Bøger udgivet af Bloomsbury India

Videogames in the Indian Subcontinent: Development, Culture(s) and Representations explores the gaming culture of one of the most culturally diverse and populous regions of the world-the Indian subcontinent. Building on the author's earlier work on videogame culture in India, this book addresses issues of how discussions of equality and diversity sit within videogame studies, particularly in connection with the subcontinent, thereby presenting pioneering research on the videogame cultures of the region.Drawing on a series of player and developer interviews and surveys conducted over the last five years, including some recent ones, this book provides a sense of how games have become a part of the culture of the region despite its huge diversity and plurality and opens up avenues for further study through vignettes and snapshots of the diverse gaming culture. It addresses the rapid rise of videogames as an entertainment medium in South Asia and, as such, also tries to better understand the recent controversies connected to gaming in the region In the process, it aims to make a larger connection between the development of videogames and player culture, in the subcontinent and globally, thus opening up channels for collaboration between the industry and academic research, local and global.

India and the subcontinent stimulated the curiosity of the British who came to India as traders. Each aspect of life in India - its people, customs, geography, climate, fauna and flora - was documented by British travelers, traders, administrators, soldiers to make sense to the European mind. As they 'discovered' India and occupied it, they also attempted to 'civilise' the natives. The present volumes focus on select aspects of the imperial archives: the accounts of "discovery" and exploration - fauna and flora, geography, climate - the people of the subcontinent, English domesticity and social life in the subcontinent, the wars and skirmishes - including the "Mutiny" of 1857-58 - and the "civilisational mission".Volume 2 Indian People and Society includes English studies of Indian languages, people and communities, and the social order.The landscape provided, understandably, endless prospects of the survey and the map. But the British were also keen on documenting the people. In the studies generated for 400 years, the British documented castes, religions, education, economies, professions, cultural practices, states of health and sickness, and other domains. With projects like the Census and the People of India, the land's inhabitants were classified and, eventually, also typecast and contributed to the colonial discourse about the native/colonised.

India and the subcontinent stimulated the curiosity of the British who came to India as traders. Each aspect of life in India - its people, customs, geography, climate, fauna and flora - was documented by British travelers, traders, administrators, soldiers to make sense to the European mind. As they 'discovered' India and occupied it, they also attempted to 'civilise' the natives. The present volumes focus on select aspects of the imperial archives: the accounts of "discovery" and exploration - fauna and flora, geography, climate - the people of the subcontinent, English domesticity and social life in the subcontinent, the wars and skirmishes - including the "Mutiny" of 1857-58 - and the "civilisational mission".Volume 4 Rebellions and Wars is a collection of accounts of a very different British life in India: as prisoners, under siege and in conditions of war. The British ascendancy in India did not proceed smoothly, and colonisation was always a militarised zone of interest, action and process.

India and the subcontinent stimulated the curiosity of the British who came to India as traders. Each aspect of life in India - its people, customs, geography, climate, fauna and flora - was documented by British travelers, traders, administrators, soldiers to make sense to the European mind. As they 'discovered' India and occupied it, they also attempted to 'civilise' the natives. The present volumes focus on select aspects of the imperial archives: the accounts of "discovery" and exploration - fauna and flora, geography, climate - the people of the subcontinent, English domesticity and social life in the subcontinent, the wars and skirmishes - including the "Mutiny" of 1857-58 - and the "civilisational mission".Volume 3 Domesticity, the Social Scene and Leisure shifts the focus to the English home and social life. Domesticity, often a fraught exercise for the 'memsahib', carried on with the assistance of a retinue of Indian servants, meant tackling corruption, inefficiency and the all-pervasive social hierarchy of the colonised. Advice books were produced to aid the memsahib for this purpose. The Steel-Gardiner guide to housekeeping, which was a bestseller in its day and is excerpted here, was indispensable in the length and breadth of its coverage, from the care of children to the right wages for the servants. Diver's text, likewise, also demonstrates how running the home was difficult and has a resonance with the (male) dominion of running the Empire. These texts exhorted the English woman to practice thrift, control and managerial skills, to be aware of the natives' penchant for dirt and indolence and the caste-community dynamics that inform the servant-class.

Uneasy Translations: Self, Experience and Indian Literature interweaves the personal journey of an academic into reflections around self, language and translation with an eye on the intangibly available category of experience. It dwells on quieter modes of being political, of making knowledge democratic and of seeing gendered language in the everyday. In an unusual combination of real-life incidents and textual examples, it provides a palimpsest of what it is to be in a classroom; in the domestic sphere, straddling the 'manyness' of language and, of course, in a constant mode of translation that remains incomplete and unconcluded. Through both a poignant voice and rigorous questions, Kothari asks what it is to live and teach in India as a woman, a multilingual researcher and as both a subject and a rebel of the discipline of English. ­She draws from multiple bhasha texts with an uncompromising eye on their autonomy and intellectual tradition. ­The essays range from questions of knowledge, affect, caste, shame and humiliation to other cultural memories. Translation avoids the arrogance of the original; it has the freedom to say it and not be held accountable, which can make it both risky and exciting. More importantly, it also speaks after (anuvaad) rather than only for or instead, and this ethic informs the way Kothari writes this book, breaking new ground with gentle provocations.

After a brief interlude following the Cold War, nuclear weapons have regained their prominent place in world affairs. Yet our current nuclear age will not be a replay of the Cold War. New technologies, changing political contexts and the death of old arms-control agreements mean that today's nuclear strategists have to navigate unchartered waters filled with fresh perils. Unfortunately, the consequences of failure in the nuclear world can be catastrophic. The immediate imperative today is to lower the possibility of nuclear weapons use during a crisis or conflict involving nuclear powers. While deliberate or pre-emptive nuclear use is less likely, the rising danger of our time is that nuclear weapons will be employed due to some combination of miscommunication, misjudgment, misperception and sheer accident.The Sheathed Sword: From Nuclear Brink to No First Use is a collection of essays by leading scholars and practitioners on the role of nuclear weapons in global security. The contributors examine how individual states view nuclear weapons, the devastating effects of nuclear war on the world's climate and the issues around nuclear no first use. They also debate the feasibility and desirability of a global no-first-use (GNFU) agreement.

Word, Work and the World begins with the assumption that people are interested in the world around them. The book is written with the intent of drawing in lay and specialised readers into the interdisciplinary world of Sociology/Social Anthropology. The methods of both, since the 1960s, has been seen as combined for the reasons that the dichotomy of tribal/ peasant in relation to urban conglomerations is thought to be immensely interesting to the reading public. Migration for work is so significant, whether within the country or outside, that the dilemmas and concerns of the diaspora are always interesting data. Put simply, the book tries to bring forward the living practices of communities which are interlocked in time and space, where work and their cultures become intermeshed in different ways. Of course cyberspace becomes the common denominator in understanding that people are interested in one another, families and friends become interactive over spans of time which allow a certain intimacy of acknowledgement. Economic practices are also embedded in the hinterland of communication. As the world becomes increasingly vulnerable to climate change, organic farming, the search for water, the protection of lands and people from floods, are all real indexes of how urgent the task of recording people's life worlds has become. Narrative production, and its interpretation draws us into the complexities of the ethnographic present, which as a type of documentation provides resource materials to historians. Since the world is now so encompassable, the book explores how human being remember the past, while creating new niches for the survival of their families and communities. Hybridization of cultures also involves familiarity with world literature, because people enjoy the expanse of imagination into which they are released by reading time honoured texts, whether of the ancient past, or of contemporary time. The time of legend, of fable, of coercive patterns of existence arising out of natural or political calamities, makes them ever more respectful of traditions and the hope for survival. Out of war and loss arise both science and poetry, not necessarily opposed to one another.This book tries to bring to the reader the pleasures of many cultures in conversation with one another, where dissonances may be accommodated.

World Literature and the Question of Genre in Colonial India describes the way Marathi literary culture, entrenched in performative modes of production and reception, saw the germination of a robust, script-centric dramatic culture owing to colonial networks of literary exchange and the newfound, wide availability of print technology. ­The author demonstrates the upheaval that literary culture underwent as a new class of literati emerged: anthologists, critics, theatre makers, publishers and translators. ­These people participated in global conversations that left their mark on theory in the early twentieth century. Reading through archives and ephemera, Kedar Arun Kulkarni illustrates how literary cultures in colonised locales converged with and participated fully in key defining moments of world literature, but also diverged from them to create, simultaneously, a unique literary modernity.

Appreciating Melodrama: Theory and Practice in Indian Cinema and Television seeks to identify and appreciate the continual influence of the ancient Sanskrit drama treatise, the Natyashastra, and its theory of aesthetics, the rasa theory, on the unique narrative attributes of Indian cinema.This volume of work critically engages with a representative sample of landmark films from 100 years of Indian film history across genres, categories, regions and languages. This is the first time a case study-based rigorous academic review of popular Indian cinema is done using the Indian aesthetic appreciation theory of rasa (affect/emotion). It proposes a theoretical model for film appreciation, especially for content made in the melodramatic genre, and challenges existing First World/Euro-American film criticism canons and notions that privilege cinematic 'realism' over other narrative forms, which will generate passionate debates for and against its propositions in future studies and research on films.This is a valuable academic reference book for students of film and theatre, world cinema and Indian cinema studies, South Asian studies and culture, Indology and the 'Sociology of Cinema' studies. It is a must-have reference text in the curriculum of both practical-oriented acting schools, as well as courses and modules focusing on a theoretical study of cinema, such as film criticism and appreciation, and the history of movies and performance studies.

Mired inside its rather archaic comprehension as a medical phenomenon, disability, for a long time now, has been ignored as a marker of identity. The world has only been busy in rectifying the absences that have, ostensibly "dis-abled", rather than accepting such impaired existences as human beings themselves. The volume intends to reclaim the representations of disability and present narratives that do not just use the figure of the disabled as a means to an end. It includes translation of 17 disability centric short stories from multiple Indian languages into English. Further it uses these stories as illustration to test and develop new theoretical formulations concerning disability and the disabled. What grants the proposed work its uniqueness is, in other words, not only the translations of the erstwhile lost stories of disability but also the use of these stories towards the formation of theoretical paradigms to move forward the project of Disability Studies.The volume shows, interrogates and problematizes the affect that impairment and disability has on those who are "abled". It presents how the "normal" human being approaches the disabled and interacts with them.All in all, owing to its academic engagement with disability as a phenomenon and within a narrative, this work intends to take the role of a resource book that will find ready use in the newly emergent multidisciplinary field of Disability Studies and will be of great significance to India and the world at large especially since Literature has a major role to play in this field. Not only, then, does it present different disability narratives to the world but, through their academic interrogation, also allows researchers and academics, especially in India, to form the theoretical enhancements in Disability Studies that both our country and the world desperately require.

Nominated, 2023 Teaching Literature Book AwardIndian Science Fiction has evolved over the years and can be seen making a mark for itself on the global scene. Dalit speculative fiction writer and editor Mimi Mondal is the first SF writer from India to have been nominated for the prestigious Hugo award. In fact, Indian SF addresses themes such as global climate change. Debates around G.C.C are not just limited to science fiction but also permeate in critical discussions on SF. This volume seeks to examine the different ways by which Indian SF narratives construct possible national futures. For this looking forward necessarily germinates from the current positional concerns of the nation. While some work has been done on Indian SF, there is still a perceptible lack of an academic rigor invested into the genre; primarily, perhaps, because of not only its relative unpopularity in India, but also its employment of futuristic sights. Towards the same, among other things, it proposes to study the growth and evolution of science fiction in India as a literary genre which accommodates the duality of the national consciousness as it simultaneously gazes ahead towards the future and glances back at the past. In other words, the book will explore how the tensions generated by the seemingly conflicting forces of tradition and modernity within the Indian historical landscape are realized through characteristic tropes of SF storytelling. It also intends to look at the interplay between the spatio-temporal coordinates of the nation and the SF narratives produced within to see, firstly, how one bears upon the other and, secondly, how processes of governance find relational structures with such narratives. Through these, the volume wishes to interrogate how postcolonial futures promise to articulate a more representative and nuanced picture of a contemporary reality that is rooted in a distinct cultural and colonial past.

The Wisdom of Community is a compilation of essays which documents the key issues that have been pertinent in national debates in India. In some ways it takes a linear and chronological position on how the past informs us as we proceed with making sense of postmodern fluid society. It tries to understand how affected or influenced we are by colonialism, and the debates which brought us our freedom. It uses biography, symbols and narratives to piece together our engagement with literature, history, myth and legend. It presupposes that the past is contextualised through narrative production. Each essay in this collection is tuned to the greater debates, which continue today in problematized global and cosmopolitan contexts to describe the relation between town and country. The consistent preoccupation is with labour and its intended consequences. Here, climate change, law court trials and constructing parallel histories which have influenced us are drawn to tell the reader that learning from history is essential for our survival. Readers will see that the world always appears in the spaces that are produced by travel, by terror, freedom, conquest and adaptation. The coexistence of all these across history, allows for the warp and weft of narrative production to be evident as analysable and comprehensive. The reader enters this frame of interlocking essays in order to understand how significant the production of stories are, and how we may find similarities in our condition across time and space.The book consists of 12 essays which are arranged in a way that the essential problems are made evident as questions of occupation, survival, and translation of world views. It brings the world closer, just as in reality it seems to be receding, because we are afraid of what we see, and know. The method is called Learning from History. The Wisdom of Community brings to the reader the interlacing of archival, fieldwork and literary materials in order to bring to the reader the constants that inform our lives, while recognizing the past as ever-present. The essays in this collection span a period of thirty years, and were earlier published as essays in popular journals and magazines and newspapers, but also include some scholarly articles. They are divided into essays on travel, feminism, as well as activist, literary, and analytical essays. The reader will find in them the insights of three decades spanning the years of teaching and writing while living in Delhi. The link connecting these essays is time and memory, as well as the belief that we can learn from the past. The "circulation of ideas" appears as a dominant theme, in all the essays, along with the emphases on agency, and the celebration of the right to choice and the articulation of human will, since the themes of democracy and freedom are common to all.

India, over the decades, has experienced multiple changes, including population explosion, urbanisation, technological advancement, commercialisation of agriculture, change in land-use pattern, vast improvement of infrastructure facilities, etc., which have had an impact on the environment. Author Velayutham Saravanan attempts to understand the complexity of the environmental history of contemporary India from the early nineteenth to the early twenty-first centuries.Environmental History of Contemporary India begins with an analysis of land-use patterns and population and their impact on the environment. Further, it discusses the exploitation of natural resources for commercial motives by the colonial administration and argues that the colonial commercial policy of over one-and-a-half centuries had impacted the ecology and environment. The book also deliberates whether the postcolonial government policies have changed in favour of environmental protection or have continued with the colonial policy, and attempts to throw light on the issues of how the land for development policies have impacted the environment from the early nineteenth century until recent years. It then looks at the problem of electronic waste and its adverse impact on the environment, ecology and health in a historical manner while engaging with the complexity of the conflict between land and population in relation to the environment. The book is the most comprehensive presentation on land, population, technology and development that India has witnessed since the early nineteenth century.

In September 1600, Queen Elizabeth and London are made to believe that the East India Company will change England's fortunes forever. With William Shakespeare's death, the heart of Albion starts throbbing with four centuries of an extraordinary Indian settlement that Arup K. Chatterjee christens as Typogravia.In five acts that follow, we are taken past the churches destroyed by the fire of Pudding Lane; the late eighteenth-century curry houses in Mayfair and Marylebone; and the coming of Indian lascars, ayahs, delegates, students and lawyers in London. From the baptism of Peter Pope (in the year Shakespeare died) to the death of Catherine of Bengal; the chronicles of Joseph Emin, Abu Taleb and Mirza Ihtishamuddin to Sake Dean Mahomet's Hindoostane Coffee House; Gandhi's experiments in Holborn to the recovery of the lost manuscript of Tagore's Gitanjali in Baker Street; Jinnah's trysts with Shakespeare to Nehru's duels with destiny; Princess Sophia's defiance of the royalty to Anand establishing the Progressive Writers' Association in Soho; Aurobindo Ghose's Victorian idylls to Subhas Chandra Bose's interwar days; the four Indian politicians who sat at Westminster to the blood pacts for Pakistan; India in the shockwaves at Whitehall to India in the radiowaves at the BBC; the intrigues of India House and India League to hundreds of East Bengali restaurateurs seasoning curries and kebabs around Brick Lane. Indians in London is a scintillating adventure across the Thames, the Embankment, the Southwarks, Bloomsburys, Kensingtons, Piccadillys, Wembleys and Brick Lanes that saw a nation-a cultural, historical and literary revolution that redefined London over half a millennium of Indian migrations-reborn as independent India.

Locating Pleasure in Indian History is one of the first works on the subject of the 'discourse of pleasure' in Indian history and culture. A rigorous, source-based work, it examines the cultural practices and the underlying philosophic matrix of pleasures, big or small. It recovers the production and consumption of beauty, desire and gratification in the world of pleasure, pleasurable pursuits and pleasant experiences of viewing, performing, thinking, debating, cooking, eating, listening, writing, creating and procreating.The contributions retrieve the discourse of pleasure in visual and literary cultures-in elite and popular spheres, including the public and private domains of the bazaar, the temple, the household, the court and the garden. Further, it is examined in the urbane art of Mathura, Ravana's palace in the art of 7th CE western Deccan, the suratkhana of Rajput royalty or domestic pleasures of women in the labyrinths of the Puranas.With over 40 photographs, it historicises ideological and experiential conundrums thrown up by the idea of pursuing alimentary, carnal and even pious desires in visual and literary cultures. The reflexivity inherent in the work of artists, poets, dramatists and even shastrins is brought out through moments of pleasure and counter-pleasure as revealed through anecdotes, narratives, artefacts and objects of aesthetic gratification.

'There is none like Uttam and there will be no one to ever replace him. He was and he is unparalleled in Bengali, even Indian cinema.'-Satyajit Ray, Oscar-winning Indian film-makerActor and screen icon Uttam Kumar (1926-1980) is a talismanic figure in Bengali public life. Breaking away from established codes of onscreen performance, he came to anchor an entire industry and led the efforts to reimagine popular cinema in mid-20th-century Bengal. But there is pitifully less knowledge about Uttam Kumar in the learned circles-be it about his range of style and performance; the attractions and problems of his cinema; his roles as a producer and patriarch of the industry; or his persona, stardom and legacy.The first definitive cultural and critical biography of this larger-than-life figure engages meaningfully with his life and cinema, revealing the man, hero and actor from various, often competing, vantages. The conceptual aim is to locate a star figure within a larger historical and cultural context, and to enquire into how a towering image was mobilised for an ever-greater, wholesome, popular and even, at times, radical and progressive entertainment. A complimentary métier of this work is to explore why and how this star persona would go on to reconstitute the bhadrolok Bengali visual and cultural world in the post-Partition period.But above all, this is the story of a clerk who became an actor, an actor who became a star, a star who became an icon and an icon who became a legend.

'A splendid work of art, In Defence of the Ordinary returns drama, pleasure and awakening to everyday life . in the tradition of cultural critics like Ashis Nandy and Umberto Eco. The book is one of a kind.'-Prathama Banerjee is a noted historian of the global south and Professor at Centre for the Study of Developing Societies (CSDS), New Delhi. '[A] flâneur of our everyday spheres of life, [the author] excavates the multiple layers of social, political and artistic thinking and experimentation . with an unparalleled lightness of prose worthy of a Balthasar Gracián and Georg Lichtenberg.'-Ramin Jahanbegloo is a philosopher and Vice Dean and Director at Mahatma Gandhi Centre for Peace Studies, O.P. Jindal Global University, India. '[The] book builds an engaging web of thoughts about things which are ordinary but in their very ordinariness hide deep social truths. Dev Nath Pathak brings a lightness to his critical eye while reminding us of how much of the ordinary has been forgotten in academic pursuits.'-Sundar Sarukkai is a renowned philosopher and thinker in contemporary India. In Defence of the Ordinary is laced with light humour, soaked in serious sarcasm and powered with poetic polemics. Informed by sources such as psychoanalysis, philosophy, yoga, anthropology, popular cinema, folk songs and everything that is part of an ordinary living, it is a sociologist's sincere ruminations on the layered ordinariness. The book invites us to rethink the ways of seeing, understanding, enacting, emoting and relating with provocative ideas like why we don't value ordinariness and how our pursuit of extraordinary is misleading us into mishaps. The key objective of the human existence is that of the book too, namely, awakening the dormant potentials of emancipation every day rather than waiting for an occasional charisma induced by a holy book or a secular gimmick or an orchestrated leadership.

The Creature is an invitation to follow the mechanics between power and pain, which begets the creature. Creatures confront power in, and through, conjunctures of radical contingency. The casual use of power is an exercise in distraction. It is an abiding conundrum that those who endure affliction also exert it as a force over other living bodies in equal measure-not as acts of vengeance or bad faith, but through deeds of forgetful randomness. To ensure social indemnity and security, creatures exercise force over kindred embodiments through a process of collective mimicry. In the bargain, creatures begin to disfigure and distort each other. The line between mutual slaughter and mutual embrace begins to blur. Each transgresses its own soul. At other times, power is an opaque, magisterial and disdainful style of conveyance. It reveals itself out of nowhere. But the steadfast creature is as resilient as it is vulnerable. The more it endures, the greater its perdurance. Perduring creatures may sometimes gain a second sight, forged out of a sense of lyricality, love and abdication. But is abdication, or taking refuge in the wondrous, sufficient to release all creatures from the fatal loop of power and pain? Or will they have to slowly shed creaturely affliction by a rigorous process of decreation?Sifting through the writings of Giambattista Vico, Niccolò Machiavelli, Gabriel Tarde, Miguel de Unamuno, Jibanananda Das, Lev Shestov, Raymond Geuss, Jean Starobinski, Ernst Bloch, Simone Weil, Simon Critchley, Sarah Kane and others, this volume explores the creaturely predicament and its possibilities of freedom.The five chapters in Book I lay down fundamental questions for the creaturely condition: the question of mimicry, the relationship between taking initiative and being hounded, the bridge between senses and destitution, and the vehemence of radical contingency. Book II posits the question of skepticism, fideism and their connection to resilience and generosity in creatures. Book III is entirely devoted to various ways of conceiving the aesthetic: through the tragic, the epiphanic, the catastrophic and through militant material eruptions. Book II and III essentially delve into the sites of freedom that lurk within the condition of the creaturely. Book IV is constituted of a single chapter on the subject of decreation; it grapples with questions of attention, anonymity and abdication.

The plethora of commentary from highly respected voices in a broad cross-section of academic disciplines, which V. S. Naipaul's death on 11 August 2018 elicited, ranged so widely, both cognitively and emotionally, that if a student of literature, unfamiliar with the Naipaulian era, read it all, they would have failed to make sense of the divergences.Allegations included that he 'was a cruel man', 'a scarred man', 'the darkest dungeons of colonialism incarnate: self-punishing, self-loathing, world-loathing, full of nastiness and fury', 'a ventriloquist for the nastiest cliches European colonialism had devised to rule the world with arrogance and confidence' and so on. On the other hand, writers referred to Naipaul as a 'brilliant writer's writer', one 'who holds a mirror of imagination unto society to capture a certain view of reality' and one who 'has turned the genre of the travelogue into an art form'.Debates aside, many of us appreciate the value of Naipaul's writing to the deepest possible comprehension of the imperial impulse and the myriad reasons it manifested as colonialism. The First Naipaul World Epics is the first in a series of critical collections that aim to demonstrate this value. At the same time, the series seeks to help the new student through the quagmire of divergent opinions his personality and writing have generated.

The New Normal explores the relation between the subject and the state after the events of 9/11 that left the world stunned. It looks at this relation through the lens of trauma for the mind, biopolitics for the body and visuality for the body politic. This interpretive frame helps examine how the 9/11 violence created a moment where the mind, body and body politiccould be redefined after 9/11. In an important theoretical intervention into 21st-century American Studies, it asks what the relation between the state and those it expels from its citizenry is. It makes a special mention of sites of incarceration such as Guantanamo Bay and Abu Ghraib as 9/11 phenomena. While referring to sources as diverse as 9/11 poetry, political and presidential speeches, journalistic accounts, atrocity photographs, and theories of trauma, biopolitics and visuality, the book argues for the presence of a new normal.

Horror Fiction in the Global South: Cultures, Narratives, and Representations believes that the experiences of horror are not just individual but also/simultaneously cultural. Within this understanding, literary productions become rather potent sites for the relation of such experiences both on the individual and the cultural front. It's not coincidental, then, that either William Blatty's The Exorcist or Gabriel Garcia Marquez's One Hundred Years of Solitude become archetypes of the re-presentations of the way horror affects individuals placed inside different cultures. Such an affectation, though, is but a beginning of the ways in which the supernatural interacts with the human and gives rise to horror. Considering that almost all aspects of what we now designate as the Global North, and its concomitant, the Global South - political, historical, social, economic, cultural, and so on - function as different paradigms, the experiences of horror and their telling in stories become functionally different as well. Added to this are the variations that one nation or culture of the east has from another. The present anthology of essays, in such a scheme of things, seeks to examine and demonstrate these cultural differences embedded in the impact that figures of horror and specters of the night have on the narrative imagination of storytellers from the Global South. If horror has an everyday presence in the phenomenal reality that Southern cultures subscribe to, it demands alternative phenomenology. The anthology allows scholars and connoisseurs of Horror to explore theoretical possibilities that may help address precisely such a need.

Political Economy of Social Change and Development in Nepal is an accessible contemporary political economic analysis of social change in Nepal. It considers whether and how Nepal's political economy might have been transformed since the 1950s while situating these changes in Nepal's modern history and its location in the global economic system. It assembles and builds on the scholarship on Nepal from a multidisciplinary and synoptic perspective. Focusing on localdiscourses, experiences and expectations of transformations, it draws our attention to how powerful historical processes are experienced and negotiated in Nepal and assess how these may, at the same time, produce ideas of equality, human rights and citizenship while also generating new forms of precarity.

Today there is a new battle going on over the 'idea of India', with some groups questioning if there ever was any real nation called 'India' prior to the British rule. Challenging this notion are those who claim that India has a profound national and cultural heritage since ancient times and was one of the main centres of civilization in the world, with its own characteristic ideals and practices born of dharma and yoga. The Constitution speaks of India that is Bharata, proclaiming this ancient name for the country. If we look at India as Bharata, the idea of the country and its unique identity and history become clear. Awaken Bharata is a plea for that eternal India to awaken and reclaim its esteemed place as the guru of nations, expressing once more its vast civilizational ethos. The book encourages a new vision of the country, linking its magnificent past with a more brilliant future. It emphasizes the role of a new 'intellectual kshatriya'-intellectual warriors of dharma-to challenge the inimical forces seeking to deny or displace India's great civilization.

Creativity is considered one of the most valuable skills to possess in today's volatile, uncertain, complex and ambiguous world. However, it is also often thought of as a skill or talent a person is born with. Dispelling this myth through a compelling narration that combines personal anecdotes with history and neuroscience, the author helps us understand that creativity is well within the reach of each and every one of us. Not stopping at that, this book offers a powerful method of enhancing creativity through simple step-by-step practices of mindfulness meditations and methods. A guide, a workbook and a manual rolled into a simple, easy-to-follow and practical format, Creativity Unleashed is an essential read for professionals from different fields, students and, in fact, anyone who wishes to expand their creative potential. With an engaging and playful narrative, this is a faithful companion, a fantastic bedside read and a guide that works to unleash your hidden talent well beyond the 48 days of the programme in the book.