Bøger udgivet af Bucknell University Press

Nine authors from prominent universities around the world show how the adventurous thinkers, artists, and adventurers of the eighteenth-century period placed adaptation at the center of the quest for a modern civilization. The book will appeal to cultural historians, historians of science, and those interested in literary metamorphoses.

Elizabeth Bishop is now recognized as one of the greatest poets of the twentieth centurya uniquely cosmopolitan writer with connections to the US, Canada, Brazil, and also the UK, given her neglected borrowings from many English authors, and her strong influence on modern British verse. Yet the dominant biographical/psychoanalytical approach leaves her style relatively untouchedand it is vital that an increasing focus on archival material does not replace our attention to the writing itself. Bishop's verse is often compared with prose (sometimes insultingly); writing fiction, she worried she was really writing poems. But what truly is the difference between poetry and prosestructurally, conceptually, historically speaking? Is prose simply formalized speech, or does it have rhythms of its own? Ravinthiran seeks an answer to this question through close analysis of Bishop's prose-like verse, her literary prose, her prose poems, and her letter prose. This title is a provocation. It demands that we reconsider the pejorative quality of the word prosaic; playing on mosaic, Ravinthiran uses Bishop's thinking about prose to approachfor the first timeher work in multiple genres as a stylistic whole.Elizabeth Bishop's Prosaic is concerned not only with her inimitable style, but also larger questions to do with the Anglo-American shift from closed to open forms in the twentieth century. This study identifies not just borrowings from, but rich intertextual relationships with, writers as diverse asamong othersGerard Manley Hopkins, W.H. Auden, Virginia Woolf, Flannery O'Connor, and Dorothy Richardson. (Though Bishop criticized Woolf, she in particular is treated as a central and thus far neglected precursor, crucial to our understanding of Bishop as a feminist poet.) Finally, the sustained discussion of how the history of prose frames effects of rhythm, syntax, and acoustic texturein both Bishop's prose proper and her prosaic verseextends a body of research which seeks now to treat literature as a form of cognition. Technique and thought are finely wedded in Bishop's workher literary forms evince a historical intelligence attuned to questions of power, nationality, tradition (both literary and otherwise), race, and gender.

Between 1850 and 1920 women's travel and travel writing underwent an explosion. It was an exciting period in the history of travel, a golden age. While transportation had improved, mass tourism had not yet robbed journeys of their aura of adventure. Although British women were at the forefront of this movement, a number of intrepid Spanish women also participated in this new era of travel and travel writing. They transcended general societal limitations imposed on Spanish women at a time when the refrain ';la mujer en casa, y con la pata quebrada' described most of their female compatriots, who suffered from legal constraints, lack of education, a husband's dictates, or little or no money of their own. Spanish Women Travelers at Home and Abroad, 18501920: From Tierra del Fuego to the Land of the Midnight Sun analyzes the travels and the travel writings of eleven extraordinary women: Emilia Pardo Bazn, Carmen de Burgos (pseud. Colombine), Rosario de Acua, Carolina Coronado, Emilia Serrano (Baronesa de Wilson), Eva Canel, Cecilia Bhl de Faber (pseud. Fernn Caballero), Princesses Paz and Eulalia de Borbon, Sofa Casanova, and Mother Mara de Jess Guell. These Spanish women travelers climbed mountain peaks in their native country, traveled by horseback in the Amazon, observed the Indians of Tierra del Fuego, suffered from el soroche [altitude sickness] in the Andes, admired the midnight sun in Norway, traveled to mission fields in sub-Saharan Africa, and reported on wars in Europe and North Africa, to mention only a few of their accomplishments. The goal of this study is to acquaint English-speaking readers with the narratives of these remarkable women whose works are not available in translation. Besides analyzing their travel narratives and the role of travel in their lives, Spanish Women Travelers includes many long excerpts translated into English for the first time.

Re-Imagining Nature: Environmental Humanities and Ecosemiotics explores new horizons in environmental studies, drawing on both the new field of ecosemiotics and pre-modern traditional cultures. It considers communication and meaning as core definitions of ecological life, essential to deep sustainability and the new relevance of the humanities in environmental studies.

This book proposes a new direction for the study of Spanish literature of the 1940s, 1950s and early 1960s, arguing that novels of this period merit a fresh critical approach that enriches existing perspectives on the Spanish novel during the first two decades of the Franco dictatorship. Essays take an interdisciplinary approach to reveal how contemporary cultural theory relating to memory and trauma can enhance our understanding of the postwar Spanish novel.

In this powerful and authoritative study Jody Allen Randolph providesthe fullest account yet of the work of a major figure in twentieth-century Irish literature as well as in contemporary women's writing. Eavan Boland's achievement in changing the map of Irish poetry is tracked and analyzed from her first poems to the present. The book traces the evolution of that achievement, guiding the reader through Boland's early attachment to Yeats, her growing unease with the absence of women's writing, her encounter with pioneering American poets like Sylvia Plath, Elizabeth Bishop, and Adrienne Rich, and her eventual, challenging amendments in poetry and prose to Ireland's poetic tradition. Using research from private papers the book also traces a time of upheaval and change in Ireland, exploring Bolands connection to Mary Robinson, in a chapter that details the nexus of a woman president and a woman poet in a country that was resistant to both. Finally, this book invites the reader to share a compelling perspective on the growth of a poet described by one critic as Ireland's ';first great woman poet.'

Beyond Civilization and Barbarism examines how various cultural forms promoted competing political projects in Argentina during the decades following independence from Spain. This turbulent period has long been characterized as a struggle between two irreconcilable forces: the dictatorship of Juan Manuel de Rosas (1829-1852) versus a dissident intellectual elite. Most famously, Domingo Faustino Sarmiento described the conflict in his canonical Facundo (1845) as a clash between civilization and barbarism, which has become a catchphrase for the experience of modernity throughout Latin America. Against the grain of this durable script, Beyond Civilization and Barbarism examines an extensive corpus to demonstrate how adversaries of the period used similar rhetorical strategies, appealed to the same basic political ideals of republican government, and were preoccupied with defining and interpellating the pueblo, or people. In other words, their collective struggle was fundamentally modern and waged on a mutually intelligible discursive terrain.

Anna Letitia Barbauld: New Perspectives, the first collection of essays on the work of this major British writer, is the indispensable volume for everyone who wants an introduction to Barbauld and to the most current thinking about her. The book will be essential reading for academic students of English literature, 1740 to 1840, and will also attract non-specialists who care about the history of writing by women.

Edgar Allan Poe, Charles Baudelaire, and Walter Benjamin have shown that flanerie is anything but an aimless stroll. Walking through London, Paris, and Berlin entailed engagements with the latest modernity. Thought-provoking, exhilarating, and at times terrifying: flanerie adjusted to and documented the mobility of modernity, its aesthetic possibilities and social risks. Antonio Muoz Molina is one of several contemporary authors who have closely coupled the development of their literary characters to urban perambulations. Their biographic growth, cultural and social adaptations, as well as epistemological insights are so dependent on flanerie that his late twentieth and early twenty-first-century texts warrant the designation flaneur literature. Muoz Molina has also contributed to the current decentralization of flaneur literature from Paris to smaller cities, including Spanish cities like Granada, Cordoba, and San Sebastin. Reflecting on Poe, Baudelaire, and Benjamin in these cities, his characters update and revise the canon of flaneur literature, stretching its discursive boundaries. This study examines not only the mobility of his characters but also draws attention to intercultural aspects of his flaneur literature which lie both in a uniquely Spanish perspective on flanerie as well as in engagements with cultural otherness. Walking through a Moroccan city or through Chinatown in New York, Muoz Molina's characters broaden the Eurocentric horizon of canonical flaneur literature and the modernist one of his Spanish flaneur precursor, Federico Garca Lorca, whose portrait of New York is revisited in Muoz Molina's longest flaneur text. National and literary boundaries blur as intercultural urban spaces transform his characters into transnational subjects. This study traces the author's struggle with this globalization: a residual rural nostalgia straddles uneasily with forays into filmic flanerie, a form of spectatorship that renders the flaneur newly mobile in the mass-mediatized environments of postmodernity. If Muoz Molina is generally regarded as an incisive chronicler of Spain's transition from Francoism to democracy and an attentive memorialist of the Spanish Civil War, this study bases its portrait of a much more globally engaged Muoz Molina in his characters' movements from Spain into the urban centers of Euro-American postmodernity and its northern African periphery.

This book uses a gender perspective to study the female Amerindian characters in Early Modern Spanish Comedias. The chapters in this collection bring different approaches and perspectives that intersection between feminism and cultural studies while they also critically deconstruct the European representation of Amerindian women.

Ravishment of Reason examines the heroic dramas written for the restored English theatres in the later seventeenth century, reading them as complex and sophisticated responses to a crisis of public life in the wake of the mid-century regicide and revolution. The unique form of the Restoration heroic play, with its scenes of imperial conquest peopled by hesitating and indecisive heroes, interrogates traditional oppositions of agency and passivity, autonomy and servility, that structure conventional narratives of political service and public virtue, exploring, in the process, new and often unsettling models of order and governance. Situating the dramas of Dryden, Behn, Boyle, Lee, and Crowne in their historical and intellectual context of civil war and the destabilizing theories of government that came in its wake, Brandon Chua offers an account of a culture's attempts to reconcile civic purpose with political stability after an age of revolutionary change.

This book provides a detailed analysis of the core concepts of national identity articulated by Iberian writers during the period between 1900 and 1925. It is centered on four pedagogical essays written in these decades previous to the onset of authoritarian dictatorships in Spain and Portugal, works that are absolutely central to understanding the discursive architecture of collective identity in these same places today. They are as follows: Enric Prat de la Ribas La Nacionalitat Catalana (1906), Teixeira de Pascoaes Arte de Ser Portugus (1915),Vicente Riscos Teora do Nacionalismo Galego (1920), and Jose Ortega y Gassets Espaa invertebrada (1921). The study consists of a discussion of some of the more important theoretical issues connected to social articulation of cultural identities, four chapter-long analyses of the textual manifestations of national identity within the major Romance-language communities of the Iberian peninsula, and a conclusion which underscores the key function played by these public intellectuals in establishing the parameters of the ';Imagined Communities' with which they felt primarily identified. On the most basic level, the study of these ';catechistic' visions of national individuality provides a heightened sense of both the differences and commonalities inherent in the cultural traditions of these core nationality groups of the Iberian Peninsula. On another level, the study reminds us of the important pedagogical function of literature (understood here in the broadest possible sense) in the formation and maintenance of nationality identities then, as well as now.

Sade's Sensibilities examines a new and different Sade: one engaged with broader currents of Enlightenment feeling. In this volume, we recapture a historical Sade alongside a contemporary portrait of Sade as the consummate radical of the eighteenth century.

Sade's Sensibilities examines a new and different Sade: one engaged with broader currents of Enlightenment feeling. In this volume, we recapture a historical Sade alongside a contemporary portrait of Sade as the consummate radical of the eighteenth century.

Juan Luis Martnez's Philosophical Poetics is the first English-language monograph on this Chilean visual artist and poet (19421993). It has two principal aims: first, to introduce Martnez's poetry and radical aesthetics to English-speaking audiences, and second, to carefully analyze key aspects of his literary production. The readings undertaken in this book explore Martnez's intricate textual formalisms, the self-effacement that characterizes his poetry, and the tension between his local (Latin American, Chilean) aspect and the cosmopolitanism or transnationalism that insists on the global relevance of his work. Through his artistic engagement with a number of esoteric conceptsfor example, his recuperation of pataphysical ';logic' and Oulipian combinatorics, mathematical reasoning, Eastern thought, and the historical avant-gardesMartnez creates a rigorous quasi-system of citation and erasure that is a philosophical poetics as well as a poetic philosophy. Juan Luis Martnez's Philosophical Poetics thus addresses all major publications by this groundbreaking Chilean artist and poet in order to read his difficult, experimental texts by focusing on the tension he creates between philosophical, political, literary, and scientific discourses.

Garca Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico Garca Lorca (18981936). In contrast to the idealist and subconscious tenets espoused by surrealist leader Andre Breton, which focus on the marvelous, automatic creative processes, and sublimated depictions of reality, Lorca's surrealist impulse follows a trajectory more in line with the theories of French intellectuals such as Georges Bataille (18971962), who was expelled from Breton's authoritative group. Bataille critiques the lofty goals and ideals of Bretonian surrealism in the pages of the cultural and anthropological review Documents (19291930) in terms of a dissident surrealist ethno-poetics. This brand of the surreal underscores the prevalence of the bleak or darker aspects of reality: crisis, primitive sacrifice, the death drive, and the violent representation of existence portrayed through formless base matter such as blood, excrement, and fragmented bodies.The present study demonstrates that Bataille's theoretical and poetic expositions, including those dealing with l'informe (the formless) and the somber emptiness of the void, engage the trauma and anxiety of surrealist expression in Spain, particularly with reference to the anguish, desire, and death that figure so prominently in Spanish texts of the 1920s and 1930s often qualified as ';surrealist.' Drawing extensively on the theoretical, cultural, and poetic texts of the period, Garca Lorca at the Edge of Surrealism offers the first book-length consideration of Bataille's thinking within the Spanish context, examined through the work of Lorca, a singular proponent of what is here referred to as a dissident Spanish surrealism. By reading Lorca's ';surrealist' texts (including Poetaen Nueva York,Viaje a la luna, and El pblico) through the Bataillean lens, this volume both amplifies our understanding of the poetry and drama of one of the most important Spanish writers of the twentieth century and expands our perspective of what surrealism in Spain means.

Toni Morrison's wooded and verdant clearing, a central trope in her novel Beloved, is the model for this book. The collection is a distinctive review, examination, and (re)discovery of Morrison's work and cultural impacts as defined by emerging and acclaimed artists, scholars, and public figures.

Reading 1759 investigates the literary culture of a remarkable year in British and French writing, and ideas. Examining key works by Johnson, Voltaire, Sterne, Adam Smith, Sarah Fielding, and Christopher Smart, the volume presents a wide-ranging account of the year's work in literature and the key issues that preoccupied writers at this time.

This book collects for the first time the complete correspondence of the eighteenth-century British author Charlotte Lennox.

The fourteen essays in this volume share new and evolving knowledge, theories, and observations about the city of Athens or the region of Attica. The contents include essays on topography, architecture, religion and cult, sculpture, ceramic studies, iconography, epigraphy, trade, and drama.

Bayard Taylor (18251878) was a nineteenth-century American who combined in his writings and career a catalog of accomplishments and creations that made him one of the most celebrated literary men of his time. The range and significance of Taylor's oeuvre explains his growing importance today to scholars working in the fields of American studies, gender and queer theory, and the aesthetics of racial and class identities. In less than 35 years, he wrote seventeen volumes of poetry, four novels, eight critical works and translations of German classics, nineteen travel narratives, innumerable magazine essays, stories, and reviews, and thousands of letters to friends, admirers, hostile reviewers, business acquaintances, and intimate male companions. His extraordinary success on the public lecture circuit made him one of the best-known men of his day. Taylors diplomatic career enhanced his reputation and influence as a travel writer and included service as a writer for the Perry Expedition to Japan, as a charge d'affaires to Russia during the Civil War, and ambassador to Germany in 1878. This analysis of Taylor's life and works helps to explain three important shifts in American culture: the contradictory development of American ethnocentrism and cosmopolitanism in the nineteenth century; the impact of homophobia and homophilia upon American literary production, criticism, and culture; and the inspirational role played by poetry within a religious and economically-driven society. The introduction describes Taylors changing fortunes within literary history and presents a methodological approach to the Genteel tradition that recovers its distinctive aesthetic and social values and explains how Taylor is its most winning and significant representative. Taylor was a key figure in the genealogy of American interactions with the Islamic world, and his travel writing demonstrates how individual advancement in an egalitarian society can be linked with aggressive imperialism abroad. Taylor's novels display a subtle pattern of transgressive sexuality and demonstrate how Taylors manipulation of reputation and genteel aesthetics created a space for individual expression and freedom. Taylor's 1870 novel, Joseph and His Friend, is frequently cited as Americas first gay novel. This books analysis of Taylor's poetry draws the strands of egalitarian racialization and male-male intimacy together with his abiding concern with regional American identities and the mixed influences of religious subcultures.

In this book, a gathering of exceptional thinkers from the sciences and the humanities engage a common theme: In what ways do language, and storytelling in particular, deal with ethics in science, in literature, or in other art forms?

In this book, a gathering of exceptional thinkers from the sciences and the humanities engage a common theme: In what ways do language, and storytelling in particular, deal with ethics in science, in literature, or in other art forms?

Venus of Khala-Kanti is a tale of life-altering loss and mystical recovery. Set in an imaginary West African village that becomes a charming cul-de-sac, the unintended consequence of a national roadwork project gone awry, the story follows characters drawn with humor, irony, and empathy. The heart of the story beats with the laughter and tears of three women. Having faced incredible hardship, they come together to build their lives anew, armed with the age-old spirit of human resilience, understanding, and tenderness. Tapping into the very soil of Khala-Kanti, Bella, Assumta, and Clarisse construct spaces, both internal and external, where they and others can rejuvenate their bodies, minds, and spirits. They build the Good Hope Center, which embraces both the physical and the mystical landscape of the story. The Center fuels the restoration and growth of the village's inhabitants, and offers sanctuary for those who visit and those who stay.

Sensibility, or the capacity to feel, played a vital role in philosophical reflection about the natural sciences, the social sciences, and the arts in eighteenth-century France. Yet scholars have privileged the Marquis de Sade's vindication of physiological sensibility as the logical conclusion of Enlightenment over Germaine de Stal's exploration of moral sensibility's potential for reform and renewal that paved the way for Romanticism. This volume of essays showcases Stal's contribution to the ';affective revolution' in Europe, investigating the personal and political circumstances that informed her theory of the passions and the social and aesthetic innovations to which it gave rise. Contributors move seamlessly between her political, philosophical, and fictional works, attentive to the relationship between emotion and cognition and aware of the coherence of her thought on an individual, national, and international scale. They first examine the significance Stal attributed to pity, happiness, melancholy, and enthusiasm in The Influence of the Passions as she witnessed revolutionary strife and envisioned the new republic. They then explore her development of a cosmopolitan aesthetic, in such works as On Literature, Corinne, or Italy, On Germany, and The Spirit of Translation, that transcended traditional generic, national, and linguistic boundaries. Finally, they turn to her contributions to the visual and musical arts as she deftly negotiated the transition from a Neoclassical to a Romantic aesthetic. Stal's Philosophy of the Passions concludes that, rather than founding a republic based on the rights of man, Stal's reflection fostered international communities of women (artists, models, and collectors; authors, performers, and spectators), enabling them to participate in the re-articulation of sociocultural values in the wake of the French Revolution.Contributors: Tili Boon Cuille, Catherine Dubeau, Nanette Le Coat, Christine Dunn Henderson, Karen de Bruin, M. Ione Crummy, Jennifer Law-Sullivan, Lauren Fortner Ravalico, C. C. Wharram, Kari Lokke, Susan Tenenbaum, Mary D. Sheriff, Heather Belnap Jensen, Fabienne Moore, Julia Effertz

Toni Morrison's wooded and verdant clearing, a central trope in her novel Beloved, is the model for this book. The collection is a distinctive review, examination, and (re)discovery of Morrison's work and cultural impacts as defined by emerging and acclaimed artists, scholars, and public figures.

Interiors and Narrative shows how crucial interiors are for our understanding of the nature of narrative. A growing cultural fascination with interior dwelling so prevalent in the late nineteenth century parallels an intensification of the rhetorical function interior architecture plays in the development of fiction. The existential dimension of dwelling becomes so intimately tied to the novelistic project that fiction surfaces as a way of inhabiting the world. This study illustrates this through a comparative reading of three realist masterpieces of the Luso-Hispanic nineteenth century: Machado de Assis's Quincas Borba (1891), Ea de Queiros's The Maias (1888), and Leopoldo Alas's La Regenta (18841885). The first full-length study to juxtapose the renowned writers, Interiors and Narrative analyzes the authors' spatial poetics while offering new readings of their work. The book explores the important links between interiors and narrative by explaining how rooms, furnishings, and homes function as metaphors for the writing of the narrative, reflecting on the complex relation between private dwellings and human interiority, and arguing that the interior design of rooms becomes a language that gives furnishings and decorative objects a narrative life of their own. The story of homes and furnishings in these narratives creates a semiotic language that both readers and characters rely on in order to make sense of fiction and reality.

How do we understand academic freedom today? Does it still have relevance in a globalreconfiguring of higher education in the interests of the economy, rather than the publicgood? And locally, is academic freedom no more than an inconvenient ideal, paid lip serviceto South Africa's Constitution as an individual right, but neglected in institutional practice?This book argues that the core content of academic freedomthe principle of supporting andextending open intellectual enquiryis essential to realizing the full public value of highereducation. John Higgins emphasizes the central role that the humanities, and the particular forms ofargument and analysis they embody, bring to this task.Each chapter embodies the particular force of a critical literacy in action, one which bringsinto play the combined force of historical inquiry, theoretical analysis, and precise attentionto the textual dynamics of all statement so as to challenge and confront the received ideas ofthe day. These provocative analyses are complemented by probing interviews with three keyfigures from the Critical Humanities: Terry Eagleton, who discusses the deforming effects ofmanagerialism in British universities; Edward W. Said, who argues for increased recognition ofthe democratizing force of the humanities; and Jakes Gerwel, who presents some of the mostrecent challenges for the realization of a humanist politics in South Africa.

In Print Technology in Scotland and America Louis Kirk McAuley investigates the mediation of popular-political culture in Scotland and America, from the transatlantic religious revivals known as the Great Awakening to the U.S. presidential election of 1800. By focusing on Scotland and Americaand, in particular, the tension between unity and fragmentation that characterizes eighteenth-century Scottish and American literature and culturePrint Technology aims to increase our understanding of how tensions within these corresponding political and cultural arenas altered the meaning of print as an instrument of empire and nation building. McAuley reveals how seemingly disparate events, including journalism and literary forgery, were instrumental and innovative deployments of print not as a liberation technology (as Habermas's analysis of prints structural transformation of the public sphere suggests), but as a mediator of political tensions.

The Complicity of Friends offers an entirely original perspective within which to appreciate four eminent Victorians: Herbert Spencer, George Eliot, G. H. Lewes, and John Hughlings-Jackson. For the first time, I clarify the nature of Spencer's illness and demonstrate its repercussions in the lives and work of his three gifted friends.