Bøger udgivet af Brick Books

An elegant debut collection that illuminates the contours of un/belonging. Dayo: a Tagalog word referring to someone who exists in a place not their own. A wanderer, migrant worker, exile or simply a stranger. At its core, the poems in Dayo interrogate whether belonging can exist in a society suffused with violence. Here, the poet, as a stranger, confronts the politics of recognition by offering his vision. Reflexive and lyrical, this collection embodies the true curiosity and tenacious spirit of a dayo seeking a place to replant, tend, and grow delicate roots. "Great poetry re-creates the world, and Perez's world is here, built from the fleeting moments you don't always notice, built beautifully, built to last."-Wayde Compton, author of The Outer Harbour and The Blue Road: A Fable of Migration "By the end of all the belovedness catalogued in this book, you too will be heavier with the weight of all that is most gorgeous about this world."-Ed Bok Lee, author of Mithocondrial Night and Whorled "One of the things that most impresses me about this lush, lyrical and soulful collection is its ability to hold hope alongside melancholy and despair...With incredible empathy and insight, he writes for "the fragments of ourselves, pieced together by grief."- Jen Currin, author of Trinity Street At once cinematic and elegiac, this book is an unforgettable contribution and a remarkable achievement."-Adrian De Leon, author of barangay: an offshore poem

A revolutionary call to arms wherein the arms are love, art, self-definition, and community care as an alternative to so-called care under carceral capitalism. Borrowing and disrupting the forms of patient records, psychiatric assessments, and court documents, Jody Chan's impact statement traces a history of psychiatric institutions within a settler colonial state. These poems bring the reader into the present moment of the Diagnostic and Statistical Manual, capitalism and ?money models of madness," and ?wellness? checks. Forming a ghost chorus, they sing an impact statement on migration and intergenerational trauma, gentrification, and police neglect of racialized violence against queer communities in Toronto?and how the ?wrong? kinds of desire, be it across class, race, or gender lines, or towards other worlds, are often punished or disappeared. And yet, these poems also make space for what can take root, despite the impacts?care teams, collective grief rituals, dinners around a table with too many friends to fit. impact statement imagines, and re-imagines, and re-imagines again, a queer, disabled, abolitionist revolution towards our communal flourishing.

A collection of poetry reclaiming Catholic prayers and biblical passages to empower girls, women, and members of the LGBTQIA+ community. The extreme level of sass in Emily Austin's Gay Girl Prayers does not mean that this collection is irreverent. On the contrary, in rewriting Bible verses to affirm and uplift queer, feminist, and trans realities, Austin invites readers into a giddy celebration of difference and a tender appreciation for the lives and perspectives of "strange women." Packed with zingy one liners, sexual innuendo, self-respect, U-Hauling, and painfully earnest declarations of love, this is gayness at its best, harnessed to a higher purpose and ready to fight the powers that be.

Somewhere in the cut between Harriet Jacobs and surveillance, Southampton and sneaker game, Lake Providence and the supply chain, Bottom Rail on Top sets off a mediation between the complications of legacy and selfhood. In a kind of archives-powered unmooring of the linear progress story, award-winning poet D.M. Bradford fragments and recomposes American histories of antebellum Black life and emancipation, and stages the action in tandem with the matter of his own life. Amidst echoes and complicities, roots and flights, lineage and mastery, it's a story of stories told in knots and asides, held together with paper trails, curiosities, and hooks - a study that doesn't end.

Longlisted 2024 Raymond Souster AwardPart family history, part scientific exploration, Elementary Particles examines the world through the lens of a daughter grieving the loss of her beloved father. Through keen, quiet observation, Sneha Madhavan-Reese's evocative new collection takes us from the wide expanse of rural India to the minute map of Michigan we carry on the palms of our hands. These poems contemplate ancestral language, the wonder and uncertainty of scientific discovery, the resilience of a dung beetle, the fleeting existence of frost flowers on the Arctic Ocean. The collection is full of familiar characters, from Rosa Parks to Seamus Heaney to Corporal Nathan Cirillo, anchoring it in specific moments in time and place, but has the universality that comes from exploring the complex relationship between a child and her immigrant parents, and in turn, a mother and her children. Elementary Particles examines the building blocks of a life - the personal, family, and planetary histories, transformations, and losses we all experience.

"In her latest collection, Peony Vertigo, Jan Conn's poetic sensibility disperses and gathers, careens and slides, in and out of relation with the endangered world. Through poems ranging from global to microscopic scales, Conn's beholden, fluid sense of self dissolves into fog and river, and reconstitutes as bright orange newt, prehistoric horse, painter, and mourning daughter. Her voice is vulnerable, ecstatic, and elliptical, a tender exploration of liminal consciousness and the urge to identify with environments in crisis."--Publisher.

*Winner 2024 Raymond Souster Award* Longlisted 2024 Gerald Lampert Award* Winner 2023 Alcuin Award* Poems for and about the incarcerated. Moving from riots to mall parkades to church, the poems in Bradley Peters' debut Sonnets from a Cell mix inmate speech, prison psychology, skateboard slang and contemporary lyricism in a way that is tough and tender, that is accountable both to Peters' own days "caught between the past and nothing" and to the structures that sentence so many "to lose." Written behind doors our culture too often keeps closed, this is poetry reaching out for moments of longing, wild joy and grace. Drawing on his own experiences as a teenager and young adult in and out of the Canadian prison system, Peters has written both a personal reckoning and a damning and eloquent account of our violence- and enforcement-obsessed capitalist and patriarchal cultures.

2023 Governor General's Literary Award for Literary Translation Finalist * 2023 VMI Betsy Warland Between Genres Award Winner * 2023 Winner John Glassco Prize for Literary Translation A meditation on the wiles of depression, illuminated by queer and diasporic experience. "We, nosotros, nosotras: somos sobrevivientes." Weaving prose poetry, essay, autobiography and photography in mutual contamination, Nicholas Dawson relates his own deep depression, a state never fully gone, always cohabitant. Amidst this persistence, "the body and the pen bring a plural syntax of alternative knowledges into being, one which allows us to know the world better, to know ourselves better, to better love daybreak and this sun obstinately piercing the curtain with its brazen rays." House Within a House, in a luminous translation by D.M. Bradford, tells the story of what walls the depressed person in, what keeps them wandering inside, and what finally gets them, somehow, out of the house. The original book, Désormais, ma demeure, received the 2021 Grand Prix du livre de Montréal.

A radiant collection that employs the lyric poem as a tool for scientific and emotional exploration. Erin Noteboom's A knife so sharp its edge cannot be seen takes exact and exquisite measurement of what carries a voice through illness, grief, loss, and through the failures and triumphs of work and love. Various theories and hypotheses are tested in these poems: sadness is knowledge and science "is only half a turn from love." Whether Noteboom is examining the life and work of physicist Marie Curie or compressing imagistic gems from plaintive, important questions like "What lasts?", there is everywhere in these poems a shadow-scratching curiosity, vital research, and an acknowledgement of the long waits in a life between discoveries. An essential marriage between the arts and science, A knife so sharp its edge cannot be seen is full of poems that readers will savour long after closing their eyes and raising the vial.

*Shortlist 2024 JM Abraham Poetry Award* Poems using fervent whimsy and wordplay to examine photography and seeing. Peering inside eyeballs, pondering the paradox of absent stars, and meditating on street scenes by André Kertész, these poems squint sidelong at our ways of seeing the world. Through playful poems about photography and visual perception, Hollett dissects auroras and quarks, atmospheric phenomena, potatoes, bomb craters and peat bog cadavers. This darkly comic collection is shadowed by entoptic paparazzi, haunted by peripheral visions. Born of attentive walking and looking, of footsteps and snapshots, it bears witness to art history and alluvial light, portable keyholes, the pandemic, climate change, and the sheer strangeness of seeing everyday things with ecstatic eyes.

2023 Governor General's Award for Poetry Finalist* Longlisted 2024 Gerald Lampert Award"God is personal," the astrologer said. Terrifying and also personal, like a baby. Direct and humorous, Baby Book stacks story upon story to explore how beliefs are first formed. From a family vacation on a discount bus tour to a cosmogony based on cheese, these poems accumulate around principles of contingency and revelation. Amy Ching-Yan Lam describes the vivid tactility of growth and death - how everything is constantly, painfully remade - offering a vision against the stuck narratives of property and inheritance. Power is located in the senses, in wind: multiple and restless.

"Wet Dream is an expansive book of ecological thinking for living on a wet planet on fire. Erotic and political, vibrating with pleasures, medicines, and unrest, these poems metabolize toxic logics and traverse enmeshed ecologies through the wetness that connects. A pulse of agency to the heart"--Pulisher's website.

2022 Governor General's Literary Award Shortlist * 2022 A.M. Klein Prize for Poetry Finalist A brilliant poetic debut about gender-based violence that dismantles received definitions of both gender and violence, Horrible Dance is an accomplished addition to transfeminist thought and theory. By turns darkly comic, emotionally connected, playful, incisive, lyrical and irreverent, Lake's poems navigate a harrowing personal and political terrain with understated, expansive wisdom. Lake persistently returns us to the search for love that lies at the core of relational trauma, even as she shows us how catastrophically such a search can be derailed. This is a rare text able to hold the full velocity of a survivor's hurt and rage alongside a clear-eyed understanding of the extent and complexity of harm. In their honest accounting of a wide array of bad encounters, these poems point us, again, toward compassion, tenderness, and solidarity. can you forgive mefor how you hurt me so bad - "On Shame"

Heart-mind and nothingness are fair English translations of Hsin, but their tidiness risks losing some of the sharper, wider sides of absence and appetite. As a historical process, according to Hang Thaddeus Tui-Chieh, Hsin frustrates, 'the psychological fragmentation and compartmentalization of the West. Born to a Syrian father and a Chinese mother, who gave her up for adoption, Lee explores her origins in a compendium of poem fragments where form embraces the process of its unfolding. These are Koan like poems, resonant with tones at turns ageless and contemporary; Hsin holds silence in ways that both claim and keep at bay.

In this new edition of her powerful debut, Plains Cree writer and National Poet Laureate Louise B. Halfe - Sky Dancer reckons with personal history within cultural genocide. Employing Indigenous spirituality, black comedy, and the memories of her own childhood as healing arts, celebrated poet Louise B. Halfe - Sky Dancer finds an irrepressible source of strength and dignity in her people. Bear Bones and Feathers offers moving portraits of Halfe's grandmother (a medicine woman whose life straddled old and new worlds), her parents (both trapped in a cycle of jealousy and abuse), and the people whose pain she witnessed on the reserve and at residential school. Originally published by Coteau Books in 1994, Bear Bones and Feathers won the Milton Acorn People's Poet Award, and was a finalist for the Spirit of Saskatchewan Award, the Pat Lowther Award, and the Gerald Lampert Award.

Winner of the 2022 A.M. Klein Prize for Poetry * 2022 Griffin Poetry Prize Finalist * 2022 Governor General's Literary Award Shortlist * 2022 Gerald Lampert Memorial Award Shortlist * 2022 Grand Prix du Livre de Montréal Jury Selection * 2022 Concordia University First Book Prize Shortlist An expansive, hybrid, debut collection of prose poems, self-erasures, verse, and family photo cut-ups about growing up in a racially trinary, diversely troubled family. Dream of No One but Myself is an interdisciplinary, lyrical unravelling of the trauma-memoir-as-proof-it's-now-handled motif, illuminating what an auto-archival alternative to it might look like in motion. Through a complex juxtaposition of lyric verse and self-erasure, family keepsake and transformed photo, David Bradford engages the gap between the drive toward self-understanding and the excavated, tangled narratives autobiography can't quite reconcile. The translation of early memory into language is a set of decisions, and in Dream of No One but Myself, Bradford decides and then decides again, composing a deliberately unstable, frayed account of family inheritance, intergenerational traumas, and domestic tenderness. More essayistic lyric than lyrical essay, this is a satisfyingly unsettling and off-kilter debut that charts, shapes, fragments, and embraces the unresolvable. These gorgeous, halting poems ultimately take the urge to make linear sense of one's own history and diffract it into innumerable beams of light.

With kitchen-table candour and empathy, Charlie Petch's debut collection of poems offers witness to a decades-long trans/personal coming of age, finding heroes in unexpected places. Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humour, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventingPetch works hard. And whether it's as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance. No subjectgrief, disability, kink, sexuality, gender politics, violenceis off limits. A poet so good at drag they had everyone convinced that they were a woman for the first forty years of their life, Petch has somehow brought the stage and its attendant thrills into the book. Better late than. And better. Charlie Petch's Why I Was Late is a poetic debut with the wisdom of a sage and the emotional range of an expert comedian. Do yourself a favor and read this book. This is a master at work.Kai Cheng Thom, author of I Hope We Choose Love: A Trans Girl's Notes from the End of the World

A gender-fluid trickster character leaps from Cree stories to inhabit this racous and rebellious new work by poet Louise Bernice Halfe. There are no pronouns in Cree for gender; aw'sis (which means illuminated child) reveals herself through shape-shifting, adopting different genders, exploring the English language with merriment, and sharing his journey of mishaps with humor, mystery, and spirituality. Opening with a joyful and intimate Introduction from Elder Maria Campbell, aw'sis - kinky and dishevelled is a force of Indigenous resurgence, resistance, and soul-healing laughter. If you've read Halfe's previous books, prepared to be surprised by this one. Raging in the dark, uncovering the painful facts wrought on her and her people's lives by colonialism, racism, religion, and residential schools, she has walked us through raw realities with unabashed courage and intense, precise lyricism. But for her fifth book, another choice presented itself. Would she carve her way with determined ferocity into the still-powerful destructive forces of colonialism, despite Canada's official, hollow promises to make things better? After a soul-searching Truth and Reconciliation process, the drinking water still hasn't improved, and Louise began to wonder whether inspiration had deserted her. Then aw'sis showed up--a trickster, teacher, healer, wheeler-dealer, shapeshifter, woman, man, nuisance, inspiration. A Holy Fool with their fly open, speaking Cree, aw'sis came to Louise out of the ancient stories of her people, her Elders, from community input (through tears and laughter), from her own full heart and her three-dimensional dreams. Following aw'sis's lead, Louise has flipped her blanket over, revealing a joking, mischievous, unapologetic alter ego--right on time.

2023 Vine Award Finalist * 2023 Western Canada Jewish Book Awards Shortlist * 2022 Raymond Souster Award Shortlist * 2022 Pat Lowther Memorial Award Shortlist Moldovan Hotel explores the intergenerational trauma of the Holocaust in Romania through a queer Jewish voice in the Diaspora. In 2017, Leah Horlick travelled to Romania to revisit the region her Jewish ancestors fled. What she unearthed there is an elaborate web connecting conscious worlds to subconscious ones, fascism to neofascisms, Europe to the Americas to the Middle East, typhus to HIV/AIDS, genocide in Romania to land grabs in Palestine, women's lives in farming villages to queer lives in the city, language to its trap doors, and love to its hidden, ancestral obligations. With force, clarity and searing craft, Horlick's poems are equal to the urgency of our political moment. "No one ever thinks they might be the dragon," Horlick writes, and yet history repeats its cruelties. This work takes things apart to put them profoundly back together.

Poetry. Native American Studies. Deluxe redesign of the Gerald Lampert Award-winning classic. On the occasion of the press's 40th anniversary, Brick Books is proud to present the fourth of six new editions of classic books from our back catalogue. This edition of A REALLY GOOD BROWN GIRL features a new Introduction by Lee Maracle, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst. First published in 1996, A REALLY GOOD BROWN GIRL is a fierce, honest and courageous account of what it takes to grow into one's self and one's Metis heritage in the face of myriad institutional and cultural obstacles. It is an indispensable contribution to Canadian literature. I am looking at a school picture, grade five, I am smiling easily...I look poised, settled, like I belong. I won an award that year for most improved student. I learned to follow really well.--from a prose memoir by the author Praise for A REALLY GOOD BROWN GIRL: "No other book so exonerates us, elevates us and at the same time indicts Canada in language so eloquent it almost hurts to hear it."--Lee Maracle, from the Introduction

Poems about a young two-spirit Indigenous man moving through shadow and trauma toward strength and awareness. Bones, Tyler Pennock's wise and arresting debut, is about the ways we process the traumas of our past, and about how often these experiences eliminate moments of softness and gentleness. Here, the poems journey inward, guided by the world of dreams, seeking memories of a loving sister lost beneath layers of tragedy and abuse. With bravery, the poems stand up to the demons lurking in the many shadows of their lines, seeking glimpses of a good that is always just out of reach.At moments heartrending and gut-punching, at others still and sweet, Bones is a collection of deep and painstaking work that examines the human spirit in all of us. This is a hero's journey and a stark look at the many conditions of the soul. This is a book for survivors, for fighters, for dreamers, and for believers. "e;Here is a spare and urgent voice that speaks of 'wounds and beauty,' that gestures to a story of trauma and abuse while offering us a potent journey of self-reckoning and reclamation.