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'My mother was an oak treemy dad a garage mechanicMy father was a field of wheatmy mother the Prime MinisterMy mother was an innkeeperand my father a lonely cactus...'Suzannah Evans' new pamphlet introduces us to Green, half human, half angry nature spirit. Green serves as a stunt double for our own rage and complicity in nature's destruction. He shows us nature's delights so we may mourn their loss more deeply.
Alex Mazey's playful text art sequence follows Ghost through a hyperreal metropolis of both capitalist and eschatological peril. Woven between the visuals are virtuosic lyric poems: poignant, philosophical and irreverent.
The debut collection by poet and visual artist James Kearns is a twisting, Chekhovian narrative interrogating mortality, permanence and self-deception. The speaker of these addictive prose poems becomes increasingly lost in dialogue with himself, a deceased superhero, and a supporting dramatis personae who offer humour and hostility in equal parts.
The debut poetry collection by poet, psychotherapist and BBC Performing Arts Fellow, Jasmine Cooray. Inheritance is a graceful and profoundly moving exploration of what our lost loved ones leave behind, and the ambiguities of belonging. Sorrow and celebration come together in a powerful hymn to heritage, love, survival and self-belief.
Cai Draper's sing & hide is a tribute to youth, family and the nuances of belonging. While its speaker places us firmly in the distinct and polyphonic context of his coming of age (Woolworths, Megadrive, 'Spoons, Moschino, Peckham Pulse, the Rivoli), he himself is often caught between lines and homes, between pride and shame. Draper's bold, idiosyncratic voice betrays a deep yearning for knowledge of the self and others, drawing the reader in with magnetic effect. Influenced by modern sculpture, there is an architectural quality to these poems, cast into bronze or moulded from London turf, skilfully wielding negative space to draw attention to the unseen and unspoken.
Molly Naylor's Whatever You've Got is the letter you wish you could send to your younger self. It's the voice of a kind, whip-smart friend who accepts your mistakes, messiness and chaotic energy-because they've been there-while challenging you to hold yourself with honesty and forgiveness, 'pressing your ear to your body and hearing that you exist'. Naylor cuts to the quick of modern anxiety, of love and its many dilemmas, of trauma and recovery, with unfaltering insight and wit. Full of left-hook quips to make you laugh out loud, and joyful, anthemic rhythm. The poems in this unputdownable collection give permission to do the unexpected, to change your mind, to run an emotional scan and find yourself new, and whole after all.
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