Bøger udgivet af Bloomsbury Academic

This collection of topical essays by academics and industry professionals brings a unique lens to the issues broached, questions raised, and solutions offered regarding the history and advancement of digital fashion. While digital fashion's roots can be traced back to the development of the Jacquard loom, its modern-day antecedents are found in video games and Instagram filters - allowing users to apply virtual makeup, accessories, and clothes to their posts. With 12 essays and four specialist interviews, this collection begins with digital fashion's origins, its placement in the history of fashion, and its status as an aesthetic object. Part 2 focuses on the practice of making digital fashion, including NFTs, sneaker culture, cyborg vs skins and education. Part 3 provides a critical overview of digital fashion's potential to impact wider society, including questions of social equity, sustainability and African decoloniality and the future of the industry. Interviewees:Julie Zerbo, founder and Editor-in-Chief of The Fashion LawIdiat Shiole (Hadeeart), Web3 startup founder and 3D designerJonathan M. Square, writer, historian, and curator of Afro-Diasporic fashion and visual cultureMatthew Drinkwater, Head of Innovation Agency, London College of Fashion

"Krzysztof Poslajko offers a novel version of an anti-realist view about beliefs, rejecting the extreme proposal of eliminativism that claims beliefs do not exist. He argues we should rather say that beliefs exist, but they are not real. By arguing for the antirealist view as a revision of our common-sense view about the nature of mind, Poslajko makes the case for adopting a pragmatic metaphilosophy when we deal with philosophical questions about belief"--

Drawing from a rich body of archival documents, case studies and interviews, this book explores the ways in which graphic designers in China sought to establish graphic design as a profession and discipline from the 1980s to the present day. Yun Wang traces the impact of cultural, economic and social conditions on China's developing design industry in a period of rapid transformation, focusing on Beijing, Guangzhou and Shenzhen as industry centres. From the influence of the newly implemented reform and opening up policy in 1978, to membership of the World Trade Organization in 2001, and international events such as the 2008 Beijing Olympics, Wang maps the increased demand for design talent and the evolution of a creative industry. This book provides a critical and extensively researched narrative of how graphic design developed locally and regionally, through practice, in education and within the publishing landscape, and pays particular attention to the ways in which designers in different cities in the People's Republic of China intersected with international networks.Including material from interviews with over 50 designers and other stakeholders, archival research into graphic work, design journals and exhibition catalogues, and 100 illustrations and photographs throughout, this book provides an in-depth exploration of graphic design developments in recent decades. It also features personal and institutional accounts, in addition to the author's unique insight and reflections on the growing design industry in contemporary China.

This open-access book fills a huge gap in the study of classical reception in Irish literature by making accessible in translation selections from a wide variety of 10th-15th century texts. These texts are important because they demonstrate Ireland's indigenous and pre-colonial expertise in classical learning. Ireland thus emerges as a unique case in postcolonial terms where classical education is normally assumed to derive from a British imperial model. The collection situates the antiquity sagas into a broader framework of Irish, Scandinavian, and international medieval literatures. The first section of the book correlates historical Irish and world chronologies with those of ancient Greece and Rome (including texts such as the first fragment of the Annals of Tigernach). The second and third sections focus on the reception of Homer and Latin epics (including such texts as Togail Troí, Imtheachta Aeniasa and In Cath Catharda). The fourth section looks at pseudo-histories with texts such as Merugud Uilix and Scéla Alaxandair. Finally the sixth section explores histories and books of scholarly knowledge (including texts such as Dindshenchas and Auraicept na nÉces). Together these extracts posit thematic analogies between Irish and Graeco-Roman traditions across genre, historiography, linguistics and mythography, showcasing the marked influence of classical concepts and tropes.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Can qualitative ideas of place be adequately encompassed by the quantitative methods of digital and parametric design? This wide-ranging and multi-faceted book explores how designers and architects capture the deeper qualities of place though their practice. It provides a rigorous exploration of the nature of place and its role in design in parallel with a detailed analysis of the nature of parametricism.Parametric design aims to encompass all design criteria and values relating to how a building might be experienced by using algorithmic processes and computational technology. By inputting particular parameters, all elements could be reflected in the resulting design. Drawing on ideas and approaches from diverse, disciplinary perspectives, essays in this book argue for greater attentiveness to place in contemporary design practice, and consider the potential of parametric techniques to enhance the engagement with place in design contexts. Considering place beyond the designer's touch, chapters explore other creative disciplines such as literature, art and music, seeking commonalities across the realm of imaginative endeavour in the creation of a tangible sense of place, environment and experience. Authors also discuss notions of atmosphere and interiority, and consider the potential to extend beyond the bounded internality of architectural spaces and examine interiority through ecological systems, identity and urbanism.The book also explores ideas of home-making through various narrative, spatial, material and digital forms and the possibilities of parametric methods. By decentring existing anthropocentric understandings of place that privilege human perspectives, authors also consider other living perspectives and how design can support more-than-human places of the future.

Since independence in 1963, Kenya has seen the steady growth of mutual aid arrangements; a practice which creatively combines market logic with redistributive politics and older forms of reciprocity and solidarity. As a means to providing welfare and pursuing joint economic activity, mutual aid has flourished - despite the failures of neoliberal statecraft, and deepening asymmetries of power and wealth between and within different ethnic groups - and has been largely built up using a language of religious faith.This book examines the often overlooked entanglements and affinities between emerging models of formal and informal finance and welfare with longer-running religious structures and concerns. Observing that many aspects of Christian and indigenous religious life play an integral part in shaping how Kenyans save, lend, distribute, fundraise, and entrust money and value in collective arrangements, Speaking of Trust illuminates and analyses the complex and innovative ways in which Kenyans are reimagining and renegotiating the terms of interdependence across social divides.

Martin Heidegger, Gilbert Simondon, and Bernard Stiegler each argued in their own way that, ever since its inception in ancient Greece, western philosophy is incapable of thinking technics, which reaches its clearest expression in the philosophy of Immanuel Kant. According to Heidegger, Kant articulated the essence of modern technics as enframing (Gestell) without understanding the nature of his own insight, while Simondon claimed that transcendental philosophy is structurally incapable of thinking technics as its answer to the question of technics either comes too early (a priori) or too later (a posteriori). Stiegler synthesized both positions in his claim that Kant was incapable of acknowledging the technical constitution of his own consciousness. All three thinkers thus argue, in one way or another, that Kant was essentially incapable of seeing, understanding, let alone thinking, technics. The intention of this book is two-fold. On the one hand, it argues that, despite Heidegger, Simondon, and Stiegler's inability of recognizing it, there is an explicit concept of technics at work in Kant's philosophy. This technics is however not a technics that was overlooked by Heidegger, Simondon, and Stiegler. Instead, this book shows that, from the Critique of Pure Reason (1780) until the posthumously published Opus Postumum (1796-1803), transcendental philosophy is at once constituted against, while at the same time relying upon, and proceeding from technics. On the other hand, this book engages with the broader relation between philosophy and technics. If there is indeed such a thing as a Kantian thought on technics, then Kant can no longer be considered philosophy's most prominent 'techno-oblivious' thinker. The question about the relation between Kant and technics is thus nothing less than a question about the relation between philosophy and technics as a whole.

"Informed by systemic functional linguistics, this book examines the practice of joint construction, where teachers guide students to co-construct a text, and draws attention to the contested rationale for teachers taking a leading role in co-creating texts with students. It includes a range of examples of classroom interaction involving international students who are studying English for Academic Purposes, and specifically as preparation for university entrance"--

Close to a time when there will be no more survivors to speak about their suffering, this innovative study takes much-needed stock of the past, present and future of Holocaust testimony. Drawing from a vast range of witness accounts - including a never-before-published survivor interview - and carefully situating analysis within broader historical and political discourses, this international team of scholars address many pertinent issues of testimony in the post-witness age. These include: questions of representation and testimony form; memory politics and the role of the witness; the legacy of the Holocaust and impact on future generations; the digital turn and issues of access; and gender and testimony in the wake of #MeToo. Stressing the importance of re-assessing, re-contextualizing, and re-presenting testimonies, these essays make a powerful case for the ongoing centrality of witnesses and witnessing in Holocaust research, education and memory. In doing so, Holocaust Testimonies skillfully paves the way for future research with survivor testimonies.

This book approaches the relationship of modern Hungarian culture to classical heritage from the various viewpoints of identity politics, education, translation history, scholarship, and its impact on literature. Péter Hajdu examines the cultivation of the classics as an intellectual framework and crucial ingredient of the western aspect of Hungarian national identity. When the Hungarian nation building project developed ideas of national identity, it necessarily incorporated the historical narrative according to which the Hungarians arrived at their current homeland in the Middle Ages, and only later did it adopt European culture. The duplicity of a mostly imagined Asian, pagan, barbaric or nomadic and a Western, Christian, civilized identity, deeply rooted in European culture, has played and continues to play a role in the Hungarian discourse. Hajdu also studies the gradual disappearance of classics from the Hungarian school education since the 19th century, which has been accompanied by fervid political debates. However, over this period, translations of classical texts paradoxically became more frequent and popular with the decline of a classical education, even though fewer readers had access to the original texts. Despite this change, the translation strategies tended to remain school-bound. The knowledge of classical literature still leaves traces on Hungarian literature, which Hajdu explores using examples from 19th-century novels and contemporary poetry. This book sheds light on a topic of classical reception that has remained largely unexplored in this part of Europe, but one which has an incredibly rich history, culture, and literary tradition.

Phillip A. Hussey examines the scholarship of Jonathan Edwards and interrogates the relationship between Christ and the decree within Reformed Theology; and reveals the contemporary theological significance of supralapsarian Christology. In a late notebook entry, Jonathan Edwards offered a programmatic statement on the relation between Christ and predestination: "In that grand decree of predestination, or the sum of God's decrees.the appointment of Christ, or the decree respecting his person.must be considered first." This work unpacks the scope of Edwards's statement, both in terms of setting forth an interpretation of Edwards's own theology on the relation between Christ and the decree, as well as drawing out the larger insights of Edwards's reasoning for current theological reflection.

"Ruth Sutcliffe argues that the early Church Fathers' theological understanding of the role of persecution in the Christian life informed their exhortations to individual and communal response, contributing to the church's remarkable survival and growth through this period"--

Dan W. Clanton examines the presence and use of religion and Bible in Agatha Christie's Hercule Poirot novels and stories and their later interpretations. Clanton begins with a brief biography of Christie and her own religious identity before discussing the background(s) to Poirot's own Belgian Catholicism in the late 19th-early 20th century. He then examines the ways in which Bible is used in the novels as well as the ways in which Poirot understands God and evil to be at work in the world. Clanton also considers that many do not encounter Poirot in his original literary contexts. That is, far more people have been exposed to Poirot via "mediated" renderings and interpretations of the stories and novels in various other genres, including radio, films, and TV. As such, the book engages the reception of the stories in these various genres, since the process of adapting the original narrative plots involves, at times, meaningful changes. The book concludes by examining the impact Poirot and his stories have had on readers and viewers and, more specifically, fan groups from which primary reflections and data will be gathered and analysed. Capitalizing on the immense and enduring popularity of Poirot across multiple genres and the absence of research on the role of religion and Bible in those stories, this book is a necessary contribution to the field of Christie studies and will be welcomed by her fans as well as scholars of media and religion.

The T&T Clark Handbook of the Doctrine of Creation provides an expansive range of resources introducing the doctrine of creation as understood in Christian traditions. It offers an examination of: how the Bible and various Christian traditions have imagined creation; how the doctrine of creation informs and is informed by various dogmatic commitments; and how the doctrine of creation relates to a range of human concerns and activities. The Handbook represents a celebration of, fascination with, bewilderment at, lament about, and hope for all that is, and serves as a scholarly, innovative, and constructive reference for those interested in attending to what Christian belief has to contribute to thinking about and living with the mysterious existence named 'creation'.

A complete geographical and thematic overview of the village in an antiquity and its role in the rise of Christianity. The volume begins with a "state-of-question" introduction by Thomas Robinson, assessing the interrelation of the village and city with the rise of early Christianity. Alan Cadwallader and James R. Harrison then articulate a methodology for future New Testament studies on this topic, employing a series of case studies to illustrate the methodological issues raised.From there contributors explore three areas of village life in different geographical areas, by means of a series of studies, written by experts in each discipline. They discuss the ancient near east (Egypt and Israel), mainland and Isthmian Greece, Asia Minor, and the Italian Peninsula. This geographic focus sheds light upon the villages associated with the biblical cities (Israel; Corinth; Galatia; Ephesus; Philippi; Thessalonica; Rome), including potential insights into the rural nature of the churches located there.A final section of thematic studies explores central issues of local village life (indigenous and imperial cults, funerary culture, and agricultural and economic life).

The Digital Markets Act (DMA) regulates those large digital platforms of leading global internet enterprises that act as gatekeepers. This practical guide sets out the new provisions of the DMA in a comprehensible and rigorous way. In so doing it answers the questions gatekeepers and users of these platforms are currently grappling with. This will be a key text for all lawyers involved in digital markets and platforms.

A Cultural History of Plants in the Early Modern Era covers the period from 1400 to 1650, a time of discovery and rediscovery, of experiment and innovation. Renaissance learning brought ancient knowledge to modern European consciousness whilst exploration placed all the continents in contact with one another. The dissemination of knowledge was further speeded by the spread of printing. New staples and spices, new botanical medicines, and new garden plants all catalysed agriculture, trade, and science. The great medical botanists of the period attempted no less than what Marlowe's Dr Faustus demanded - a book "wherein I might see all plants, herbs, and trees that grow upon the earth." Human impact on plants and our botanical knowledge had irrevocably changed. The six-volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Andrew Dalby is an independent scholar and writer, based in France. Annette Giesecke is Professor of Classics at the University of Delaware, USA. A Cultural History of Plants in the Early Modern Era is the third volume in the six-volume set, A Cultural History of Plants, also available online as part of Bloomsbury Cultural History, a fully-searchable digital library (see www.bloomsburyculturalhistory.com).General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.

A fundamental resource for anyone interested in the long-term ramifications of the European migration crisis, this book objectively assesses how Europe's future course will be impacted by the key security, political, and economic trends and events stemming from the migration crisis.The November 13, 2015 Paris terrorist attacks marked the definitive moment when the migration crisis became associated with terrorism, stoking an increasingly heated debate over the perceived dangers of migration, Islam, and extremist politics in Europe. The sudden emergence of migration as the mobilizing factor for European security, political discourse, and socio-economic realities has profoundly affected Europe's contrasting perceptions of its own identity and values, precipitating an increasingly global response to tackling migration challenges in Europe and worldwide. Migration, Terrorism, and the Future of a Divided Europe: A Continent Transformed chronicles the turbulent events of the 2015-2016 migration crisis, creating a context in which future political, economic, social, and security trends in Europe can be understood. The study also examines in detail the deep history of the ideological origins and histories of treaties and policies that have defined the European Union and its guidance of the crisis. Readers will gain insight into the origins, factual realities, and projected ramifications for the continent's future security, politics, and socio-economic identity; the impact of media coverage on public perception; the differing policies and rhetoric of rival right- and left-wing parties in Europe; and the new security threats arising from a widened terrorist threat matrix that will comprise new targets, methods, and logistics. Finally, the book outlines the larger policy actions and trends expected, on the global level, towards handling future migration crises, and explains how this will have an impact on Europe.This important new work is the cumulative result of author Chris Deliso's extensive academic background in European history and thought; his on-the-ground presence in the target region before, during, and after the crisis; and his interviews with security officials, diplomatic figures, and practitioners directly involved with shaping the policies that were visible during the crisis. Offering a broad historical context, the text portrays the current crisis within the context of a much longer institutional and ideological divide that has existed in Europe and shaped policies for almost a century.