Bøger udgivet af Beacon Press

A love letter to queer of color theory and how it has helped the author to discover himself, reclaim identities, celebrate queer joy, and work towards liberationMarcos Gonsalez found his greatest source of joy when he encountered queer theory in college. As they put it, "queers and college go together like peanut butter and jelly," and for them, this was especially true. Seeing himself reflected in the work José Esteban Muñoz was life-changing: Muñoz's theory of disidentification empowered Gonsalez to reclaim their Latinx and queer identities--and inspired him to push back against the largely-white monolith of queer theory.In the sophisticated yet intimately disarming prose of In Theory, Darling, Gonsalez takes his copy of Disidentifications to the gay bar, to the classroom, to their childhome and beyond, inviting us to go along with him as he limns the queerness of reality TV, mourns the victims of the Pulse nightclub massacre, searches for their uncle in Paris Is Burning, looks for Muñoz's legacy in the streets of New York, and situates themself in the lineage of the queer elders who have come before him.Conversational yet deeply analytical, intimate yet wide-ranging, youthful yet sophisticated, Gonsalez's essays crackle with intellectual energy--and remind us just how life-giving theory can be.

"A queer Black feminist debunks the myth of rainbow solidarity, repositioning Black and Latinx LGBTQ+ people at the forefront of queer pasts, presents, and futures"--

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "e;child freak,"e; she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.

In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With documentaries like I Am Not Your Negro bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in ';The Harlem Ghetto' to a sobering ';Journey to Atlanta.' Notes of a Native Soninaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright's work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. Notes is the book that established Baldwin's voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin's own search for identity as an artist, as a black man, and as an American.

"A young South Asian American woman's story of reconnecting with her identity, family, and heritage through sustainable farming"--

"A political and intellectual history of American counterculture and the historical figures who redefined mainstream understandings of freedom, culture, art, and politics-from The Beat Generation to Basquiat"--

A tale of 2 NYC affordable housing co-ops’ struggle over privatization, public goods, and the future of American housingThe American Dream of homeownership is becoming an American Delusion. As renters seek an escape from record-breaking rent hikes, first-time buyers find that skyrocketing interest rates and historically low inventory leave them with scant options for an affordable place to live. With home valued more than ever as a commodity, even social housing programs meant to insulate families from cut-throat markets are under threat—sometimes by residents themselves.In Homes for Living, urban planner and oral historian Jonathan Tarleton introduces readers to 2 social housing co-ops in Brooklyn and Manhattan. Longtime residents of St. James Towers and Southbridge Towers lock horns over whether to maintain the rules that have kept their homes affordable for decades or to cash out at great personal profit, thereby denying future generations the same opportunity to build thriving communities rooted in mutual care.With a deft hand for mapping personal histories atop the greater housing crisis, Tarleton explores housing as a public good, movements for tenant rights and Indigenous sovereignty, and questions of race and class to lay bare competing visions of what ownership means, what homes are for, and what neighbors owe each other.

A violence prevention expert helps women and other targets of gender-based violence discern fact from fiction, improve their personal safety, and support social changePersonal safety shouldn’t mean living in fear, nor should it come at the expense of political progress.There are two kinds of safety choices: those that disrupt power structures and those that leave them unquestioned. Safety decisions that challenge power inequities require more fortitude, but they also lead to real change.Every time we alter our lives to avoid violence, we are making a political statement, whether we intend to or not. Crossing the street to avoid a homeless person says one thing. Not leaving your kid alone with a parish priest in the wake of a clergy sexual abuse crisis says another.In The Cost of Fear, nationally recognized leader in abuse prevention Meg Stone returns the focus to empowerment and shows us safety strategies that really work. Stone argues there are two opposing philosophies of how to make people safer, one of which exacerbates victim-blame (safety through compliance) and the other challenges it (safety through resistance).Deeply researched, The Cost of Fear includes interviews with people who have used their bodies to stop violence, those who teach self-defense as part of political organizing, as well as organizations that are effectively preventing sexual violence by inviting people to speak up for themselves.Stone gives readers practical strategies for keeping themselves and their loved ones safer and shows how personal safety is an essential part of political change, especially for an injustice as intimate as gender-based violence.

"A Haitian-born, Boston-based poet explores the personal and political stories of the Haitians who were part of Congo's 1960s decolonization movement"--

"An acclaimed historian narrates the stories of newly emancipated children who were re-enslaved by white masters through apprenticeships and their parents fights to free them"--

From the son of legendary civil rights organizer Robert P. Moses: a brilliant, unflinching memoir about becoming Black in America that interweaves voices from 3 generations of the Moses family"Omo Moses has written an epic reaffirmation of Black diasporic life and a clarion call for justice. The White Peril is destined to be read and cherished.” —Junot Díaz, Pulitzer Prize for Fiction recipient and author of The Brief Wondrous Life of Oscar WaoIn The White Peril, Omo Moses deftly interweaves his own life story with excerpts from both his great-grandfather's sermons and the writings of his father, the civil rights activist Bob Moses. The result is a powerful chorus of voices that spans 3 generations of an African American family, all shining a light on the Black experience, all calling fiercely for racial justice.Omo was born in 1972 in Tanzania, where his parents had fled to escape targeted harassment by the US government. He did not encounter white supremacy until the family moved back to America when he was 4. Here, he learned what it meant to be Black. He came of age in a Black enclave of Cambridge, Massachusetts, became a passionate basketball player, lived in the shadow of his father’s Civil Rights work but did not feel like a part of it until his college basketball career came to an unceremonious end. Unsure what to do next, he took up his father’s offer to go with him to Mississippi and teach math to Algebra Project students. Omo didn’t know it yet, but it was among those young people that he would find his purpose.This book is at once a coming-of-age story, a multigenerational family memoir, an epic father-son road trip, a searing account of the Black male experience, and a work that powerfully revives Rev. Moses’s demand for liberation.

"An urgent examination of the invisibility of Black women and girls as victims of targeted killings, and the lack of police intervention and media coverage"--