Bøger udgivet af Bucknell University Press,U.S.

Homer's Odyssey, the first great travel narrative in Western culture, is a compelling tale about the consequences of war, and about redemption, transformation, and the search for home. Reading Homer's Odyssey offers a book-by-book commentary on the epic's themes that informs the non-specialist and engages the seasoned reader in new perspectives.

Argues that Machado de Assis, hailed as one of Latin American literature's greatest writers, was also a major theoretician of the modern novel form. Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory.

Explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings.

In 1973 Viktor Duvakin taped six interviews with Mikhail Bakhtin over twelve hours. They remain our primary source of Bakhtin's personal views. Mikhail Bakhtin: The Duvakin Interviews, 1973, translated and annotated here from the tapes, offers a fuller, more flexible image of Bakhtin than we could have imagined beneath his now famous texts.

In bringing together Austen and comedy, which are both often dismissed as superfluous or irrelevant to a contemporary world, this collection of essays directs attention to the ways we laugh, the ways that Austen may make us do so, and the ways that our laughter is conditioned by the form in which Austen writes: comedy.

Presents essays and reviews from and about a wide range of academic disciplines - literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas.

On the 200th anniversary of the first edition of Mary Shelley's Frankenstein, Transmedia Creatures: Frankenstein's Afterlives presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities.

Revises established readings of the avant-gardes in Peru and Bolivia as humanizing and historical. By presenting fresh readings of canonical authors and through analysis of newer artist-activists, Daly argues that avant-gardes complicate questions of agency and contribute to theoretical discussions on vital materialisms.

On the 200th anniversary of the first edition of Mary Shelley's Frankenstein, Transmedia Creatures: Frankenstein's Afterlives presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities.

Using the Latin word for "translation", translatio, as a point of departure, this book explores how translation perpetuates, diversifies, deepens, and expands the literary production of cities in their greater cultural context, and how translation shapes an understanding of and access to a city's past and present literary and cultural practices.

Weaving in authors from Antiquity to Agamben, Williams shows how European - and, above all, German - Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature.

The poets discussed in Cultivating Peace imagine states of peace and war to be fundamentally and materially linked. In distinct ways, they dismantle the dream of the golden age renewed, proposing instead that peace must be sustained by constant labour.

A book of personal essays in which author Andrew Barnes seeks to come to terms with the suicide of his older brother, Mike. Using source documentation - the police report, autopsy, suicide note, and death certificate - the essays explore Barnes' relationship with Mike and their status as gay brothers raised in a conservative family in the Midwest.

Claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity.

Brings together research on modern Spanish women as writers, activists, and embodiments of cultural change. The essays are innovative in their consideration of lesser-known writers, focus on women as political activists, and use of post-colonialism, queer theory, and spatial theory to examine the period from the Enlightenment until World War II.

Don't Whisper Too Much was the first work of fiction by an African writer to present love stories between African women in a positive light. Bona Mbella is the second. In presenting the emotional and romantic lives of gay, African women, Ekotto comments upon larger issues that affect these women.

Samuel Johnson's life was situated within a rich social and intellectual community of friendships and antagonisms. This book is a collection of ten essays that explores relationships between Johnson and several of his main contemporaries and analyses some of the literary productions emanating from the pressures within those relationships.

Tells the troubled history of abolition and slave violence by examining representations of shipboard mutiny and insurrection in late eighteenth- and early nineteenth-century Anglo-American and American literature. Fire on the Water centers on five black sailors, whose experiences either inspired or found resonance within fiction.

Examines Anglophone writers who repurposed William Wordsworth's poetry. By reading Wordsworth in dialogue with J. M. Coetzee, Lydia Maria Child, and Jamaica Kincaid, Katherine Bergren revitalizes our understanding of Wordsworth's career and its place in the canon.

Sophocles' play Antigone is a starting point for understanding the perpetual problems of human societies, families, and individuals, who are caught up in the terrible aftermath of mass violence. Through a comparison of five countries, we begin to appreciate the different pathways that societies have taken when confronting their violent histories.