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New Writing Scotland is the principal forum for poetry and short fiction in Scotland today. Every year it publishes the very best from both emerging and established writers, and lists many of the leading literary lights of Scotland among its past (and present) contributors.
'Understanding Grammar in Scotland Today' explains basic concepts and presents a method of analysis that is systematic and suitable for complete beginners with no previous experience or formal grammatical study.
New Writing Scotland is the principal forum for poetry and short fiction in Scotland today. Every year we publish the very best from emerging and established writers, and list many of the leading literary lights of Scotland among our contributors.
First published in 1973, Haste Ye Back is a lively and intimate portrayal of Aberlour Orphanage, where Dorothy K. Haynes (1918-1987) spent four formative years. Best known as a writer of gothic and supernatural fiction, here Haynes's vivid imagination brings to life the residents, caretakers and stories of the institution that shaped her.
The poetry of Helen Craik (1751-1825), Gothic novelist and friend of Robert Burns, was long thought lost. The rediscovery of her manuscript Poems of a Lady (1790), transcribed and annotated here for the first time, invites a fresh evaluation of her life and work.
Scotland's sense of national identity and cultural distinctiveness has long been articulated through its literature. These fourteen essays explore literary manifestations of Scottishness and examine the political, religious and cultural complexities, as well as the cross-national transfer of ideas, that have shaped Scottish writing and performance through the centuries. By analysing the works of canonical writers such as Walter Scott and Robert Louis Stevenson alongside sometimes marginalised figures, including Gaelic-language poets and women novelists, this volume offers a comprehensive and diverse understanding of writing Scottishness. The collection draws not only on Scottish texts but also Scottish song culture, cinematic adaptations and literary walking trails to shed new light on the nation's negotiation of its identity through its cultural creations.
Allan Ramsay (1684-1758) is a key figure in Scottish cultural history, and his influence spans a variety of subject areas, including Drama, English, History, and Music. This Scotnote allows pupils, teachers, and interested readers to see cross-subject links to build a more comprehensive view of Ramsay's life and work.
New Writing Scotland is the principal forum for poetry and short fiction in Scotland today. Every year we publish the very best from emerging and established writers, and list many of the leading literary lights of Scotland among our contributors.
The experiences of being Christian and living amid a culture shaped by various iterations of Christianity are long-standing concerns of Scottish literature. This volume moves through Scotland's literary history, from the early medieval era to the twenty-first century, to explore how Christianity has provided Scottish writers with a framework on which to build their manifold literary selves. Walter Scott, Margaret Oliphant and Edwin Morgan are among the writers revisited in this collection to examine the enduring influence of Christian liturgy, language and belief on Scottish fiction, drama and poetry. These fifteen essays offer contrasting, sometimes disharmonious readings of what it means to be Christian and Scottish, and work to illuminate Scottish literature's complex relationship and interplay with Christianity.
These essays offer fresh insight into the life and work of Muriel Spark (1918-2006). Looking at the cultural, literary, religious and personal frameworks that shaped her writing, The Crooked Dividend provides a comprehensive overview of Spark's multifaceted work through the examination of her publications, archive material, and colourful career.
The period from 1650 to 1800 was a time of immense change in Scotland, witnessing the Union of 1707, the Jacobite Risings, and the flowering of the Scottish Enlightenment, alongside religious, economic, and social upheavals. This International Companion shows how Scotland's literary cultures, in English, Gaelic, Latin, and Scots, were transformed.
Gillian Sargent's Scotnote Study Guide provides a comprehensive overview to the characters and themes of Rona Munro's play Bold Girls, as well as its artistic and cultural influences, and is an excellent guide for senior school pupils and teachers alike.
In 1603, James Stewart became also king of England and Ireland, and a great deal of excellent poetry was composed by Scottish writers during his reign. Poets faced the political and cultural challenges inherent in the novel concept of Great Britain in a variety of ways, and the thistle and the rose bloomed together in the Jacobean garden of verses.
Modern Gaelic drama has the power to break down barriers and to touch people across linguistic and cultural divides. This collection is a celebration of Gaelic theatre, featuring eight Gaelic plays (with English translations) from the start of the twentieth century to the present day.
New Writing Scotland is the principal forum for poetry and short fiction in Scotland today. Every year it publishes the very best from both emerging and established writers, and lists many of the leading literary lights of Scotland among its past (and present) contributors.
John Corbett's SCOTNOTE provides a succinct background to Edwin Morgan's Scots translation of Edmond Rostand's Cyrano de Bergerac, and is a perfect introduction for senior school pupils and students of all ages.
Latin was Scotland's third language in the early modern period, alongside Scots and Gaelic, and the reign of King James VI and I is considered to be a golden age of Scottish neo-Latin literature. Corona Borealis examines Latin poems by Scottish authors written between 1566 and 1603, and highlights the role of Latin in Scottish cultural life.
Petra Johana Poncarova's SCOTNOTE examines Derick Thomson's life and work, and his historical, political, cultural and personal influences. It is an ideal introduction for senior school pupils and students of all ages.
Edwin Morgan (1920-2010) is one of the giants of modern literature. In Touch With Language presents previously uncollected prose, with topics ranging from Gilgamesh to Ginsberg, cybernetics to sexualities, international literatures to the changing face of his home city of Glasgow. Everyone will find surprises and delights in this new collection.
As a writer, Lyndsay is known for his play, "Ane Satyre of The Thrie Estaitis", a comic commentary on church and state. This work contains selected poems, annotations and references. It provides notes which illustrates Lyndsay's language and the contemporary references and biographical information. It discusses features of Lyndsay's poetry.
Kirsteen, from an old but impoverished family, rebels against her father and flees to London. Against the odds she finds work, striving for independence against a world determined to drag her down. Written in the late 1800s, Kirsteen is a startlingly modern novel in its treatment of women and work.
The Cottagers of Glenburnie is a fascinating example of early 19th-century women's fiction. This volume is the only edition available in print, and it comes with a glossary and notes for scholars and students.
Includes "The Sunlight Sonata", "A Sleeping Clergyman", "Mr Bolfry", and "Daphne Laureola", along with, "The Anatomist": the tale of Dr Knox and his relationship with Edinburgh's notorious bodysnatchers, Burke and Hare. All the plays, in this work, are accompanied by notes and a glossary.
Faced with the prospect of marriage to an elderly, squinting Duke, the Lady Juliana elopes with her penniless Scottish beau. But what happens when this English society beauty's romantic notions of the Highlands meet cold, damp reality?Susan Ferrier's 1818 novel Marriage is a witty and satirical examination of female lives in the Regency era.
New Writing Scotland is the principal forum for poetry and short fiction in Scotland today. Every year it publishes the very best from both emerging and established writers, and lists many of the leading literary lights of Scotland among its past (and present) contributors.
Voices of Scotland is an anthology of Scottish poetry with related activities which has been designed for teachers working with students at Second and Third Levels of Curriculum for Excellence. The poems cover a broad range of themes and reflect the linguistic variety of Scottish poetry and, in particular, the diverse voices of Scotland today.
Eileen Dunlop's SCOTNOTE explores and explains the historical, social and political background of Walter Scott's The Bride of Lammermoor, and is an ideal study guide for senior school pupils and students.
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