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Timber and salmon are the bedrock of a regional Northwest identity, but the environmental impact of these declining industries has been at odds with the contemporary ideal of sustainability. This book reveals a landscape imbued with an uncertain futureno longer the region of boomtowns built upon the riches of massive old-growth forests.
A leading voice in the field of photography criticism, Vicki Goldberg is well known for her cogent and perceptive writing. Goldbergs take on photography is both insightful and expansive. This title offers a selection of this remarkable authors essays and criticism culled from the past twenty-five years.
Many years ago, before the era of digital cameras, cell phones, Photoshop, and the World Wide Web, the author presciently outlined many of the ways in which the digital age would transform society. In this book, he addresses the coming revolution in photography, asks pointed and sometimes chilling questions that are increasingly relevant today.
Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film ever since he took up photography. This title showcases this body of work, spanning from 1964 to 2007.
Presents images that are tightly cropped and alive, viscerally bringing us into the crush of people eating, drinking, and enjoying the crowd dynamican incredible inventory of private gestures performed in public spaces.
Offers a range of styles and approaches to photography such as Kenneth Cappello's casual snapshots of the skate scene of his youth, Allan Macintyre's investigations of geological activity, Jason Nocito's playful groupings of disparate images, Robin Schwartz's disquieting portraits of her daughter, and Jaimie Warren's theatrical self-portraits.
As a staff photographer for "Look" magazine, in 1968, Paul Fusco was commissioned to document various events surrounding the Robert F Kennedy's funeral. This title features over seventy images, many selected from the treasure trove of slides that comprise the Library of Congress' "Look Magazine" Collection.
From a Montessori preschool to churches, mosques, and diverse civic spaces a Swedish courtroom, the Iraqi National Assembly hall, the United Nations, this book features images that display the ever harsher manifestations of authority: an interrogation room at Guantanamo, segregation cells at Abu Ghraib, and a capital-punishment death chamber.
Text by Jock Reynolds, Taro Nettleton. Interview by Carrie Mae Weems.
Captures the work of women who are employed to embody the corporate identities of international auto companies.
"Lola Alvarez Bravo" is presented at Aperture Gallery, New York September 7 - November 2, 2006.
A collection of conversations with writers and curators - William McEwan, Rebecca Solnit, Constance Sullivan, and Thomas Weski, among others (including a group of his students). This publication offers the author's thoughts on a number of his legendary projects.
Writings on photography and photographers by Henri Cartier-Bresson
In its time, the material contributed to the larger project of ethnographic categorization and typology typical of the early twentieth century, much as Edward S. Curtis's portraits romanticized the "last Indians" or John Thomson's "Street Life in London" identified and codified social class in the late 1800s.
Boldly experimental, Marco Breuer uses a continually evolving range of processes to extract abstract and visually compelling images from photographic paper. This title shows that whether it involves placing burning coals on the photographic paper, Breuer's work eviscerates the usual expectations of the cameraless image.
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