cross-curricular studies. Inspired by the systems of stars and interstellar matter that make the universe, this composition provides an effective way of connecting music with celestial scientific concepts. (2:00)

Shaker Variations by Jim Palmer is a theme and variations on the familiar Shaker melody Simple Gifts." Each section has the opportunity to play musical lines and a variety of styles. Rich harmonies will create a mature orchestral sound, and a strong ending makes this piece a great opener or closer for any concert or festival performance. (3:45)"

Galactic Nature, by Victor López, for young string ensembles, is captivating and perfect for integrating music into cross-curricular studies. Inspired by the systems of stars and interstellar matter that make the universe, this composition provides an effective way of connecting music with celestial scientific concepts. (2:00)

Shaker Variations by Jim Palmer is a theme and variations on the familiar Shaker melody Simple Gifts." Each section has the opportunity to play musical lines and a variety of styles. Rich harmonies will create a mature orchestral sound, and a strong ending makes this piece a great opener or closer for any concert or festival performance. (3:45)"

Give your young string orchestra a chance to learn the all-important skills needed to accompany a soloist with this compact, one-movement work that features a soloist playing ANY string or band instrument: oboe, viola, tuba---you name it! A Chameleon Concerto, by Richard Meyer, has catchy melodies that explore various moods. The constant give-and-take between the soloist and strings keeps every section of your group active. There is even a short cadenza toward the end of the piece to offer everyone on stage a complete concerto learning experience. (4:40)

Give your young string orchestra a chance to learn the all-important skills needed to accompany a soloist with this compact, one-movement work that features a soloist playing ANY string or band instrument: oboe, viola, tuba---you name it! A Chameleon Concerto, by Richard Meyer, has catchy melodies that explore various moods. The constant give-and-take between the soloist and strings keeps every section of your group active. There is even a short cadenza toward the end of the piece to offer everyone on stage a complete concerto learning experience. (4:40)

Written in the style of a spirited Czardas, a traditional Hungarian folk dance, Intermezzo is the fifth movement of the Háry János Suite, drawn from the opera of the same name. Full of life and endless energy, the music instantly grabs the audience's attention, cheering the spirit with driving rhythms and dynamic themes. An impressive addition to any concert, the work is a worthy upper-level showpiece for spring contests. (4:30)

Written in the style of a spirited Czardas, a traditional Hungarian folk dance, Intermezzo is the fifth movement of the Háry János Suite, drawn from the opera of the same name. Full of life and endless energy, the music instantly grabs the audience's attention, cheering the spirit with driving rhythms and dynamic themes. An impressive addition to any concert, the work is a worthy upper-level showpiece for spring contests. (4:30)

Your students will have a field day filled with fun as they perform this exciting overture! Field Day, by Chris M. Bernotas, works perfectly for string orchestra alone or with added winds and percussion up to a full orchestra. A fantastic piece for your students' first full-orchestra experience. (2:50)

Your students will have a field day filled with fun as they perform this exciting overture! Field Day, by Chris M. Bernotas, works perfectly for string orchestra alone or with added winds and percussion up to a full orchestra. A fantastic piece for your students' first full-orchestra experience. (2:50)

Rossano Galante's composition Cadence Everlasting begins with a solo horn accompanied by sustained strings, setting the tone for this lyrical piece. This work aims to capture humanity's love affair with music. The beauty of music is its ability to evoke an emotional response without words, just sonic waves. Music truly is the sound of emotions. (4:20)

Rossano Galante's composition Cadence Everlasting begins with a solo horn accompanied by sustained strings, setting the tone for this lyrical piece. This work aims to capture humanity's love affair with music. The beauty of music is its ability to evoke an emotional response without words, just sonic waves. Music truly is the sound of emotions. (4:20)