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In these enraptured, playful, furious poems, the world of myth enters real life. An unhappy housewife is transformed by a wandering guitarist into Mary Magdalene; suburban Arizona serves as a battleground between Isis, Osiris, and Set; Persephone begs the sleeping Hades to abandon his sterile divinity and join her in the daylight, "hungry / humble / naked." In Siren Song, you will also meet the poet herself. For Tawni Waters, speaking as the goddess is not simply a performance, not just a homage offered to ancient tales: it is a method for making sense of the real world, for re-casting her own experiences in the light of these icons. "Underneath the lies you have believed, you are already perfect. The nightmare is already ending. When the top-40-hits and laugh tracks and freeways grow silent, voices you are not yet equipped to hear sing endlessly of dawn." Siren Song invites us to live the more imaginative and more self-forgiving life that, in our hearts, we already know is real.
In this collection, Bill Buege surveys the nostaglic hopes and exposed illusions of one man's long and varied life. These funny, caustic, rueful poems cover a lifetime of travel, research, and observation, ranging from the struggling settlers of 19th century Kansas to present day Americans dreaming of the day they can (at last!) become a zombie, able to wreck havoc on the friends and acquaintances they most dislike. "Reading Stumble Into A Lighted Room made me fall in love with poetry again. This collection is wildly original. At once wicked and fun, cutting and gentle, sometimes hilarious and often crushing, reading Buege's work is witnessing a red tail hawk pursued by taunting song birds. Dizzying. I couldn't put this book down." Joseph Boyden, the author of The Orenda.
"Dawn Manning's Postcards from the Dead Letter Office takes the Japanese form of the tanka around the world. Tension persists in the short and long breaths of the form, as well as in the live ants pillaging the body of the dead cat, the specificity of place and the commonness of piano tunes, the moonlight found everywhere, even on laptop screens. Manning's images are surprising and fresh, visiting all seasons, all new lives, and as many of the dead as possible. Each place these poems visit are enriched by detail and defined by absence, by "all we leave unsaid, all we can't unsay"-wracked by everything forgotten or the refusal to speak, haunted by every word uttered, every missive sent to the Dead Letter Office." -- Traci Brimhall
Anne Panning: In his debut collection, The Melting Season, Sukrungruang writes with compassion, humor and tenderness about the sting of cultural exclusion and isolation. His underdog characters make you root for them every step of the way, thanks to Sukrungruang's honest portrayal of their deep loneliness and family heartbreak. To sweeten the deal, the book simmers with food so delicious it will make you hungry for more.
She's only ten years old, but she knows something is wrong with daddy. Her mother keeps saying he just needs time to rest and get his energy back. Then they'll be able to live in a house again. Once daddy feels better, they'll have money to restock the empty cupboards, the empty refrigerator. They must never question him, her mother says. They must never call the police."
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