Bøger udgivet af Boydell & Brewer Ltd

The first authoritative survey of the history of common land in Great Britain from the medieval period to present day.More than a million hectares of Britain has the status of common land, most of it consisting of semi-natural environments of mountain, moorland, wetland or heath. Formerly much more extensive, common land was, and in many places remains, an integral part of the pastoral economy. Even where it is no longer used by farmers, it plays an increasingly important role in modern life, as recreational space and for its value for nature conservation.This book provides for the first time an authoritative survey of the history of common land across all three nations of Great Britain from medieval times to the present day. It charts how commons have been viewed and valued across the centuries, how they have been used, and how their vegetation has changed, highlighting parallels and differences between the histories of common land in England, Scotland and Wales.It traces the distinctive legal status of common land and the management regimes which regulated the exercise of common rights; considers the role of commons as spaces for communal gatherings and as a resource for the poor; charts the loss of common land (but also its persistence) during the era of enclosure in the century 1760-1860; and explores the changing conceptions of the value and right use of commons since the nineteenth century, and the impact this has had on their ecological character. Eight case studies of individual commons illustrate the richness of common landscapes and their history at local level. They include crofters' common grazings in Sutherland, mountain commons in the Lake District and Snowdonia, lowland commons in Co. Durham, Herefordshire and the New Forest, turbary allotments in Lincolnshire, and the urban commons of Wimbledon and Putney Heath.

This comprehensive study of the piano music of award-winning American composer Samuel Adler will interest pianists, teachers, and anyone interested in the musical art of our day.

The thirst for post-World War II justice transcended the Cold War and mobilized diverse social groups. This is a story of their multilayered and at times conflictual interactions.

Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque from its origins in tales of lowborn adventurers to its importance for the modern novel, along with consideration of the debates that the picaresque has inspired.

The lives and experiences of Irish women religious highlight how an expanding nexus of female houses perpetuated European Counter-Reformation devotion in Ireland.This book investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad. Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.

"This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding." ENGLISH HISTORICAL REVIEW

The first of its kind, this collection brings together writers from diverse academic and nonacademic worlds to explore how Austen's readers experience and process her novels' erotic power.

Reconsidering the German tendency to define itself vis-a-vis an eastern "Other" in light of fresh debate regarding the Second World War, this volume and the cultural products it considers expose and question Germany's relationship with its imagined East.

First English translations of two early feminist short-story collections, shedding light on the "e;woman question"e; at the turn of the 20th century and relating to today's #MeToo movement.This edition provides the first English translations of two short-story collections - Is That Love? (1896) and Innocence: A Modern Book for Girls (1901) - by the Austrian writer Elsa Asenijeff (1867-1941). Primarily remembered as the lover and muse of sculptor and painter Max Klinger, in her time Asenijeff was a widely read author. Both books engage with "e;the woman question"e; at the turn of the twentieth century: Asenijeff thematizes the lack of education and professional opportunities for women and girls, critiques the bourgeois family as a site of patriarchal power, and sheds light on systemic sexual violence. Is That Love?, in particular, dismantles dominant narratives of romantic love and marriage. Written while Asenijeff was living in Bulgaria, and set there, the text also engages with that country's political turmoil. In Innocence, Asenijeff relies on some of the traditional characteristics of Madchenliteratur, educational literature for girls, but also subverts its conventions. In their introduction, the translators explicate the sociohistorical background of both texts, arguing for Asenijeff's importance in the history of women's writing in the nineteenth- and twentieth-century German-speaking world and placing her within the larger context of the contemporary global #MeToo movement.

An annual volume, this time with special attention to the relevance of Brecht's work in today's world of resurgent authoritarianism and the need for resistance.

The Marlborough Mound has recently been recognised as one of the most important monuments in the group around Stonehenge. It was also a medieval castle and a feature in a major 17th century garden. This is the first comprehensive history of this extraordinary site.

Grete Meisel-Hess (1879-1922), a contemporary of Freud, Schnitzler, and Klimt, was a feminist voice in early-twentieth-century modernist discourse. Born in Prague to Jewish parents and raised in Vienna, she became a literary presence with her 1902 novel Fanny Roth. Influenced by many of her contemporaries, she also criticized their notions of gender and sexuality. Relocating to Berlin, she continued to write fiction and began publishing on sexology and the women's movement.Helga Thorson's book combines a literary-cultural exploration of modernism in Vienna and Berlin with a biography of Meisel-Hess and a critical analysis of her works. Focusing on Meisel-Hess's negotiations of feminism, modernism, and Jewishness, it illustrates the dynamic interplay between gender, sexuality, and race/ethnicity in Austrian and German modernism. Analyzing Meisel-Hess's fiction as well as her sexological studies, Thorson argues that Meisel-Hess posited herself as both a "New Woman" and the writer of the "New Woman."The book draws on extensive archival research that uncovered a large number of new sources, including an unpublished drama and a variety of documents and letters scattered in collections across Europe. Until now there have been only limited secondary sources about Meisel-Hess, most containing errors and omissions regarding her biography. This is the first book on Meisel-Hess in English.

A multi-disciplinary investigation of the links between people and animals, in reality and representation.

The first detailed study of the working relationship and productive friendship between Ralph Vaughan Williams (1872-1958) and Adrian Boult (1889-1983).From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close collaboration with the composer on major projects including the first complete recording of Vaughan Williams's symphonies. Boult continued to be the most devoted advocate of Vaughan Williams's music to the end of his long career.As this book shows, Boult's scores include numerous annotations derived from conversations and correspondence with Vaughan Williams and these provide important evidence of the composer's wishes including adjustments to orchestration, comments on interpretation, dynamics, phrasing and revisions to Vaughan Williams's notoriously unreliable metronome marks. The evidence of these scores is considered alongside the extensive correspondence between Vaughan Williams and Boult, Boult's private diaries and other relevant documents including contemporary press reports. The book includes three substantial supplements: a detailed description of Boult's marked scores, a comprehensive list of Boult's Vaughan Williams performances and a discography including surviving recordings of unpublished broadcasts. It will be indispensable reading for scholars and students of Vaughan Williams and historical conducting, Vaughan Williams enthusiasts and those interested in the history of recorded music.

Rich in archival detail and offering a ground-breaking analysis, this book presents a radically new interpretation of British politics and policy failings during the Great Famine.

Ground-breaking new studies of Henry V's chapel, tomb and funeral service have new revelations and insights into the time.

This volume, the first collection of essays devoted to Hoccleve since 1996, both confirms his importance in shaping the English poetic tradition after Chaucer's death and demonstrates the depth of ongoing critical interest in Hoccleve's work in its own right.

A new look at how reading was practised and represented in England from the seventh century to the beginnings of the print era, finding many kinships between reading cultures across the medieval longue durée.

Provocative interrogation of how the Ottonian kingdom grew and flourished, focussing on the resources required.

The most recent cutting-edge scholarship on the tenth, eleventh and twelfth centuries.

Norfolk is a county sadly rich in "lost" country houses; this account and gazetteer offer a comprehensive account of them.

A fresh and sympathetic investigation of the depiction of wolves in early medieval literature, recuperating their reputation.

An exciting new collection of essays exploring the startling variety of transformations of Old Norse texts, and their legacy in later literary cultures.

First full analysis of the skaldic verse appearing in the family sagas of Icelanders, considering why and how it is deployed.Sagas of Icelanders, also called family sagas, are the best known of the many literary genres that flourished in medieval Iceland, most of them achieving written form during the thirteenth and early fourteenth centuries. Modern readers and critics often praise their apparently realistic descriptions of the lives, loves and feuds of settler families of the first century and a half of Iceland's commonwealth period (c. AD 970-1030), but this ascription of realism fails to account for one of the most important components of these sagas, the abundance of skaldic poetry, mostly in drottkvaett "e;court metre"e;, which comes to saga heroes' lips at moments of crisis. These presumed voices from the past and their integration into the narrative present of the written sagas are the subject of this book. It investigates what motivated Icelandic writers to develop this particular mode, and what particular literary effects they achieved by it. It also looks at the various paths saga writers took within the evolving prosimetrum (a mixed verse and prose form), and explores their likely reasons for using poetry in diverse ways. Consideration is also given to the evolution of the genre in the context of the growing popularity in Iceland of romantic and legendary sagas. A final chapter is devoted to understanding why a minority of sagas of Icelanders do not use poetry at all in their narratives.

A ground-breaking study of the lawbooks which were created in the changing social and political climate of post-conquest Wales.

"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval Warfare