Bøger udgivet af Amsterdam University Press

The Heritage Turn in China: The Reinvention, Dissemination and Consumption of Heritage focuses on heritage discourse and practice in China today as it has evolved from the ‿heritage turn‿ that can be dated to the 1990s. Using a variety of disciplinary approaches to regionally and topically diverse case studies, the contributors to this edited volume show how particular versions of the past are selected, (re)invented, disseminated and consumed for contemporary purposes. These studies explore how the Chinese state utilises heritage not only for tourism, entertainment, educational and commercial purposes, but also as part of broader political strategies on both the national and international stage. Together, they argue that the Chinese state deploys modes of heritage governance to construct new modernities while strengthening collective national identity in support of both its political legitimacy and its claim to status as an international superpower. The authors also consider ways in which state management of heritage is contested by some stakeholders whose embrace of heritage has a different purpose and meaning.

This study investigates the relationship between literature and politics during Mongolia's early revolutionary period. Between the 1921 socialist revolution and the first Writers' Congress, held in April 1948, the literary community constituted a key resource in the formation and implementation of policy. At the same time, debates within the party, discontent among the population, and questions of religion and tradition led to personal and ideological conflict among the intelligentsia and, in many cases, to trials and executions. Using primary texts, many of them translated into English for the first time, Simon Wickhamsmith shows the role played by the literary arts - poetry, fiction and drama - in the complex development of the "new society," helping to bring Mongolia's nomadic herding population into the utopia of equality, industrial progress and social well-being promised by the Mongolian People's Revolutionary Party.

This path-breaking collection offers an integrative model for understanding health and healing in Europe and the Mediterranean from 1250 to 1550.

This is the first monograph to thoroughly analyse Benjamin's film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest.

Focusing on the interrelationship between Jacob van Loo's art, honor, and career, this book argues that Van Loo's lifelong success and unblemished reputation were by no means incompatible, as art historians have long assumed, with his specialization in painting nudes and his conviction for manslaughter. Van Loo's iconographic specialty - the nude - allowed his clientele to present themselves as judges of beauty and display their mastery of decorum, while his portraiture perfectly expressed his clients' social and political ambitions. Van Loo's honor explains why his success lasted a lifetime, whereas that of Rembrandt, Frans Hals, and Vermeer did not. Taking an interdisciplinary approach, this book reinterprets the manslaughter case as a sign that Van Loo's elite patrons recognized him as a gentleman and highly-esteemed artist.

Our understanding of human evolution is proceeding at an unprecedented rate over the last years.

This volume examines the most spectacular struggle for democracy in post-handover Hong Kong.

Using new, international source material, this book digs deeply into the history of the Netherlands in Europe - a subject that is today more topical than ever.

This book studies the value system of the French Catholic community the Filles de la Charite, or the Daughters of Charity, in the first half of the seventeenth century.