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A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner.
Essays on and interviews with minoritized writers of contemporary Germany, mostly women or non-binary, whose literary interventions write radical diversity into the dominant culture and challenge fixed frames of identity.
Traces the history of a magnificent landmark in the history of late medieval art and architecture.
Illuminates the complex relationship between ideas and political activity in modern British history.
A captivating study of translation, adaptation, and intellectual cross-pollination that situates the Castilian Hermes in the center of medieval Mediterranean cultural exchange
Directs scholarly focus towards a deeper appreciation of medievalist trends in the Elizabethan literary landscape and challenges traditional narratives of 'modernity'.
Explores the lived experiences of the women of lower deck seamen in the nineteenth century British navy.
The Brecht Yearbook, published by Camden House on behalf of the International Brecht Society, is the central scholarly forum for the study of Brecht's life and work and of topics relevant to him.
Using the remarkable archive of the Rochester bridge administration, six studies tell the history of this ancient river crossing.
Reconstructs coastal trading patterns and the lives of the merchants, mariners and craftspeople that underpinned them.
An economic history of the Burton family of Norfolk, and their enslaved workers on the Chiswick sugar estate
The definitive bibliographical study of the Elizabethan travel writer Richard Hakluyt and his early works.
This book records the ordeal of parish clergy in Essex who were the victims of Parliament's purge of the clergy in 1644-45.
Handlist to manuscripts in Trinity College Dublin, covering all 79 Middle English prose manuscripts and indexing more than 539 separate items
Newest research into drama and performance from the Middle Ages and the Tudor period.
Examines how contemporary German and Polish novels reimagine borderlands as cosmopolitan spaces by engaging in border poetics, a narrative practice that relates political borders to figurative boundaries.
"This first sustained exploration of Sebald's engagement with Jews and Jewishness challenges his position as German "speaker of the Holocaust" by revealing that, despite his intentions, his figural treatment of Jewish characters perpetuates harmful stereotypes. German writer W.G. Sebald (1944-2001) has been hailed, together with Primo Levi, as the "prime speaker of the Holocaust," a breathtaking claim that casts Levi, survivor of Auschwitz, and Sebald, progeny of the German perpetrator generation, in an unlikely pairing that confirms Sebald's status as the preeminent German writer concerned with the Jewish experience in recent history. Recipient of a Koret Jewish Book Award for his "extraordinary evocation of the last century's greatest trauma," Sebald has been widely valorized for restoring individuality to the Jewish victims he portrays. Sebald's Jews challenges Sebald's position as the moral conscience of a nation struggling to repair the German-Jewish relationship. It argues that despite the varied and quasi-documentary life stories of the Jews who people his narrative prose, and despite his intentions, Sebald's elaborate figural writing fashions Jewish characters as tropes for the conflicts that troubled his generation, allegories that vitiate Jewish individuality and evoke age-old and malign Jewish stereotypes. The book provides new insights into Sebald's ambiguous engagement with Jewishness by revising the notion that he restores individuality to Jewish lives and avoids the generalized treatment of Jews he excoriated in the writing of his German peers. The study reflects a shift in Sebald research that reassesses his revered position by examining controversial aspects of his oeuvre. It provides a much-needed broadening of Sebald scholarship"--
"Shows that engagement with art and literature was essential to the programmatic sexual theories of the late 1960s and early 70s and that the period's aesthetic theories were characterized by forms of sexual obsession. In the period around and after 1968, sexuality and the arts entered into a remarkably intimate and mutually beneficial relationship: on one hand, scientific theories of sexuality and their pop-psychological counterparts incorporated lengthy reflections on art movements and literary texts, since artistic media were understood as crucial to the project of inventing radically new modes of human living and loving. On the other hand, the aesthetic ambitions that informed new conceptions of sexuality had their mirror image in the varying forms of sexual obsession that characterized contemporary aesthetic theories. Approaches as diverse as those of Theodor W. Adorno, Roland Barthes, Susan Sontag, Leslie A. Fiedler, Peter Gorsen, and Herbert and Ludwig Marcuse all contributed to a dramatic eroticization of the arts. Christine Weder's interdisciplinary study explores this largely neglected relationship, providing a dual insight into an era of profound transformation: she demonstrates how and why the engagement with art and literature was essential to the programmatic theories of the new Eros. At the same time, she offers a fresh historical perspective on aesthetics around 1968. Whereas aesthetic developments in the late sixties have conventionally been conceived in terms of politicization, Weder demonstrates that the sexualization of the arts was no less profound, and in doing so contributes to a fundamental reframing of this tumultuous period"--
The memoir of Ralph Ottey, covering his childhood in Jamaica, his wartime service in the RAF and his live and career in Lincolnshire
The complete correspondence of César Vallejo (1892-1938), including all known letters written and received by the poet
By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought.
Situates Celtic languages and literatures in relation to European movements, in the tradition of Helen Fulton's groundbreaking research.
Argues for new models of reading the complexity and subversiveness of fourteen "post-classical" sagas.
Accurate and entertaining translations of three texts that reveal much about medieval political thought and remain relevant to the precariousness of present-day political systems
This year's volume features a special forum on imperialism and race as well as articles and book reviews concerning Goethe and other writers of his age.
An examination of how emotions were practised and performed through Old English texts.
The diaries of Charlotte Bousfield, extending from 1878 to 1896, paint a vivid picture of the activities of the multi-talented Bousfield family of Bedford, led by its strong-minded matriarch.
Essays on the post-modern reception and interpretation of the Middle Ages.
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