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"What's happening to you is just that the visible and the invisible are finding each other through you. You are the passageway for our reconnection. You and your generation are the ones who will give our memory back to us..."Monica, a young woman studying art history in Montreal, has lost touch with her Innu roots. When an exhibition unexpectedly articulates a deep, intergenerational wound, she begins to search for a stronger connection to her Indigeneity. A quickly found friendship with Katherine, an Indigenous woman whose life is filled with culture and community, underscores for Monica the possibilities of turning from assimilation and toxic masculinity to something much deeper and more universal than she expects.Travelling across the continent, from Eastern Canada to Vancouver to Mexico City, Monica connects with other Indigenous artists and thinkers, learning about the power of traditional ways and the struggles of other Nations. Throughout these physical and creative journeys, she is guided by visions of giant birds and ancestors who draw her back home to Pessamit. Reckonings with family and floods await, but amidst strange tides, she reconnects to her language, Innu-aimun, and her people.A timely and riveting story of reclamation, matriarchies, and the healing ability of traditional teachings, Nauetakuan, a silence for a noise, underscores how reconnecting to lineage and community can transform Indigenous futures.

Caroline is seven years old when her family flees Pinochet's regime, leaving Chile for Montreal on Christmas Eve, 1986. She fears Santa won't find them on the plane but wakes to find a new doll at her side, her mother preserving the holiday even amidst persecution and turmoil. This symbol of care is repeated throughout their relocation as her parents work tirelessly to provide the family with a new vision of the future.Once in Canada, Caroline accompanies her parents as they clean banks at night. She experiences racist microaggressions at school, discovers Québécois popular culture, and explores her love of reading and writing in French. Slowly, the Andean peaks disappear from Caroline's drawings and a fracture between her parents' identity and her own begins to grow.This expansive coming-of-age autobiographical novel probes the plurality of identity, elucidating the interwoven complexities of immigrating to a new country. As the Andes Disappeared tenderly reflects the journey of millions and is a beautiful ode to family commitment and the importance of home--however layered that may be.

The latest poetry and artwork collection from Hana Shafi examines the unlikely connections we make to the people and places we encounter. Despite the infinite variations of our lives, every urban dweller has sparred with a neighbour they disliked, seen beautiful strangers on public transit, told secrets to their hairdresser. We interact with these supporting characters on a daily basis--and often we are them for others.Shafi celebrates the Antiheroes of the world (the alcoholic at your local bar, teenage girls); examines those in Beautiful Leading Roles (the hot professor, the rich couple); lauds older generations of Wizards and Crones; and flags the Nemeses (men who think they're allies, competitors for produce at farmer's markets). We sink into recognition at depictions of Palaces such as the greasy spoon, Dungeons of public transit, and the Liminal Spaces of checkout counters or waiting rooms (including that one at the end of the cosmos).People You Know, Places You've Been is an insightful, charming collection that offers a sense of shared recognition and nostalgia, ultimately asking: what if seemingly mundane places are actually the foundations of who you are?

Griffin Poetry Prize finalist Sandra Ridley offers a breathtaking, harrowing immersion in cruelty behind different veils: the medieval hunt, ecological collapse, and intimate partner violence.Sparked by a haunting chance encounter with a fox, and told in six chapters of varying form, Vixen is as visceral as it is mysterious, sensuous as it is terrifying."Thicket" introduces us to stalking being akin to hunting; the similar threat of terror and--too often--a violent end. "Twitchcraft" locates the hunt in the home, the wild in the domestic, while "Season of the Haunt" explores the unrelenting nature of hunting. "Stricken" asks common questions that often implicitly justify such violence: Is the harassment 'bad enough' to allow us to label it criminal? Has all control been taken? Is the fear reasonable?Vixen propels us to examine the nature of empathy, what it means to be a compassionate witness, and what happens when brutality is so ever-present that we become numb. This is a beautiful, difficult, wild tapestry of defiance and survival.

Confessional and immersive, Michael V. Smith's latest collection is a broad tapestry that explores growing up queer and working class, then growing into an urban queer life.In these poems, we are immersed in the world of a young Smith as he shares the awkward dinners, the funerals, and the uncertainty of navigating fraught dynamics, bringing us into these most intimate moments of family life while outrunning deep grief. Smith moves from first home to first queer experiences: teenage crushes, video cameras, post-club hookups, fears and terrors, closeted lovers, and daydreams of confronting your childhood bully.Queers Like Me is an enveloping book-- a meditation on family complexity and a celebration of personal insight.

In Baraffo, a town gripped by revolutionary fervour, a boy named Mazzu grapples to understand the motivations of Babello, a man imprisoned for an act of arson. When Babello begins a hunger strike and another building is set ablaze, tensions mount among the citizens and Mazzu considers a risky solution.Within an extraordinary world, this sweeping and mythical story asks prescient questions about the nature of social change: is it better accelerated by those who seek total transformation or attained by those trying to work within the system?

With dreamlike stories and dark humour, Anecdotes is a hybrid collection in four parts examining the pressing realities of sexual violence, abuse, and environmental collapse.Absurdist flash fictions in "The Boy is Dead" depict characters such as a park that hates hippies, squirrels, and unhappy parents; a woman lamenting a stolen laptop the day the world ends; and birds slamming into glass buildings."We're Not Here to Talk About Aliens" gathers autofictions that follow a young protagonist from childhood to early 20s, through the murky undercurrent of potential violence amidst sexual awakening, from first periods to flashers, sticker books to maxi pad art, acid trips to blackouts, and creepy professors to close calls."This Isn't a Conversation" shares one-liners from overheard conversations, found texts, diary entries, and random thoughts: many are responses to the absurdity and pain of the current political and environmental climate.In "My Dream House," the past and the future are personified as various incarnations in relationships to one another (lovers, a parent and child, siblings, friends), all engaged in ongoing conflict.These varied, immersive works bristle with truth in the face of unprecedented change. They are playful forms for serious times.

Having followed the brilliant virologist Régnier from Montreal to Marseille many years ago, Sadie now works as a researcher in a lab, spending most of her time among microscopic creatures who teach her about life as a parasite. By day, she pushes the limits of her understanding alongside Régnier, who taught her that to study viruses, she must think infectiously, allow herself to be contaminated by dangerous ideas. By night, Sadie loses herself in bars, music, drugs, sensuality. Until she gets a call from the past that lures her back across the Atlantic.When her estranged father tells her that a bizarre virus has been found in his hospital, Sadie returns to Montreal and her family, and all the unexpected changes time has wrought, to solve this new puzzle. Soon she realizes that the person she thought she was--someone who can leave everything behind--no longer exists. What is left for her instead is sinking into the unknown to find out what happens when ideas come to life. This is a deeply inventive and singular novel about the power of metamorphosis and symbiosis. Combining the cerebral and the sensual, Sadie X explores humanity's relationship to the rest of the world, and the role of rationale--and its limits in our multilayered, regenerative existences.

"In this genre-bending debut collection merging horror, fairy tales, pop culture and sci-fi, women challenge the boundaries placed on their bodies while living in a world "among animals," where violence is intertwined with bizarre ecological disruptions. A sentient sex robot goes against her programming; a grad student living with depression is weighed down by an ever-present albatross; an unhappy wife turns into a spider; a boy with a dark secret is haunted by dolls; a couple bound for a colony on Mars take a road trip through Texas; a girl fights to save her sister from growing a mermaid tail like their absent mother. Magical yet human, haunted and haunting, these stories act as a surreal documentation of the mistakes in systems of the past that remain very much in the present. Ferrante investigates toxic masculinity and the devastation it enacts upon women and our planet, delving into the universal undercurrent of ecological anxiety in the face of such toxicity, and the personal experience of being a new mother concerned about the future her child will face. Through these confrontations of the complexity of living in a woman's body, Her Body Among Animals moves us from hopelessness to a future of resilience and possibility."--

In She Who Lies Above, Beatriz Hausner brings Hypatia of Alexandria, the fourth-century Byzantine mathematician, astronomer, and philosopher, to life. She does so through layered ventriloquism: publishing amorous correspondence from the feminist icon's friend and former student, Synesius of Cyrene, and scribing Hypatia's replies in turn.These letters are "discovered" by Bettina Ungaro, a librarian and archivist by day and poet by night. She, in turn, collates the correspondence to build a vision of the couple's relationship while writing a kind of postmodern critique of contemporary book and reading culture. These interjections both borrow from and juxtapose writing from ancient times, and, in doing so, explore the evolution of modern knowledge keeping.The result is a rigorous, hyper-layered collection of poems that are elegiac and erotic; steeped in appreciation for a life of books and the technical and transcendent brilliance their authors can exhibit.

Having grown up as an only child in Northern Sweden, Lydia is used to isolation and being on her own. She fills her days with her love of animals, nature, and hard work. She eventually settles into a career as a vet in rural Norway and embraces the rhythms of country life. In a series of poetic sketches, Lydia tends to the animals in her community, spends time with her aging parents, and falls in love. Despite an increasing need for closer human contact that begins to encroach on her contented solitude, ultimately it is Lydia's satisfaction with her inner life that speaks of an elegance and hope often lost in these clamoring times.Winner of the Brage Prize, the most prestigious award in Norwegian Literature, The Loneliness in Lydia Erneman's Life is a quiet, beautiful exploration of solitude and how we relate to other beings. It has been lauded by European critics for doing something very rare: offering deep pleasure and joy in reading with little theatrics.Written in concise prose, the gravity and tranquility of this novel make it a gift--a soothing, contemplative offering about the depths of our inner worlds.

In an unnamed town in the summer of 1998, Judy is an isolated and inexperienced teenager on the cusp of adulthood struggling to craft an identity for herself--especially as the artist she wants to be.There is little help around her. Her only friends are increasingly obsessed with a cultish belief in a coming "Big Shadow." Her mother is afraid of life and finds solace in TV shows. At her lowest point, Judy meets Maurice Blunt, a visiting summer poetry class professor who is a "has-been" fixture of the 1970s NYC punk music scene. Judy believes Maurice--a man more than twice her age desperately seeking lost adoration--is the ticket out of her current life. Soon, she begins taking secret weekend trips to visit him.Judy's visits to his apartment in New York bring hopes of belonging to the city's cultural world and making a living as a video artist. With each trip and frustrated promise, however, she feels the creeping realization that there is a price to pay for her golden ticket entry into this insular and moribund scene. Judy must navigate the shifting power dynamics with her aging gatekeeper and the possibility of building an early adult identity alone.An affecting novel of psychological nuance and dark humour, Big Shadow explores the costs of self-deceit, fandom, and tenuous ambitions, exposing the lies we'll tell ourselves and the promises we'll make to edge closer to what we want... or what we think we want.

The islands of an archipelago are isolated above sea level but attached underwater; connected yet separate. archipelago, the debut poetry collection from Laila Malik, traces fragments of family, becoming and unbecoming against the shifting shorelines of loss, multigenerational migration, and (un)belonging.Malik's lyrical poems intertwine histories of exile and ecological devastation. Beginning with a coming of age in the 80s and 90s between Canada, the Arabian Gulf, East Africa and Kashmir, they subvert conventions of lineage, instead drawing on the truths of inter-ethnic histories amidst sparse landscapes of deserts, oceans, and mountains. They question why the only certainties of "home" are urgency and impossibility.At its core, archipelago is a letter to the daughters who come before and after, a quiet disclosure of barbed ancestral legacies that only come into focus through poetry.

In these peculiar times, we are thrust back into ourselves in a kind of suspension: one in which only private life exists yet threatens to become trivial through a sense of mutual, overarching dread.Lent from award-winning writer Kate Cayley is built from this tension, exploring domestic and artistic life amidst the environmental crisis and the surprising ways that every philosophical quandary--large and small--converges in the home, in small objects, conversations, and moments. The grotesque and the tedious, the baroque and the banal, intertwine in the first three sections. Meticulous depictions of spectacle run into the repetition of daily domestic life: trying to explain time to children, day trips to the planetarium, and the warnings of strangers; these are interspersed with depictions such as Mary Shelley recalling the monster, the inner life of a seventeenth century portrait sitter, and Ted Hughes's second wife telling her story to the dead Sylvia Plath. The title section explores religious faith; how belief is itself a repetition, a slow accumulation over time, just like love or forgiveness.Lent is an exquisite work of our era, asking us to contemplate what it means to live in a broken world--and why we still find it beautiful.

You're the clump of blackened sprucethat lights my gasoline-soaked heart It's just impossible you won't be backto quench yourself in my crème-sodaancestral spiritIrreverent and transcendent, lyrical and slang, Heating the Outdoors is an endlessly surprising new work from award-winning poet Marie-Andrée Gill.In these micropoems, writing and love are acts of decolonial resilience. Rooted in Nitassinan, the territory and ancestral home of the Ilnu Nation, they echo the Ilnu oral tradition in Gill's interrogation and reclamation of the language, land, and interpersonal intimacies distorted by imperialism. They navigate her interior landscape--of heartbreak, humor, and, ultimately, unrelenting light--amidst the boreal geography.Heating the Outdoors describes the yearnings for love, the domestic monotony of post-breakup malaise, and the awkward meeting of exes. As the lines between interior and exterior begin to blur, Gill's poems, here translated by Kristen Renee Miller, become a record of the daily rituals and ancient landscapes that inform her identity not only as a lover, then ex, but also as an Ilnu and Québécoise woman.

It's a tale as old as time. Girl meets boy. Boy wants girl. Girl says no. Boy takes what he wants anyway. After a violent sexual assault, Eden Boudreau was faced with a choice: call the police and explain that a man who wasn't her husband, who she had agreed to go on a date with, had just raped her. Or go home and pray that, in the morning, it would be only a nightmare.In the years that followed, Eden was met with disbelief by strangers, friends, and the authorities, often as a result of stigma towards her non-monogamy, sex positivity, and bisexuality. Societal conditioning of acceptable female sexuality silenced her to a point of despair, leading to addiction and even attempted suicide. It was through the act of writing that she began to heal.Crying Wolf is a gripping memoir that shares the raw path to recovery after violence and spotlights the ways survivors are too often demonized or ignored when they belong to marginalized communities. Boudreau heralds a new era for others dismissed for "crying wolf." After all, women prevailing to change society for others is also a tale as old as time.

"A widow visits a spiritualist community to attempt to contact her late husband. A grieving teenager confronts the unfairness of his small-town world and the oncoming ecological disaster. A sexual assault survivor navigates her boyfriend's tricky family and her own confusing desires. A mother examines unresolved guilt while seeking her missing daughter in a city slum. A lover exploits his girlfriend's secrets for his own purposes. Whether in Ecuador or San Francisco, small-town Ontario or northern Manitoba, the landscape in each of Carter's poignant short stories reflects each character's journey. Psychologically complex and astute, Places Like These plumbs the vast range of human reactions to those things which make us human--love, grief, friendship, betrayal, and the intertwined yet contrasting longing for connection and independence."--