Bøger udgivet af BOA ED

This long-awaited and much-needed volume shines new light on one of America’s most beloved, and profound, poets—Lucille Clifton.Black Buffalo Woman is a deep, comprehensive dive into Clifton’s work through the eyes of celebrated poet and scholar, Kazim Ali. Collecting chapters of Clifton’s early manuscripts, late drafts, and integrating her books of children’s literature, Ali’s meticulously researched volume provides a brilliant and fresh perspective on Clifton’s life and work.Various chapters examine Clifton’s treatment of the body as a site of both joy and danger, spirituality, and an interrogation of American history, politics, and popular culture. The result of Ali’s scholarship and care highlights a dazzling array of Clifton’s poetic techniques and forms that will continue to inspire poets, readers, and Lucille Clifton fans—past, present and future—for decades to come.

"Charleen McClure's d-sorientation wanders the landscape of loss with a weathered eye and a clenched fist. Delving deep into personal hauntologies, McClure's speakers are dislocated-their observations and interrogations are quietly desperate as they navigate history, relationships, and dig for their roots. The lexicon of McClure's poetry is one of intimacy and outrage, one that challenges the reader to consider their own belonging. Through bold lyric poems that beat with brutality yet glow with softness, McClure's debut collection is a compass, pointing the reader towards reclamation. An insightful foreword by celebrated poet Aracelis Girmay provides a poignant welcome to readers"--

"Living in landscapes of ruin and ruination, memory and problematic nostalgia, Rebecca Lindenberg's Our Splendid Failure to Do the Impossible plumbs the depths of disruption, decay, and how we go on when the world stops cold. Inspired by the speaker's experiences of living with type 1 diabetes, the collection chronicles humanity's daily fight for survival in a world that's bent on destroying itself. Lindenberg centers love, self-acceptance, and intimacy as incomparable balms across great geographical and psychological distances, and asks the reader to do the impossible: hope"--

"Joseph Fasano's The Last Song of the World delves into the chaos of the modern world, and searches for resilience in the face of environmental and societal devastation. Dripping with images of ancient ruins and mythological figures, these poems serve as vignettes of fatherhood, love, and desire against the backdrop of apocalyptic events. Through the documentation of ongoing violence and natural phenomena, Fasano depicts the ever-present anxieties of parenting with concision and compassion. The Last Song of the World is a love letter to the world that could be, a world as tender as it is bold, as loving as it is brutal, as beautiful as it is horrendous"--

"Volcanic eruptions and waves collide in Yaccaira Salvatierra's explosive debut collection Sons of Salt, which explores the duality of personal and political landscapes as well as legacies of violence within Mexican-American communities. Sons of Salt poignantly captures the experiences of Mothers who battle for their sons' wellbeing, particularly when fathers are absent due to systemic oppressions. Salvatierra's verse breaks the bones of poetic form to bring attention to the failures of a Christian God who has categorically failed to protect His children, and gives birth instead to a god of nature. Weaving self-made mythology, mourning, and maternal fear into visual and narrative poems, Salvatierra creates a collection that probes the deepest hurt to ensure the holiest redemption"--

"Black history, cultural expression, and the natural world fuse in Janice N. Harrington's Yard Show to investigate how Black Americans have shaped a sense of belonging and place within the Midwestern United States. As seen through the documentation of objects found within yard shows, this collection of descriptive, lyrical, and experimental poems speaks to the Black American Imagination in all its multiplicity. Harrington's speaker is a chronicler of yesterdays, using the events of the past to center and advocate for a future that celebrates pleasure and self-fulfillment within Black communities"--

Selected by Aracelis Girmay, A Tinderbox in Three Acts is at once elegy and exegesis, fact and invention. In her fourth poetry collection, Cynthia Dewi Oka performs a lyric accounting of the anti-Communist genocide of 1965, which, led by the Indonesian military and with American assistance, erased and devastated millions of lives in Indonesia. Under the New Order dictatorship that ruled by terror for over three decades in the aftermath, perpetrators of the killings were celebrated as national heroes while survivors were systemically silenced. Drawing on US state documents that were only declassified in recent years, Oka gives form and voice to the ghosts that continue to haunt subsequent generations despite decades of state-produced amnesia and disinformation.In service of recovering what must not be remembered, A Tinderbox in Three Acts repurposes the sanitized lexicon of official discourse, imagines an emotional syntax for the unthinkable, and employs synesthetic modes of perception to convey that which exceeds language. Here, the boundary between singular and collective consciousness is blurred. Here, history as an artifact of the powerful is trumped by the halting memory of the people whom power sought to destroy. Where memory fails, here is poetry to honor the dishonored, the betrayed, the lost and still-awaited.