Bøger udgivet af Book*hug Press

In this triptych of serial poems steeped in baseball and Toronto, Stephen Cain considers urban affairs and culture through playful, revelatory devices."Walking & Stealing" was composed between innings of his son's little league baseball games. The sport becomes a site for explorations of duration, association, and subjectivity. The ninety-nine poems of "Intentional Walks" follow mapped routes throughout the city to study the relationship between thinking and walking. The nine cantos in "Tag & Run" are constructed using baseball's magic number nine, creating a literary puzzle in which the author "tags" a series of moments in time.Together, these works skewer traditional, masculinist, and often-solipsistic perspectives on where we live and inhabit, instead offering a new way to consider the relationship between culture and space. Walking and Stealing is where memes meet psychogeography in a collection from a brilliant poet at the top of their game.

Our lives are full of personal legend. Trivial details can feel fated, weighted with meaning. What happens when we start to see the words we speak as spells? Where do the lines of ritual, magic, and daily life blur? Inspired by Worth's professional tarot reading, these poems explore the thin veil between them and suggest it barely exists at all.Confessional stories blend with the abstract and the occult, probing uncomfortable truths about age, regret, and shifting identity that emerge with the passing of time. Worth deftly shares the loss that comes from inadvertently discarding parts of ourselves--including our self-perception--or realizing our lives are different than we previously envisioned. We can see the world as a series of places haunted with our own memories.Inside Every Dream, a Raging Sea elevates the everyday, celebrating memory as individual folklore. These poems offer a way into the interconnected elements of our lives and the world around us, embodying the state of possibility and openness we are all searching for.

From Hanna Nordenhök comes a gothic tale set at the dawn of modern gynecology, when the female body appears as a cryptic landscape and male hubris reigns.On a remote country estate in nineteenth-century Sweden, a renowned obstetrician keeps a young girl named Caesaria as a trophy: she was the first baby he delivered by caesarean section. She lives a dollhouse existence, characterized by supervision and punishment, assault and incarceration. Told in lush, elegant, and dreamlike prose, Caesaria narrates her confinement in the doctor's mansion and encounters with its mysterious inhabitants and visitors.Radiating a low-level dread and sense of unease, Caesaria probes gender warfare and class oppression. What is reality to those who have grown up trapped in their own bodies, without connection to the outside world? Nordenhök shares an astonishing answer, almost mythological in scope, through the tale of one eponymous girl.

In this collection of personal essays, twenty-six writers from across North America share journeys back to their motherlands as visitors. Set against mountainous terrain, tropical beaches, bustling cities, and remote villages, these narratives weave socio-political commentary with writers' reflections on who they are, where they belong, and what "home" means to them.The result is a vulnerable, humorous, and insightful exploration of meanings and contradictions, beginning a conversation waiting to be had by the growing population of first- and second-generation Canadians and Americans, who will find themselves within these pages. Navigating the intricacies of hyphenated identities with nuanced stories of heritage and a redefined sense of home, the essays in Back Where I Came From: On Culture, Identity, and Home open a door to places around the globe--and within ourselves.With contributions by Omar El Akkad, Nadine Araksi, Ofelia Brooks, Esmeralda Cabral, June Chua, Seema Dhawan, Krista Eide, Eufemia Fantetti, Ayesha Habib, Christina Hoag, Mariam Ibrahim, Taslim Jaffer, Vesna Jaksic Lowe, Kathryn Gwun-Yeen Lennon, Omar Mouallem, Dimitri Nasrallah, Lishai Peel, Omar Reyes, Mahta Riazi, Steven Sandor, Angelo Santos, Alison Tedford Seaweed, Makda Teshome, Nhung N. Tran-Davies, Alexandra C. Yeboah, and Hannah Zalaa-Uul.

Not Even the Sound of a River is a moving tale of love's phantom pains as shared through the relationships between three generations of mothers and daughters.Hanna drives down the St. Lawrence River to her late mother's hometown, hoping to find out more about the distant woman who began to reveal herself only through notebooks discovered in her effects. As the river widens, so does Hanna's understanding of the matriarchs in her family. She learns that her mother's one true love, Antoine, died on the St. Lawrence when she was twenty, and that her grandmother also lost a young love to the same water. Both women remained shipwrecked after these tragedies, their tales mirroring other survivors'--such as the few who did not perish in the Empress of Ireland sinking when more than a thousand people lost their lives on the river in 1914.Told through multiple perspectives, newspaper accounts, and historical documents, Dorion's narrative exquisitely describes the depths of love, the reality of living when dreams have failed us, and the complex nuance of blood ties. Not Even the Sound of a River is a tender and profound story that defies time or place.

"It is a confusing thing to be born between generations where the one above thinks nothing is traumaand the one below thinks everything is trauma."From acclaimed novelist and television writer Zoe Whittall comes a memoir in prose poetry that reconfirms her celebrated honesty, emotional acuity, and wit. Riving and probing a period of six years marked by abandoned love, the pain of a lost pregnancy, and pandemic isolation, No Credit River is a reckoning with the creative instinct itself.Open and exacting, this is a unique examination of anxiety in complex times, and a contribution to contemporary autofiction as formally inventive as it is full of heart.

Finalist for the 2024 Quebec Writers Federation Fiction Award What are the best ways to support political struggles that aren't your own? What are the fundamental principles of a utopia during war? Can we transcend the societal values we inherit? Dry Your Tears to Perfect Your Aim is a remarkably original, literary page-turner that explores such pressing questions of our time.A depressed writer visits a war zone. He knows it's a bad idea, but his curiosity and obsession that his tax dollars help to pay for foreign wars draw him there. Amid the fighting, he stumbles into a small strip of land that's being reimagined as a grassroots, feminist, egalitarian utopia. As he learns about the principles of the collective, he moves between a fragile sense of self and the ethical considerations of writing about what he experiences but cannot truly fathom. Meanwhile, women in his life--from this reimagined society and elsewhere--underscore truths hidden in plain sight. In these pages, real-world politics mingle with profoundly inventive fabulations. This is an anti-war novel unlike any other, an intricate study of our complicity in violent global systems and a celebration of the hope that underpins the resistance against them.

In this alchemy of anger and love, history and memoir, Christine McNair delves into various forms of toxicity in the body--from the effects of two life-threatening preeclampsia diagnoses to chronic illness, sexism in medicine, and the toll of societal expectations.With catharsis and humour, Toxemia pieces together the complexities of identity, motherhood, and living in a body to reveal deeply recognizable raw truths. McNair captures the wrenching feeling of loss of control in the face of an overwhelming medical diagnosis and the small, endless moments in life that underscore it: worrying about mortality in the middle of the night, revolving medical appointments, self-doubt, and all the ways in which illness interrupts.Toxemia unravels the toxicities that haunt the human body from within and without. Combining lyrical essays, prose poetry, photographs, and more, this hybrid work dips between the sacred and profane, exposing--and holding--some of our greatest fears.

Winner of the Governor General's Literary Award for French-Language Fiction, Sugaring Off probes intimacy, denial, and how we are tied to others--whether those we love or those we exploit.On the surface, Adam and Marion are the embodiment of success: wealthy, attractive, in love. While holidaying in Martha's Vineyard, Adam surfs into a local young woman, Celia. The accident leaves her injured and financially at risk; for Adam and Marion, it opens a fault of loneliness, rage, and desires that have too long been ignored.Like a modern Virginia Woolf, Britt abrades the surface layer of our outward personas, delving into the complexity and contradictions of relationships. In this eviscerating critique of privilege, she asks what happens when one can no longer play a role--whether in a couple, family, or social structure--and exposes the resulting friction between pleasure and consequence.

Monsters, Martyrs, and Marionettes is a revelatory collection of personal essays that subverts the stereotypes and transcends the platitudes of family life to examine motherhood with blistering insight.Documenting the birth and early life of her three daughters, Adrienne Gruber shares what it really means to use one's body to bring another life into the world and the lasting ramifications of that act on both parent and child. Each piece peers into the seemingly mundane to show us the mortal and emotional consequences of maternal bonds, placing experiences of "being a mom" within broader contexts--historical, literary, biological, and psychological--to speak to the ugly realities of parenthood often omitted from mainstream conversations.Ultimately, these deeply moving, graceful essays force us to consider how close we are to death, even in the most average of moments, and how beauty is a necessary celebration amidst the chaos of being alive.

"Married and divorced in her 20s, looking for friendship in her 30s, and contemplating pregnancy at 40, our narrator wonders if she's going through life out of order. But Alice, The Turtle, The Kid, and other beloveds show her that motherhood is more than giving birth, art is never finished, and love is not linear. Through a three-day canoe trip, chance encounters, fierce female friendship, step-parenting, IVF, pandemic isolation, and quiet moments between humans, These Songs I Know By Heart weaves vignettes of everyday mythology into an absorbing and honest meditation on the connections in our lives. With razor-sharp reflection, humour, and most of all love, we are reminded that there's no formula to life and that instead, we must celebrate what makes the small moments of our lives extraordinary."--

"Shael lives in a vast prison camp, a monstrosity developed after centuries of warfare and environmental catastrophe. As a young transfeminine person, they risk abject violence if their identity and love affair with Coe, an insurrectionary activist, are discovered. But desire and rebellion flare, and soon Shael escapes to Riverwish, a settlement attempting to forge a new way of living that counters the camp's repression. As the complexities of this place unfold before Shael, Disobedience asks: How can a community redress harm without reproducing unaccountable forms of violence? How do we heal? What might a compassionate, sustainable model of justice look like? This is a remarkable work of queer and trans speculative fiction that imagines how alternative forms of connection and power can refuse the violent institutions that engulf us."--

From poet Chantal Neveu, author of the award-winning collection This Radiant Life, comes a book-length poem that plunges us more deeply into the notion of the idyll and into the polyhedric structure of love.you demonstrates with exceptional beauty how in the interval between words or verses, language can glimmer, absorb, and refract the changing realities and attractions of an all too human relationship. Personal autonomy and the formation of "self" are nourished here by multiples--I, you, s/he. The voice in you reclaims life from change and time and affirms it anew.

You will talk about 2016. You will talk about The Lighted City. You will be brave and truthful. You will get to the bottom of what happened.Paul (Paulina) Hayes loves her cousin Adrian. Inseparable from a young age, they play The Lighted City, an imaginary world where they pretend to live together and can escape a childhood that seems both too sad and too grown-up. But The Lighted City isn't without danger.Years later, Paul is struggling with PTSD after a season of turmoil--one in which Adrian is dead, and radio and television are filled with reports of missing children. Just as stability is settling into her life and relationships, Paul is dragged back into the fate that Adrian seems to have scripted for them. And so she finds herself journeying across the country, down into a ravine, and back to The Lighted City, where so much of her childhood played out. Only by doing so can she begin to come to terms with "the day everything happened"--and what has unfolded since then. With a unique blend of contemporary storytelling and psychological fiction, Play is a haunting, riveting novel that reminds us of both the beauty and danger of imagination.

Shani Mootoo's great-great-grandparents were brought to Trinidad as indentured labourers by the British. There is no record of where they were from in India or whether it was kidnapping, trickery, or false promises of wealth that took them to the Caribbean. In Oh Witness Dey! Mootoo expands the question of origins, from ancestry percentages and journey narratives, through memory, story, and lyric fragments. These vibrant poems transcend the tropes of colonial violence through saints and spices, rebellion and joy, to reimagine tensions and solidarities among various diasporas. They circumvent traditional conventions of style to find new routes toward understanding. They invite the reader to witness history, displacements, and the legacies of our inheritance.

From award-winning writer Johanna Skibsrud, Mediumshares the lives and perspectives of women who--in their roles as biological, physical, or spiritual mediums--have helped to shape the course of history.Helen of Troy, Anne Boleyn, Shakuntala Devi, Hypatia of Alexandria, Marie Curie: Medium interprets the voices of women vilified over time, silenced by famous husbands, forced into sex work, or wrongly accused. Reckoning with the dominant historical narratives of each woman's era, Skibsrud underscores the power of poetry to bring about new formulations for understanding the relationship between past and present, self and other.These deeply resonant and performative poems use language as a bridge across experience, sensibility, and time. Each exploration begins with a brief vignette inspired by the "vidas" that once began manuscripts of the troubadours. Both vidas and poems provide lyrical reinterpretations of real and imagined elements in the lives of scholars, scientists, computer engineers, mystics, entrepreneurs, artists, nurses, and other leaders.

How much grief is too much? How far should we go to avoid pain? From the author of the international bestselling novel Agatha comes a literary medical thriller about loss, empathy, science, Big Pharma, and societal norms.A Danish university research group is finishing its study of a new medicine, Callocain: the world's first pill for grief. But psychology professor Thorsten Gjeldsted suspects that someone has manipulated the test results to hide a disturbing side effect. When no one believes him, he teams up with two students to investigate: Anna, who has recently experienced traumatic grief herself, and Shadi, whose statistical skills might prevent her from living a quiet life in the shadows. Together, these sleuthing academics try to discover what's really happening before the drug becomes widely available.Blue Notes is brimming with ethical and existential ideas about the search for identity and one's place in the world, while offering a highly original literary adventure that ultimately underscores the healing power of love.

This tenth-anniversary edition of Kate Cayley's award-winning collection includes three new stories.A young mother intrudes into the life of an older woman, thinking she knows what's best. An academic becomes convinced that he is haunted by his double. Two children spy on their supposedly criminal neighbours. A man enables his cousin's predatory impulses out of loyalty, and a circus performer dreams of a perfect wedding. These characters fail despite their best intentions and continue on despite their failures.The stories in How You Were Born, each more incisive and devastating than the last, examine the difficult business of love, loyalty, and memory. Sharing the bizarre and tragi-comic of life--whether in present-day Toronto or in small towns of the early 20th century--Cayley champions the importance of connections, even when missed or mislaid, and the possibility of redemption.