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This is the story of Liam FitzGerald, who as a young man in the late-1960's, more or less stumbled into the exciting and often hazardous life of an avalanche worker. His attraction to this line of work led him to Little Cottonwood Canyon, in Utah's Wasatch Mountains, the birthplace of Avalanche Control and Forecasting in North America.There he landed a job as a Ski Patroller at the soon to open super-resort of Snowbird, a new generation ski area that would soon become synonymous with deep snow and steep terrain, just as the ski industry in the U.S. was really about to take off.Following a rough start to the resort's inaugural season, Liam was abruptly elevated to the position of Snow Safety Director, the person responsible for the avalanche program at the fledging ski area, after the first few weeks of operation. He found himself in an environment notorious for large and deadly avalanches that threatened not only the skiers flocking to the resort's snow covered slopes, but also to motorists traveling along the canyon highway, guests staying at the hotels and lodges, and local residents who called the canyon home. As he would quickly come to understand, in Little Cottonwood Canyon, avalanches can often be the most important thing in everyone's life.Ready or not, he was thrown into the fray, and quickly realized he had a lot to learn in a short period of time.For nearly fifty years Liam negotiated a capricious landscape of snow and avalanches, aware of his considerable responsibility, learning as he went; in an era that not only witnessed explosive growth in the ski industry, but also in the number of people willingly putting themselves at risk with their voracious attraction to deep snow and steep terrain. But it was also an era of tremendous advancement in the field of avalanche research, avalanche forecasting and avalanche control, when the level of knowledge and understanding of snow and avalanches increased exponentially. This was an exciting time to be an "avalanche-guy" and Little Cottonwood Canyon was arguably one of the best places in the world to follow that pursuit.This is a story about learning from one's mistakes, about friendship and camaraderie, about exciting times, interspaced with moments of fear, and on occasion- sorrow. But above all, it's a story of a rather regular person who was lucky enough to have a unique job in a very special place.
A Monthly Guide to Growing a Sensational Garden in Northern New Mexico and the Rocky Mountains will help you plan and grow a successful garden in the challenging conditions of the Intermountain West. From planning in the winter, to sowing in the spring, to harvesting food and flowers throughout the growing season, you'll find important tasks and information interspersed with a compendium of articles published over the years on growing in this unique area. This go-to guidebook applies to the semiarid short-season gardens of northern New Mexico and further up the Rocky Mountains.Whether you're a novice gardener or a newly arrived grower from another area, you'll find the monthly guidance and articles a big help for creating and enjoying a beautiful garden full of abundant vegetables, herbs, flowers, and more. Even if you're a seasoned gardener from the region, you'll discover useful tips and great ideas. Journaling pages are included to get you started on a garden journal that will become a personalized, treasured resource.
When a new hematologist begins practice at St. John's, Dr. Roger Branford and the rest of the staff are happy to have him at the hospital. The new doctor has a fine reputation and is greatly admired.However, not long after the new doctor arrives, a horrifying and grotesque disease begins strike the patients. In an attempt find the cause of the infection, doctors, scientists and even the police become involved. Is this a virus? Or could it be pure evil?When the answer is finally found, it is shocking.
Because of Covid, Debbie Dawkins has been unable to stage high school plays. This summer she wants to do Shakespeare on the Beach, starting with Romeo and Juliet. No one answers the casting call, until a stranger, Liam, shows up and recites the entire play.He has no idea how he did that. She, by chance, quotes a line from Hamlet, and he starts reciting that play as well. Alarmed. she drives him to the emergency room of a local hospital. There's nothing medically wrong; but she feels responsible for having triggered this Shakespeare mania in him, and she is also beginning to realize that his uncanny ability might open opportunities.Her mother, a psychotherapist, charmed by Liam, thinks he has a rare gift, not a psychosis. There is no barrier to staging public performances, she reassures Deb.He does Julius Caesar, and the audience is entranced. Then he does Macbeth. He needs no rehearsal. A line from the play is enough to send him into his trance. Even fireworks set off by troublemakers do not distract him.They decide to do a different play every day for the rest of the summer. No one understands how he does it. Everyone enjoys it.Reporters learn that all it takes is one line to trigger Liam into reciting an entire play. At the next performance, people in the audience shout lines from many different plays and Liam recites now this one, now that one. The show becomes a farce.Next time, Liam wears noise-reducing headphones to foil hecklers. People in the audience stream his performance from their cellphones to the Web, making it a global event. Its huge success dooms the project. The town shuts them down when a hundred thousand people swarm to Eastport, disrupting traffic and causing random damage.A hundred thousand people swarm to Eastport, disrupting traffic and causing random damage, The town shuts them down. Their fifteen minutes of fame are over.Professor Jaspers, a Shakespeare expert at Yale, becomes interested in Liam and tests him with a few lines from Cardenio, a lost Shakespeare play. Liam recites the whole thing. The professor is astounded. He believes that what he just heard is the play itself. He has Liam do it again and captures it on video and has it transcribed. He wants to make it public but knows that its bizarre provenance would undermine its credibility. He decides to present it as a scholarly work of reconstruction.But a reporter tricks Liam into reciting Cardenio, uncovering the ruse. Instead of a lost masterpiece or a brilliant reconstruction, it appears to be an elaborate hoax.To save face, Jaspers has Liam perform Cardenio at the Yale Bowl, streamed globally and put into the public domain. He provides no explanation. The focus is on the work's literary merit, not how it came to be.In the media storm that follows, Liam-as-Shakespeare becomes a second Elvis, with numerous reported sightings and wild rumors explaining his capabilities and his sudden disappearance.Liam, who felt dehumanized by this mechanical process that took over his mind, comes up with a gadget that allows him to live a normal life. Years later, he starts reciting what sounds like another Shakespeare play, this one about Saint George. Caught by surprise, Deb doesn't record it, and Liam refuses to do it again.Later still, Liam realizes that he no longer needs a special device to think and act normally. But now he regrets the loss. Saint George is somewhere in his mind. He would like to release it to the world. To recover his ability and to remember this play he needs a moment of heightened awareness and anxiety. They schedule a public performance at the Yale Bowl on Shakespeare's birthday, April 23, which is also Saint George's Day.
The author examines the controversial subject of the relationship between prostitutes and their customers from a different perspective: from that of the john. This book tells of how and why explorations lead to adventures that lead to drastic changes.The telling is raw and vivid as the women conduct their business and the man ventures into their anomie world of sex, drugs, violence, and homelessness. As we dip into the lives of the women he dates, the narrator's own troubled mind and history are revealed.The buyer of the sex-for-hire service repeatedly follows his nature as he seeks to find love and romance there instead. The otherwise intelligent and resilient man recognizes the folly in that and comes to think of these encounters as fantasy adventures, separate and apart from the reality of his everyday life. But he finds it increasingly difficult to keep fantasy separate from reality while the torment that ever permeates his being remains and travels with him as he ventures from one realm to the other.The reader must always read between the lines to understand things that the narrator does not yet realize.
"Eve Redeemed-A Woman's Journey" maps a woman's life through three separate stages. The poems in the 1st section deal with significant early life trauma which shapes the woman's emotional landscape for many years. The poems here do not hold back in description of very painful events which left lasting scars. The last poem in this section deals with fear of dying.The second section contains more prosy poems which reflect growth and understanding and more awareness of the world around her. Her inner pain is no longer so visible and aids her in feeling more empathy for others and better understanding of human foibles.The third section contains more lyrical poems which add more magic/mysticism to reflect a much happier and at last an accepting place to gain inner peace. The woman's perspective and awareness of the world's physical beauty (nature) open her up emotionally to a place she hasn't been before.The writer here hopes all women can identify to some degree that early difficulties/challenges do not have to define their entire lives and real change is possible and very rewarding when you arrive there.
The O-Zone is the Oblivious Zone.That's the place where we're stuck in our heads or have our full attention focused only on what's immediately in front of us (phone screen, concert, movie, conversation we're having at a restaurant or bar) and we're giving no thought to what's going on around us. It's the "head in the clouds" attitude where one minute we can be having a very fine day and the next have our lives turned upside down . . . or worse.The O-Zone is where predators find their prey.The cool thing is, we occasionally get a nudge that lets us know something bad could be just about to happen. We spot a van with tinted windows parked next to our vehicle in the empty parking garage. A knock at our door presents a guy from the gas company who isn't wearing a uniform and has no ID but wants to inspect the furnace. That drink the sexy stranger at the club bought us tastes funny. That popping sound from down the hall.But . . . the warnings aren't always that obvious. Sometimes they're so subtle they can easily go unnoticed while we're doing something else. The local news is full of stories of folks who walk into danger, get a purse wallet or car stolen, get knocked on the head or shot and then are quoted afterward as saying "I don't know why I didn't see that coming." If they are fortunate enough to have an afterward.Our trouble alerts come from the subconscious, an on-board mini-computer that picks up and interprets all sorts of micro-data, bundling and assessing and forming it into our intuition or what some call our "sixth sense." If you practice defensive driving, you're paying attention to your intuition. Similarly, if you know your kid didn't do his homework...or brush his teeth...or is hiding something more serious from you...that's your intuition speaking.But . . . if data to that intuitive warning system is blocked because you're not paying attention to your surroundings, you may not get that alert.Escaping the O-Zone teaches tactics to help recognize trouble-in-the-making. And how to size up a situation so as to be ready to react if trouble develops.
Christopher is the youngest and best basketball player on the Northland High team. Basketball is his life! When his world turns upside down, will he ever play again? Meanwhile, Annie and her little brother, Willie, are happy and secure, until a long-lost relative threatens to take them away from their adoptive mother. Will friends and family help to make the right choices?
THIRD PLACE: CT Press Club Professional Communications Contest for General Non-FictionI don't think outside the box. There is no box. The box is an illusion that limits the range of what we consider, squashing curiosity and creativity, ruling out possible solutions.Many of these short essays derive from my belief that, as individuals and as a species, self-regulating mechanisms push us toward balance and reason and compassion. Our worst experiences and dreams can help nudge us in the "right" direction as if some force were trying to navigate a huge ship down a river, with the crudest of controls.I need to know who I am and why I am and how my life might matter in the context of those who came before me and those who will come after. But the answers offered by religion feel insufficient, and scientific knowledge has advanced to the point that it is beyond the understanding of laymen. I would like to participate in the endeavor of scientific discovery and make a contribution, but the advancement of science will not end in my lifetime and will probably never end. I need answers that make sense here and now.I do not adhere to any organized religion or established set of beliefs. But I am not an agnostic. Rather I am a seeker.Life has meaning and that meaning can be found, perhaps in interconnectedness and relationships, and perhaps by intuition rather than reason, and perhaps in flashes of insight.These essays cover: Big Questions; Identity, Memory, and Communication; Understanding the World We Live In; Politics and Government; Literature, Reading, and Writing; The Double-Edged Impact of Technology; History; Business and Product Ideas; and Everyday Life - How to Live, How to Cope.
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