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Capturing the history of thousands of German women recruited to colonize Southwest Africa between the 1890s and 1940s, The Servants of Empire engages a radical nationalist history of German efforts to prevent interracial unions and establish permanent white settlement. As colonists, sponsored women often supported or even helped perpetrate extreme patterns of racist violence and vigilantism in Namibia, which linked them inextricably to marked atrocities such as the Herero and Nama Genocides. Navigating the intersections of German attitudes toward race, class, ethnicity, gender, and nation, this revealing study traces the German settler community's gossip and rumors to uncover how the many poor white female settlers in Southwest Africa disrupted bourgeois race and gender relations and contributed to the trenchant sexual and racial violence in the territory.
Up until the 1990s, when the EU launched film policies intended to encourage political and cultural collaboration among its member states, film coproductions were limited to specific industries and mostly based on the cultural and national values of individual nations. Coproducing Europe explores the impact of these EU policies on the coproduction networks that now serve as a driving force in contemporary creative economies. By focusing on regional film markets in Thessaloniki, Sarajevo and Tbilisi, this comparative ethnography looks beyond the economic nature of film coproductions to their role in Europeanization, memories of the Cold War and preconstructed political agendas.
"Uto-Aztecan iconic practices are primarily conditioned by the consciousness of the snake as a death-dealing power, and as such, an animal that displays the deepest fears and anxieties of the individual. The attempt to study a snake simulacrum thus constitutes the basic objective of this volume. A long, all-embracing iconicity of snakes and related snake motifs are evident in different cultural expressions ranging from rock art templates to other cultural artifacts like basketry, pottery, temple architecture and sculptural motifs. Uto-Aztecan iconography demonstrates a symbolic memorial order of emotional valences, as well as the negotiations with death and a belief in rebirth, just as the skin shedding snake reptile manifests in its life cycle"--
Academic appointments can bring forth unexpected and unforeseen contests and tensions, cause humiliation and embarrassment for unsuccessful applicants and reveal unexpected allies and enemies. It is also a time when harsh assessments can be made about colleagues' intellectual abilities and their capacity as a scholar and fieldworker. The assessors' reports were often disturbingly personal, laying bare their likes and dislikes that could determine the futures of peers and colleagues. Chicanery deals with how the founding Chairs at Sydney, the Australian National University, Auckland and Western Australia dealt with this process, and includes accounts of the appointments of influential anthropologists such as Raymond Firth and Alexander Ratcliffe-Brown.
Archaeologists have a history of being prime agents of change, particularly in advocating for protection and preservation of historical resources. As more social issues intersect with archaeology and historical sites, we see archaeologists and others continuing to advocate for not only historic resources, but for the larger social justice issues that threaten the communities in which these resources reside. Inspired by the idea of revolution and excitement about the ways archaeology is being used in social justice arenas, this volume seeks to visualize archaeology as part of a movement by redefining what archaeology is and does for the greater good.
"As one of the leading historians of the post-1956 generation and an internationally acclaimed scholar for the past five decades, Konrad H. Jarausch's autobiography presents a sustained academic reflection on the post-war German effort to cope with the guilt of the Holocaust amongst a generation of historians too young to have been perpetrators. Ranging from his war-time childhood in a chaotic country, to Americanization as a foreign student, and concluding with his mentorship of PhDs as a respected international scholar, he weaves together a self-critical historiography of a twentieth-century Germany that was wrestling with the responsibility for war and genocide. This self-reflexive work explores a wide range of topics including the development of German historiography and methodological debates, the interdisciplinary teaching efforts in German studies, and the development of scholarly organizations and institutions"--
As social inequality grows, historical analysis on wealth and income distribution across the 20th century often does not take into account inequality of education, health, housing and chances of social mobility, nor does it differentiate statistical inequality from the realities of peoples' actual experience. With this broad understanding in mind, in a long look back on the history of social inequality in Europe, The Rich and the Poor in Modern Europe addresses these neglected subjects. It also tackles the commonplace notion that modern capitalism inevitably produces wealth gaps and asks whether the facts and figures we possess also lead to alternate interpretations of examples of mitigated inequality. Covering the 20th century and the beginnings of the 21st century in Europe through wars, and economic crises, through periods of unprecedented economic prosperity and staggering economies, both exacerbating and dampening the problem, acclaimed historian Hartmut Kaelble offers a rigorous response to understanding our present-day challenge of social inequality.
Over the course of its history, the German Empire increasingly withheld basic rights-such as joining the army, holding public office, and even voting-as a form of legal punishment. Dishonored offenders were often stigmatized in both formal and informal ways, as their convictions shaped how they were treated in prisons, their position in the labour market, and their access to rehabilitative resources. With a focus on Imperial Germany's criminal policies and their afterlives in the Weimar era, Citizens into Dishonored Felons demonstrates how criminal punishment was never solely a disciplinary measure, but that it reflected a national moral compass that authorities used to dictate the rights to citizenship, honour and trust.
Discussing multiple aspects of material culture and domestic consumption, this book tackles the relationship between the trajectories and biographies of people, families, houses and objects and how they intertwine and produce each other. Focusing on the life stories of a group of European and Catholic Brahmin Goan families of the colonial elite who left Mozambique after the country's independence in 1975, the book shows how material culture interferes with structuring dimensions of migratory experiences, in the management of family memories, ties and networks of belonging, as well as in the social dynamics of positioning, hierarchy and distinction.
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