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Eat & Art, from the people behind Lisbon's famous Can the Can restaurant, brings together some of Portugal's finest chefs and artists, using the country's canned fish industry as the source of inspiration.
Architect Kurt Ofer has formulated an utterly unique way of drawing, which gives a superior understanding of form. By following the method of "transparent drawing," you ignore an object's opacity and see beyond its surface, allowing you to draw it in a very distinct and holistic way.
A collection of essays from Colquhoun's career in architectural theory.
In his latest collection of poetry, Cliff Burns addresses the moral and spiritual dilemmas pervading modern life and the anxiety that manifests itself as we recognize the scope of the challenges confronting us. Haunting, personal and impassioned, The Algebra of Inequality intimately examines the dark places inside us, while refusing to entirely discount the healing graces of unconditional love.Cliff Burns is the author of twelve books of prose and poetry, including So Dark the Night (2010) and Righteous Blood (2016). Over the past three decades his work has appeared in publications and anthologies around the world and has been adapted and performed on radio and stage.
Vantage explores the world's earth's manmade structures, surreal architecture, and megacities, evoking the insight and intrigue of Ryan Koopman's extensive travels as a photographer.
For 17 days in June 2016 the Luminato Festival transformed the Hearn Generating Station in the Port Lands in Toronto into the largest temporary cultural and community center in the world. This title explores how this event can be used as a blueprint for future artistic reimaginings of space.
Marlon Griffith: Symbols of Endurance covers the recent artistic practice of Trinidadian-born artist Marlon Griffith, whose work derives its form (and to an extent its process) from the performative, participatory and ephemeral characteristics that derive from the Trinidad and Tobago Carnival.
The ability to use imagination and envision future needs is crucial in art, design and architecture. Future thinking and making require imagination and capability to create narratives for near and far futures and the capacity to compose proposals to meet the imagined future needs.
Neil Gall: The Studio are a distinct body of collages made from the covers of The Studio, the influential art magazine published in London from 1893 until 1964.
Evergon: Lovers & Muses provides a long-awaited panoramic overview of the artist's entire body of work. Extending from the artist's early engagement with projections of the self and the appropriation of popular culture and the history of art through his sustained representations of homosexuality and the championing of gay issues.
Known for exploring and experimenting with the integration and reproduction of digital and analogue imagery, American artist Jeff Elrod combines digital design and printing techniques with traditional, manual artistry, producing unique contributions to the vernacular of contemporary painting
Who Cares?, the fourth in the Inquiries into Contemporary Sculpture series, examines issues of reception and care in contemporary sculpture.
Shelf Obsession presents the work of ground-breaking British digital-printmaker Phil Shaw.
The Domestic Plane is a meta-group exhibition in five chapters-organised by five curators, including more than 70 artists-that features tabletop objects across the fields of art and craft from the twentieth and twenty-first centuries.
Food and The Public Sphere is a survey of socially engaging public works, sculpture and objects by internationally acclaimed artists Lucy + Jorge Orta.
Marking the artist's first major publication in his 30-year-plus career, Mel Kendrick: Woodblocks presents a collection of the American artist's wood block prints and water drawings.
On the occasion of Canada's 150th anniversary in 2017, The Faraway Nearby presents a century of Canadian history through photographs.
Rebel, Jester, Mystic, Poet tells the story of the evolution of Iranian contemporary art by examining the work of 30 artists. What unites the disparate works into a coherent theme is the artists' coping mechanisms, which consist of subversive critique, quiet rebellion, humour, mysticism and poetry, hence the publication's title.
Atom Egoyan: Steenbeckett provides a unique and interesting insight into the internationally renowned filmmaker and lens-based installation artist Atom Egoyan.
Phyllida Barlow: folly presents the British Council's new commission created by Phyllida Barlow for the British Pavillion at the 57th Venice Biennale.
What Now? On Future Identities examines the notions of "future identities", through discussions around the construction of the self, queer theory, self-determination, mutability, the body, technology and social media, as well as the ever-evolving relationship between the digital and the material.
"Red Africa" is the culmination of a two-year research programme and exhibition project at Calvert22, London, and Iwalewa House, Bayreuth.
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