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A new, materialistic reading of the Alfredian corpus, drawing on diverse approaches from thing theory to Augustinian principles of use and enjoyment to uncover how these works explore the material world.The Old English prose translations traditionally attributed to Alfred the Great (versions of Gregory's Regula pastoralis, Boethius' De consolatione philosophiae, Augustine's Soliloquia and the first fifty Psalms) urge detachment from the material world; but despite this, its flotsam and jetsam, from costly treasures to everyday objects, abound within them.This book reads these original and inventive translations from a materialist perspective, drawing on approaches as diverse as thing theory and Augustine's principles of use and enjoyment. By focussing on the material, it offers a fresh interpretation of this group of translations, bringing out their complex, often contradictory, relationship with the material world. It demonstrates that, as in the poetic tradition, wealth in Alfredian literature is not simply a tool to be used, or something to be enjoyed in excess; rather, in moving away from these two static binaries, it shows that wealth is a current, flowing both horizontally, as an exchange of gifts between humans, and vertically, as a salvific current between earth and heaven. The prose translations are situated in the context of Old English poetry, including Beowulf, The Wanderer, The Seafarer, the Exeter Book Riddles and The Dream of the Rood.
A comprehensive study of every aspect of chivalry and chivalric culture.
A must-have for any conductor, conducting student and orchestral librarian.How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship. Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition. Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike
Detailed analysis of an iconographic motif of huge significance in European art.
Captured here for the first time is the richness of the Charlemagne tradition in medieval Norway, Sweden, Denmark, Iceland, Wales and Ireland and its coherence as a series of adaptations of Old French chansons de geste
The death of Sir Edmund Berry Godfrey has baffled scholars and armchair detectives for centuries; this book offers compelling new evidence and, at last, a solution to the mystery.
Interrogates the standard view of turbulent and violent town-abbey relations through a combination of traditional and new research techniques.
Develops an understanding of Warwickshire's past for outsiders and those already engaged with the subject, and to explore questions which apply in other regions, including those outside the United Kingdom.
'Who doubts, my reader, that you will be amazed that a woman has the audacity not only to write a book, but to send it for printing, which is the crucible in which the purity of genius is tested'?
Essays on a wide range of topics including the role of early modern chess in upholding Aristotelian virtue; readings of Sidney, Wroth, Spenser, and Shakespeare; and several topics involving the New World.
This first full biography of Edward J. Dent (1876-1957), Cambridge Professor of Music and foremost musicologist, tells the story of a remarkable man who played a crucial role in the formation of twentieth-century culture and cultural institutions.
A rare survival among Chichester registers, this gives a full and rounded picture of the diocese during a period when many other church records are thin and formulaic.
The Turner Letters cover the years 1830-45 and give a lively view of life in a rural village in times of upheaval.
How are contemporary authors reimagining the idea of 'Ecuador' following the worst financial crisis in the nation's history, and how do countries on the periphery of the global literary market challenge and enrich World Literature?
Wide-ranging examination of women's achievements in and influence on many aspects of medieval culture.
A comprehensive survey of Malory's Morte Darthur, one of the most important texts of the Middle Ages.
Everything about Suffolk is unexpected: A New Suffolk Garland gathers the best writing, new and old, from people who love this special county.
A lively exploration of the medieval and early modern attitudes towards dance, as the perception of dancers changed from saints dancing after Christ to cows dancing after the devil.
First English translation of the memoirs of Austrian Romani Holocaust survivor, writer, visual artist, musician, and activist Ceija Stojka (1933-2013), along with poems, an interview, historical photos, and reproductions of her artworks.
An examination of the depiction and representation of performative acts in Old English texts.
The first study of the performance practice, repertoire and context of the modern 'brass ensemble' in the musical world.
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