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Finalist for the 2022 Governor General's Literary Award for TranslationWinner of the 2022 VMI Betsy Warland Between Genres AwardRemnants is an exploration of our relationships with family and perception, told through a profound investigation of a father's life and sudden death. Employing various voices and hybrid forms--including dialogues, questionnaires, photographs, and dream documentation--Huyghebaert builds a fragmented picture of a father-daughter relationship that has been shaped by silences and missed opportunities.The reader attempts to untangle fact from fiction: multiple versions of Huyghebaert's father are presented while remnants of his life disappear achingly quickly. What is left of someone who was not important enough to be archived? How do we talk about what no longer exists?Winner of the Governor General's Literary Award for French-language fiction, Remnants asks essential questions we often only peer at from the corner of an eye; questions about the value of life in its duration and passing. This is a transcendent work, ideal for readers of Annie Ernaux, Sophie Calle, and Maggie Nelson.

The ecological is personal; the personal is ecological. Rag Cosmology is a pulsating meditation on this most intimate relationship. These poems inject pleasure deep into the tissues of our language and state, countering fatalist narratives with the intimacy of entanglement and engagement.Green extravagant mind wet and movingtwo weeks ago I arrived heresimply to shake in the green plosions

Blank is a collection of previously out-of-print essays and new works by one of Canada's most important contemporary writers and thinkers.Through an engagement with her earlier work, M. NourbeSe Philip comes to realize the existence of a repetition in the world: the return of something that, while still present, has become unembedded from the world, disappeared. Her imperative becomes to make us see what has gone unseen, by writing memory upon the margin of history, in the shadow of empire and at the frontier of silence.In heretical writings that work to make the disappeared perceptible, Blank explores questions of race, the body politic, timeliness, recurrence, ongoingness, art, and the so-called multicultural nation. Through these considerations, Philip creates a linguistic form that registers the presence of what has seemingly dissolved, a form that also imprints the loss and the silence surrounding those disappearances in its very presence.

Double Teenage tells the story of two young teenagers (best friends, Celine and Julie) who are coming of age in the 1990s along the US-Mexico bordera place where nothing seems to happen, but only because what counts as 'something' is defined by far-off centres of power. In their small, desert town and small-scale life, they become a twin pair. Through their love of theatre, they find their way into a wider world, rich with opportunity, but at the same time, dense with situations of peril and violence.This unrelenting novel shines a spotlight on the paradoxes of Western cultureobsessed with depictions of fantasy sexual violence, while at the same time, willfully blind to the many ways in which desire and hurt twine together in real life; where angry, emotional, and loving girls have been told time and again that they overthink things; where survival goes hand-in-hand with trauma and witnessing; where art, books, movies, TV, and plays work to both shield us from reality and also help us to face it, and powerful healing rituals can be made out of everyday material goodshoodie sweatshirts, homemade alcoholic punch, joints, and blood pacts. In this way, Double Teenage ultimately offers a way through violence into an emotionally alive place beyond the trap of girlhood.Informed and influenced by the films of David Lynch, Agnes Varda, Chris Marker, Jacques Rivette, Murphy has developed an emotional dialogue in Double Teenage, one that wrestles with the borders of our bodies, our countries, and our realities. The borderlands (the US/Mexican and the Canadian/US) in this novel become gendered, performative spaces that are hard and soft, depending on who is trying to cross. Though the girls move away from the Southwest to Vancouver and Chicago, and gain entry into rarified academic and artistic circles, they discover that the violence and solitude of the borderlands are still stuck within them.In drawing comparisons to Sheila Heti's How Should a Person Be and Chris Kraus's Summer of Hate, the harrowing narrative in Double Teenage will speak particularly to an audience of 'Under 40' women who are radical, possibly over-educated, if perhaps precariously employed. Art audiences, as well as people interested in literary fiction and criticism, will also be drawn to this novel's integration of books, theatre, and performance.