Bøger udgivet af ALLEN & UNWIN ACADEMIC

At 18 Rod Willis jumped on a boat for London, the Mecca for music and fashion in the 1960s. A decade on, after working in the US and Europe with UFO, Savoy Brown and Fleetwood Mac, he returned to Australia. A burning desire to find an act he could take to the top led him to an unknown band by the name of Cold Chisel. Little did Rod know, when he took on the role of manager, that it was the beginning of a remarkably successful 32-year relationship. Along the way he would be instrumental in establishing the trailblazing Dirty Pool Management Agency, which would change the local music industry forever. Ringside takes you behind the doors of the studios and beer barns that were the breeding grounds for bands like Cold Chisel, and reveals how Cold Chisel became the biggest band in Australia. After initial struggles, they struck paydirt with the 1980 album East, one of the highest-selling Australian albums of all time. Rod guided 'Chisel' until 1983 and their unforgettable Last Stand tour.

"The phone rang unexpectedly, late one night. 'Guess who our white ancestors were?' chuckled Uncle Gerry. 'They were slave traders! A couple of generations of slave traders!' After this startling revelation, Shauna wanted to find out more. She discovered her ancestor Robert Bostock arrived in Sydney in 1815 after being convicted of slave trading in Africa, and his grandson Augustus John married Bundjalung woman One My. Battling restrictions on access to government archives, Shauna gradually pieced together her family's stories of dispossession and frontier violence; life on reserves under the harsh regime of the Aborigines Protection Board; a cricket match with Bradman; activism and arts in Redfern; and a surprising reconciliation. Reaching Through Time reveals the cataclysmic impact of colonisation on Aboriginal families, and how this ripples through to the present. It also shows how family research can bring a deeper understanding and healing of the wounds in our history. Shauna writes, 'I am a proud Aboriginal woman who has always wanted to make a stronger connection to my cultural heritage. I experienced an inner yearning to find out about my ancestors and what they experienced in life. This is the story of my journey.'"--Publisher description.

'Headland veers into the gothic realm that is visited by the best Australian fiction that dares to go somewhere dark and unfathomable . . . It's a cracker.' - Sydney Morning HeraldThe small beachside town of Gloster is on the edge of disaster. After constant rain, floodwaters are rising fast.Detective Constable Craig Watson, exiled to Gloster from Sydney, is a young man with a damaged past and an uncertain future.Constables Ellie Cameron and Larissa Brookes are young women struggling to show their worth as police officers under a misogynistic sergeant.The drowning town holds a secret that someone is prepared to murder for, and as the floodwaters cut Gloster off from the world the three young police officers begin to understand that it's not just them left stranded. Somewhere out there in the floodwaters is a killer. And he needs them dead.Taut, compelling and visceral, John Byrnes' Headland announces a major new voice in Australian crime fiction.'Following in the footsteps of Jane Harper and Chris Hammer . . . Byrnes does a fantastic job of turning the relentless downpour into a constant threat. This thriller is a pacy and compelling debut.' - Books+Publishing'This has all the ingredients of a classic rural noir, but dialled up to 11 . . . all the elements come together for a final, thrilling, climax, as resolution and redemption are delivered . . . a page-turner' - Newcastle Herald'[Headland] takes readers on a dark and captivating journey . . .blends realistic action scenes and bleak character moments with a clever mystery.With this impressive debut, Byrnes has set himself up as an exciting and distinctive new Australian crime fiction talent who has a very bright future. Headland is an outstanding read and is highly recommended.' -Canberra Weekly'a propulsive, lean and gritty crime thriller from a distinct new voice in Australian crime writing . . .Crisp and economical prose means Headlandwon't gather much dust on your nightstand. It's relentlessly paced, and no-holds-barred.' Simon McDonald, Diary of a Bookseller

Faster. Stronger,Smarter. Bouncier.Invaluable life lessons that will enable you, too, to crush a bucket. Unlock the Roo within you.

Macquarie is everywhere. As an investment bank, a commodities player and an international leader in infrastructure fund management, Macquarie has inserted itself into your life somehow, no matter where in the world you're reading this book. The Millionaires' Factory lifts the lid on this unique banking success story, from its origins in Australia in 1969 to its presence in 33 markets today. It identifies the big decisions that have allowed the bank to thrive where others have floundered, and the unique Macquarie ability to spot a niche few others can see. It also uncovers the dramas, the turf fights, the scandals and the failures, as well as the supercharged salaries and bonuses that earned them the nickname 'the millionaires' factory'. Drawing on their interviews with Macquarie CEOs and senior managers past and present, journalists Joyce Moullakis and Chris Wright explain the culture that drives Macquarie: its unique 'loose-tight' approach to risk, its empowerment of individual staff to try new things, and its knack for turning market calamities into opportunities. Markets move and Macquarie has reinvented itself time and again as they do so, but one thing never changes: it's seldom on the wrong side of a deal.

"The city of Melbourne lies on the edge of a vast plain surrounded by a green and blue mountainous rim, whose hills and peaks are home to the magnificent Mountain Ash, the tallest flowering plant on the planet. The Mountain Ash forests were 20 million years in the making, and deep within the valleys are even more ancient, Gondwanic rainforests. The Great Forest showcases these forests as well as the world's tallest moss, breathtaking snow gum plateaus and the remnants of massive extinct volcanoes. The Great Forest is a tribute to extraordinary landscapes now under severe threat from logging and wildfires, such as the catastrophic fire that struck on Black Saturday in 2009. It uncovers the intricate webs of life that make Mountain Ash forests so much more than their towering trees. It explores the unique forests that have sustained the Gunaikurnai, Taungurung and Wurundjeri peoples for tens of thousands of years, and that provide a home for creatures found almost nowhere else. The exquisite photographs reveal the Central Highlands of Victoria to be one of Australia's largely undiscovered natural treasures."--

She was Australian born, an international bestselling author and a member of the glamorous literary, intellectual and society salons of late nineteenth and early twentieth century London and Europe She was 'amused, cynical, ironic, loving, gay, ferocious, cold, ardent but never gentle'. She was a whirlwind. She created around her the atmosphere of a Court at which her friends were either in disgrace or favour, a butt or a blessing. Elizabeth von Arnim may have been born on the shores of Sydney Harbour, but it was in Victorian London that she discovered society and society discovered her. She made her Court debut before Queen Victoria at Buckingham Palace, was pursued by a Prussian count and married into the formal world of the European aristocracy. It was the novels she wrote about that life that turned her into a literary sensation on both sides of the Atlantic and had her likened to Jane Austen. Her marriage to the count produced five children but little happiness. Her second marriage to Bertrand Russell's brother was a disaster. But by then she had captivated the great literary and intellectual circles of London and Europe. She brought into her orbit the likes of Nancy Astor, Lady Maud Cunard, her cousin Katherine Mansfield and other writers such as E.M. Forster, Somerset Maugham and H.G. Wells, with whom it was said she had a tempestuous affair. Elizabeth von Arnim was an extraordinary woman who lived during glamorous, exciting and changing times that spanned the innocence of Victorian Sydney and finished with the march of Hitler through Europe. Joyce Morgan brings her to vivid and spellbinding life.

How a nation still in grief from the Great War found the courage and resilience to face a new tragedy, the Great Depression. Some generations are born unlucky. Australians who survived the horrors of the Great War and the Spanish flu epidemic that followed were soon faced with the shock of the Great Depression. Today we remember long dole queues, shanty towns and destitute men roaming the country in search of work. With over a third of the workforce unemployed in 1932, Australia was one of the hardest hit countries in the world. Yet this is not the complete story. In this wide-ranging account of the Great Depression in Australia, Joan Beaumont shows how high levels of debt and the collapse of wool and wheat prices left Australia particularly exposed in the world's worst depression. Threatened with national insolvency, and with little room for policy innovation, governments resorted to austerity and deflation. Violent protests erupted in the streets and paramilitary movements threatened the political order. It might have ended very differently, but Australia's democratic institutions survived the ordeal. Australia's people, too, survived. While many endured great hardship, anger, anxiety and despair, most 'made do' and helped each other. Some even found something positive in the memory of this personal and communal struggle. Australia's Great Depression details this most impressive narrative of resilience in the nation's history. 'A magisterial account of an immense tragedy, told with authority, poignancy and drama.' - Frank Bongiorno, Professor of History, The Australian National University 'A masterpiece by one of Australia's most esteemed historians' - David Day, historian 'Beaumont's brilliant study is the comprehensive history of the Great Depression that we have been waiting for.' - Stephen Garton AM, Senior Deputy Vice-Chancellor, The University of Sydney

In the many years Jim has spent talking and writing about the quirkier events and people in our history, he has come across characters whose lives have amazed, surprised and amused him. This is a book about some of those people and their bizarre, remarkable and out of the ordinary lives. And in only the way Jim can, he's discovered that there is always more to the story than first meets the eye. Who knew, example, that the first man hanged in Australia made an artefact now valued at over one million dollars? Or that an Australian swimmer was the highest paid act on the American vaudeville circuit and the star of the first movie ever made with a budget of one million American dollars? And that the father of the first Australian woman to serve in parliament was hanged for murder? These are the stories of lives that capture the heart and soul of the Australian character.--

Enid Lindeman stood almost six feet tall, with silver hair and flashing turquoise eyes. The girl from Strathfield in Sydney stopped traffic in Manhattan, silenced gamblers in Monte Carlo and dared walk a pet cheetah on a diamond collar through Hyde Park in London. In early twentieth-century society, when women were expected to be demure and obedient, the granddaughter of Hunter Valley wine pioneer Henry Lindeman waltzed through life to the beat of her own drum. She drove an ambulance in World War I and hid escaped Allied airmen behind enemy lines in World War II, played bridge with Somerset Maugham and entertained Hollywood royalty in the world's most expensive private home on the Riviera, allegedly paid for by her winnings in a game of cards. Enid captivated men with her beauty, outlived four husbands-two shipping magnates, a war hero and a larger-than-life Irish earl-spent two great fortunes and earned the nickname 'Lady Killmore'. From Sydney to New York, London to Paris and Cairo to Kenya, Robert Wainwright tells the fascinating story of a life lived large on the world stage.

On 21 July 1942, a large Japanese reconnaissance mission landed along the north-eastern coastline of Papua, it would soon turn into an all-out attempt to capture Port Morseby. This is the powerful story of the three weeks of battle by a small Australian militia force, the 39th Battalion, supported by the 1st Papua Infantry Battalion and the Royal Papuan Constabulary, to keep the Japanese at bay. Outnumbered by at least three to one, they fought courageously to hold the Kokoda Plateau - the gateway to the Owen Stanleys. Critically short of ammunition and food and stranded in the fetid swamps and lowland jungles, they did everything they could to keep the Kokoda airstrip out of Japanese hands. Not far away, and desperately trying to reach the Australians, were two groups of Anglican missionaries trapped behind enemy lines. With each passing day the parties grew, joined by lost Australian soldiers and downed American airmen. Theirs is a story of tragedy and betrayal. Using letters, diaries and other first-hand accounts, from friend and foe alike, leading military historian David W Cameron, has for the first time written a detailed, compelling and provocative account of what occurred at the northern foot of the Owen Stanleys in late July and early August 1942. These are stories that deserve to be firmly embedded into the Kokoda legend.

"This book provides a fascinating summary of African history over 5000 years, from the Stone Age to the classical Greek and Roman era, through the 'medieval' period of the kingdoms of the Western Sudan and into the colonial era. This is far beyond the time span normally covered in history texts, and it empowers Conton to sweeping conclusions. The style and language are simple in this text, originally intended for West African secondary school students, but the concepts the author explores are universal and still very topical. Writing from a very definite point of view, his reach in space and time is vast, drawing on historical evidence from around the globe, from ancient, classical, medieval and pre-modern sources and from local, oral traditions. He dwells at length on the "great" African empires of Ghana, Mali and Songhai, all the while backing up his history with sources, detailed maps and photographic evidence of the rich culture of ancient West Africa. This book provides a very useful background to the general reader interested in a fuller understanding of the region."--Publisher marketing.

Tim Olsen is the son of arguably Australia's greatest living artist, Dr John Olsen. Son of the Brush is his fascinating, candid memoir of what it was like to grow up in the shadow of artistic genius, with all its wonder, excitement and bitter disappointments. Tim's childhood was dominated by his father's work, which took the family to Europe and to communities around Australia as John sought inspiration and artistic fellowship. Wine, food, conversation and the emerging sexual freedom of the 1960s wove a pattern of life for the family. It was both the best and worst of childhoods, filled with vibrancy and stimulation, yet fraught with anxiety and eventual sadness as John separated from Tim's mother Valerie and moved away from the family. The course of Tim's life has been set by the experiences of his childhood, and by the passion for art he inherited from both his parents (his mother was an acclaimed painter in her own right). His life has always been about art, although he has followed a different path from his parents. Having overcome and recovered from addiction, Tim is today one of Australia's most respected gallery owners, with a knowledge of art and artists forged from what is literally a lifetime immersed in the art world. Son of the Brush is a memoir about a son and his father, and what it takes to forge your own identity and chart your own course in life, but it is also about the wider world of art, artists and the joy, inspiration and sacrifices of the creative life. --

'McCarthy's advocacy and passion for women's rights has spurred a new generation. We wouldn't be where we are without her.' Sydney Morning Herald, 'Who Mattered in 2019' 'A woman of kindness and strength and a feminist who has helped the careers and lives of so many strangers and many dear friends. She is a bright star in the Sydney community. A woman who believes in life-long learning and is not afraid to take risks.' Sydney Community Foundation 'A day hasn't passed this year where I haven't thanked my lucky stars for her wisdom, humour, counsel, support & encouragement. A legend. May we all aspire to live like Wendy McCarthy.' Georgie Dent, Executive Director, The Parenthood Wendy McCarthy has made her mark on this country in many extraordinary ways. For more than 50 years, she has been on the leading edge of feminism and corporate and public life in Australia and her trail-blazing advocacy and leadership have made her a widely respected and revered figure. Wendy is a woman who shaped her times as much as she was shaped by them, and now at 80 years of age, she shares her remarkable life and achievements, and the lessons she learned - and taught us all. From sheltered country schoolgirl to relentless campaigner for abortion and contraception, from passionate teacher to lifelong advocate for education, to smashing that glass ceiling again and again and showing the way to subsequent generations of women, Wendy has championed change across the public, private and community sectors, in education, family planning, human rights, public health, overseas aid and development, conservation, heritage, media and the Arts.

Winx joins Phar Lap and Bradman in the history books: a national sporting idol and the world's best racehorse.Australia's world champion racehorse Winx has become a sporting giant, transcending racing in the same way that Muhammad Ali transcends boxing and Bradman transcends cricket. She is described by her trainer, Chris Waller, as a supreme athlete--a world-class sprinter with a freakish ability to dominate longer distances "like Usain Bolt running in 1500-metre races." She is the Phar Lap of the modern age, and one of the greatest racehorses in 300 years of thoroughbred racing. In Winx: The Authorised Biography, Andrew Rule, her owners, her breeder, her trainer and her rider tell the real stories behind the world's greatest racehorse.

A landmark history of Australia's first successful settler farming area, which was on the Hawkesbury-Nepean River. Award-winning historian Grace Karskens uncovers the everyday lives of ordinary people in the early colony, both Aboriginal and British. Dyarubbin, the Hawkesbury-Nepean River, is where the two early Australias - ancient and modern - first collided. People of the River journeys into the lost worlds of the Aboriginal people and the settlers of Dyarubbin, both complex worlds with ancient roots. The settlers who took land on the river from the mid-1790s were there because of an extraordinary experiment devised half a world away. Modern Australia was not founded as a gaol, as we usually suppose, but as a colony. Britain's felons, transported to the other side of the world, were meant to become settlers in the new colony. They made history on the river: it was the first successful white farming frontier, a community that nurtured the earliest expressions of patriotism, and it became the last bastion of eighteenth-century ways of life. The Aboriginal people had occupied Dyarubbin for at least 50,000 years. Their history, culture and spirituality were inseparable from this river Country. Colonisation kicked off a slow and cumulative process of violence, theft of Aboriginal children and ongoing annexation of the river lands. Yet despite that sorry history, Dyarubbin's Aboriginal people managed to remain on their Country, and they still live on the river today. The Hawkesbury-Nepean was the seedbed for settler expansion and invasion of Aboriginal lands to the north, south and west. It was the crucible of the colony, and the nation that followed.--

The Original Australians tells the story of Australian Aboriginal history and society from its distant beginnings to the present day. From the wisdom and paintings of the Dreamtime to the first contact between Europeans and Indigenous Australians, through to the Uluru Statement, it offers an insight into the life and experiences of the world's oldest surviving culture. The resilience and adaptability of Aboriginal people over millennia is one of the great human stories of all time. Josephine Flood answers the questions that Australians and visitors often ask about Aboriginal Australia: Where did the Aboriginal people come from and when? How did they survive in Australia's harsh environment? What was the traditional role of indigenous women? What are land rights? How do Aboriginal people maintain their culture today? And many more.

In 1968, ninety-eight competitors stormed out of London on the world's greatest automotive adventure, the London to Sydney Marathon, the most ambitious and epic car race ever staged. Four weeks later they arrived in Sydney - or at least half of them did. The others lay in ruin along its 10,000-mile route. Unimaginable now in either concept or execution, the marathon captured the rapt attention of the countries through which it passed, and of the world, as it created front-page news. It was more than a car race, more than a rally, more than the trials that opened up outback Australia only a decade before: it was the world's most gruelling test of driver and vehicle. For Australians, the race became a focal point of the rivalry between local car-manufacturing giants Holden and Ford, as the Monaro Coupe and the iconic Falcon GT went head to head. Neither was to win, but the story of their duel is motor-sporting legend. John Smailes was a young journalist at the time, covering the race for the Sydney Daily Telegraph. Fifty years after this extraordinary race was run, John's dramatic, compelling and utterly fascinating story - drawing on his own first-hand, eyewitness account and enhanced by in-depth interviews over the intervening years with all the race's key participants - brings the marathon vividly to life.--