Bøger udgivet af Archipelago Books

A dazzling portrait of a dreamy optimist filling Paris with ingenious gadgets, toys, and magical contraptions.

A haunting, allegorical Swiss masterpiece centered around a posse of villagers as they brave dark elements to ascend a mountain, thicketed with loreTeeming with tension, this immersive, rhapsodic story transports readers to the Swiss mountainside, bringing to mind the writing of Thomas Mann while offering character studies as vivid and bracing as Eudora Welty’s.Feed is running low in a rural village in Switzerland. The town council meets to decide whether or not to ascend a chimerical mountain in order to access the open pastures that have enough grass to “feed seventy animals all summer long.” The elders of the town protest, warning of the dangers and the dreadful lore that enfolds the mountain passageways like thick fog.They’ve seen it all before, reckoning with the loss of animals and men who have tried to reach the pastures nearly twenty years ago. The younger men don’t listen, making plans to set off on their journey despite all warnings. Strange things happen. Spirits wrestle with headstrong young men. As the terror of life on the mountain builds, Ramuz’s writing captures the rural dialog and mindsets of the men.One of the most talented translators working today, Bill Johnston captures the careful and sublime twists and turns of the original in his breathtaking translation.

"An exemplary compendium of brief glimpses into the quotidian concerns of everyday South Americans . . . [that] exudes the author’s characteristically bright insight and sense of attentive amusement." – Kirkus Reviews, starred review25 Crónicas – uniquely Latin American short stories – from a master of the form, a star heralded alongside Samanta Schweblin and Mariana Enríquez for blending insight, honesty, and humorUhart reinvigorates our desire to connect with other people, to love the world, to laugh in the face of bad intentions, and to look again, more closely: from lapwings, road-side pedicures, and the overheard conversations of nurses and their patients, to Goethe and the work of the Bolivian director Jorge Sanjinés.“It was a year of great discovery for me, learning about these people and their homes,” Hebe Uhart writes in the opening story of A Question of Belonging, a collection of texts that traverse Argentina, Paraguay, Brazil, Spain, and beyond. Discoveries sprout and flower throughout Uhart’s oeuvre, but nowhere more so than in her crónicas, Uhart’s preferred method of storytelling by the end of her life. For Uhart, the crónica meant going outside, meeting others. It also allowed the mingling of precise, factual reportage and the slanted, symbolic narrative power of literature.Here, Uhart opens the door on all kinds of people. We meet an eccentric priest who conducts experiments down by the riverside hoping to land on a cure for cancer; a queenly (read: beautiful and relentlessly indolent) teenage girl; a cacique of the Pueblo Nación Charrúa clan, who tells her of indigenous customs and histories.She writes with characteristic slyness. In the last lines of the title story, Uhart writes, “And I left, whistling softly.” Wherever she may have gone, we are left with the wish we could follow alongside.

“An enthralling — and welcome — reclamation of Kaul’s fiction. . . Kaul’s work shimmers with questions of reality and illusion, home and exile.” – The New York Times Book Review 17 lively short stories provide an irreverent examination of exile, drawn from the ever-observant pen of one of Kashmir's most celebrated writersHari Krishna Kaul, one of the most celebrated Kashmiri writers, published most of his work between 1972 and 2000. His short stories, shaped by the social crisis and political instability in Kashmir, explore – with a keen eye for detail, biting wit, and deep empathy – themes of isolation, individual and collective alienation, corruption, and the social mores of a community that experienced a loss of homeland, culture, and language.In these pages, we will find friends stuck forever in the same class at school while the world changes around them; travelers forced to seek shelter in a battered, windy hostel after a landslide; parents struggling to deal with displacement as they move away from Kashmir with their children, or loneliness as their children leave in search of better prospects; the cabin fever of living through a curfew . . .Brilliantly translated in a unique collaborative project, For Now, It Is Night brings a comprehensive selection of Kaul’s stories to English readers for the first time.

Frank, acute, and intimate poems of human loss, resilience, and love – detective poem, historical hopscotch, love story “A truly lyrical longing for the world to be transformed.”—Polish Book InstituteRóżycki collects moments of illumination – a cat dashing out of a window and "feral sun" streaking in, a body planting itself in the ground like rhubarb and flowering. He collects and collects, opens a crack, and clutches a shrapnel of epiphany.Tomasz Różycki's To the Letter follows Lieutenant Anielewicz on the hunt for any clues that might lead 21st century human beings out of a sense of despair. With authoritarianism rising across Eastern Europe, the Lieutenant longs for a secret hero. At first, he suspects some hidden mechanism afoot: fruit tutors him in the ways of color, he drifts out to sea to study the grammar of tides, or he gazes at the sun as it thrums away like a timepiece. In one poem, he admits "this is the story of my confusion," and in the next the Lieutenant is back on the trail. "This lunacy needs a full investigation," he jibes.He wants to get to the bottom of it all, but he's often bewitched by letters and the trickery of language. Diacritics on Polish words form a "flock of sooty flecks, clinging to letters" and Lieutenant Anielewicz studies the tails, accents, and strokes that twist this script.While the Lieutenant can't write a coherent code to solve life's mysteries or to fill the absence of a country rent by war, his search for patterns throughout art, philosophy, and literature lead not to despair but to an affirmation of the importance of human love

"The two newest moles in the forest learn to dig themselves out of their comfort zones and experience the boundless, unpredictable world around them"--

A roiling chronicle of motherhood and colonization from a writer who “alternates between a dramatic, high-octane style and a terse and humorous frankness” (Sheila Heti) Recipient of the 2021 Camões Prize, the most important award for literature in the Portuguese languageA potent whirl of history, mythology, and grapevine chatter, The Joyful Song of the Partridge absorbs readers into its many hiding places and along the wandering paths of its principal characters, whose stark words will stay with you long after the journey is done.No one knows where Maria des Dores came from. Did she ride in on the armored spines of crocodiles, was she carried many miles in the jaws of fish?The only clear fact is that she is here, sitting naked in the river bordering a town where nothing ever happens.The townspeople murmur restlessly that she is possessed by perverse impulses. They interpret her arrival as an omen of crop failure or, in more hopeful tones, a sign that womankind will soon seize power from the greedy hands of men.As The Joyful Song of the Partridge unfolds, Paulina Chiziane spirals back in time to Maria’s true origins: the days of Maria’s mother and father when the pressure to assimilate in Portuguese-controlled Mozambique formed a distorting bond on the lives of black Mozambicans.

“I could list plausible comparisons all day and night, but The Golden Pot is simply unlike anything else I have ever read.” — Justin Taylor, The Washington PostMacabre and fantastical, Hoffmann’s wildly imaginative tales offer an unflinching view of human nature and sing clearer than ever in a masterful new translationWhether a surrealist exploration of the anxieties surrounding automation, or a mystery concerning a goldsmith, missing jewels, and a spate of murders, each tale in this collection reveals the complexities of human desire and fear.Hoffman, whose most famous work is “The Nutcracker,” is often compared to Edgar Allan Poe. Hoffman’s massive influence qualifies him as the godfather of the German Romantic Movement which led to the horror genre.The macabre, fantastical nature of his subject matter inspired a broad swath of culture, with two of the longer stories in this collection “The Sandman” and “The Automaton” influencing Philip K. Dick’s original inspiration for Blade Runner. The murder mystery “Mademoiselle de Scudéry” is perhaps one of the earliest prototypes of the detective genre story.Music and madness flow through E.T.A. Hoffmann’s phantasmagoric stories. The ringing of crystal bells heralds the arrival of a beguiling snake, and a student’s descent into lunacy; a young man abandons his betrothed for a woman who plays the piano skillfully but seems worryingly wooden; a counselor’s daughter must choose between singing and her life.Peter Wortsman’s masterful new translation allows Hoffmann’s distinct and influential style to shine, while breathing new life into stories that seem both familiar and uncanny.

Racing greyhound Rosie escapes the confines of the racetrack and bounds towards freedom.

Translation of: La iluminaciâon de Katzuo Nakamatsu.

A penetrating study of passion, suffering, and loss from one of Norway's most tenacious writers: National Book Award Finalist and PEN translation prize winner Hanne Ørstavik Celebrated throughout the world for her candor and sensitivity to the rhythms of language, Hanne Ørstavik is a leading light on the international stage. Ørstavik writes with "a compulsion for truth that feels like [her] very life force itself." Laced with a tingling frankness, Ørstavik's prose adheres so closely to the inner workings of its narrator's mind as to nearly undo itself. In Martin Aitken's translation, Ørstavik's piercing story sings. Ti Amo brings a new, deeply personal approach, as the novel is based in Ørstavik's own experience of losing her Italian husband to cancer. By facing loss directly, she includes readers in an experience that many face in isolation. Written and set in the early months of 2020, its themes of loss and suffering are particularly well suited for a time of international mourning. What can be found within a gaze? What lies inside a painting or behind a handful of repeated words? These are the questions that haunt our unnamed narrator as she tends to her husband, stricken with cancer, in the final months of his life. She examines the elements of their life together: their Vietnamese rose-colored folding table where they eat their meals, each of the New Year's Eves they've shared, their friendships, and their most intimate exchanges. With everything in flux, she searches for the facets that will remain.

"First published by Forlaget Oktober AS, 2004"--Copyright page.

"First published by Forlaget Oktober AS, 1953-2015"--Title page verso.

A family of four--mother, father and two boys--move to the South Coast of Norway to a new house on a newly developed site. It is the early 1970s and the family's trajectory, upwardly mobile: the future seems limitless. In painstaking, sometimes self-lacerating detail, Knausgaard paints a world familiar to anyone who can recall the intensity and novelty of childhood experience, one in which children and adults lead parallel lives that never meet. Perhaps the most Proustian in the series, Book Three gives us Knausgaard's vivid, technicolor recollections of childhood, his emerging self-understanding, and the multilayered nature of time's passing, memory, and existence. "Of course, I remember nothing from this time. It is completely impossible to identify with the infant my parents photographed; this is in fact so difficult it almost seems wrong to use the word 'I' when referring to it, lying in the baby bath, for instance, its skin unnaturally red, its arms and legs sprawling, and its face distorted in a scream no one remembers the reason for anymore ... Is that creature the same as the one sitting here in Malmö, writing this?"--from Book Three of My Struggle More praise for Book Three: "A superbly told childhood story ... Knausgaard writes about everyday life as a child with a flow and continuity that all hangs together ... the text has a gravitational pull that draws the reader in only further." --Dag Og Tid (Norway) "An aesthetic pleasure ... A patient, chiseled, and intense portrayal of a child's sensory experience. Book Three is a classic." --Klassekampen (Norway) "Compelling reading ... Knausgaard has an equally good eye for small and large events." --Aftenposten (Norway) "A gripping novel ... This childhood portrayal drifts off with a lightness and sensitivity that not many will associate with him ... There is no doubt that the series is worth following the author all the way." --Dagens Næringsliv (Norway) "The man can write a novel about a solid, pretty traditional upbringing too ... A sensitive, sharp depiction of growing up in the 70's." --Adresseavisen (Norway)

"In Dawn, translated into English for the first time, legendary Turkish feminist Sevgi Soysal brings together dark humor, witty observations, and trenchant criticism of social injustice, militarism, and gender inequality. As night falls in Adana, kèoftes and cups of cloudy raki are passed to the dinner guests in the home of Ali - a former laborer who gives tight bear hugs, speaks with a southeastern lilt, and radiates the spirit of a child. Among the guests are a journalist named Oya, who has recently been released from prison and is living in exile on charges of leftist sympathizing, and her new acquaintance, Mustafa. A swift kick knocks down the front door and bumbling policemen converge on the guests, carting them off to holding cells, where they'll be interrogated and tortured throughout the night. Fear spools into the anxious, claustrophobic thoughts of a return to prison, just after tasting freedom. Bristling snatches of Oya's time in prison rush back - the wild curses and wilder laughter of inmates, their vicious quarrels and rapturous belly-dancing, or the quiet boon of a cup of tea. Her former inmates created fury and joy out of nothing. Their brimming resilience wills Oya to fight through the night and is fused with every word of this blazing, lucid novel"--

An intricate and exquisite tale of how bedtime fears can be transformed into wondrous dreams and magical adventures, by Hans Christian Andersen award–winning Roger Mello As João tucks under a lovingly woven quilt, he asks himself: So it’s just me now? He curls up, getting cozy in bed, and soon the world of his dreams unspools on the page. The blanket in his bed unravels into deep rivers, lakes, valleys, reservoirs, mountain ranges, fishing nets full of tadpoles and gaping holes, until what’s left is just one long thread. When he feels alone and scared in the dark, João “sews words like patchwork” into a new blanket to cover himself up. He weaves the threads of his quilt until they form one long sentence, and soon, the nighttime is peppered with his own silvery, slippery words. Roger Mello draws like a shapeshifter – to look at his illustrations is always to see something you missed before (a stingray, a crescent moon nestled into the palm of João’s hand). His breathtaking line drawings, beaming in white thread against deep red, combined with poetic and bewildered language, make João by a Thread a book to take into bed at the edge of sleep, just before you start to dream.

A far-reaching story of an outcast and his bookstore: a home to forbidden books, political dissidents, and cultural smugglers all brought to vivid poetic life “Rivas is a master… His pages bloom like flowers, swerving in unpredictable arcs toward a light-source that is constantly moving.”  —Bookforum The Last Days of Terranova tells of Vicenzo Fontana, the elderly owner of the long-standing Terranova Bookstore, on the day it's set to close due to the greed of real-estate speculators. On this final day, Vincenzo spends the night in his beloved store filled with more than seventy years of fugitive histories. Jumping from the present to various points in the past, the novel ferries us back to Vicenzo's childhood, when his father opened the store in 1935, to the years that the store was run by his Uncle Eliseo, and to the years in the lead-up to the democratic transition, which Vicenzo spent as far away from the bookstore as possible, in Madrid. Like the bookstore itself, The Last Days of Terranova is a space crammed with stories, histories, and literary references, and as many nooks, crannies, and complexities, brought to life in Rivas’s vital prose.