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World War One is in high gear. Fourteen-year-old Khya Terada moves with her family to a remote, misty inlet on Haida Gwaii, then the Queen Charlotte Islands, in northern British Columbia, known for its Sitka spruces. The Canadian government has passed an act to expedite logging of these majestic trees, desperately needed for the Allies' aircrafts in Europe. At a camp on the inlet, Khya's father, Sannosuke-- a talented, daring logger with twenty years of experience since immigrating from Japan-- assumes a position of leadership among the Japanese and Chinese workers. But the arrival of a group of white loggers, eager to assert their authority, throws off balance the precarious life that Khya and her family have begun to establish. When a quarrel between Sannosuke and a white man known as " the Captain" escalates, leading to the betrayal of her older sister, Izzy, and humiliation for the family, Khya embarks on a perilous journey with her one friend-- a half-Chinese sex worker, on the lam for her own reasons-- to track down the man and force him to take responsibility. Yet nothing in the forest is as it appears. Can they save Izzy from ruination and find justice without condemning her to a life of danger, or exposing themselves to the violence of an angry, power-hungry man? Drawing on inspiration from her ancestors' stories and experiences, Shimotakahara weaves an entrancing tale of female adventure, friendship, and survival.

When Judy LeBlanc's mother died in 2015, she embarked on a personal journey of discovery and reconciliation with her known but unacknowledged Coast Salish ancestry on her mother's side. She was to discover that both maternal great-grandparents had Scottish fathers and Coast Salish mothers. Her great-grandmother was from the W_SÁ NEC people in what is now known as Saanich on Vancouver Island, and her great-grandfather was the son of a woman from either the Suquamish in Washington state or the Tsleil-Waututh in Burrard Inlet, North Vancouver. Finally, LeBlanc discovers that her great aunt attended Chemawa, an American Indian boarding school where, at the age of fourteen, she contracted tuberculosis and was sent home to die. In this intimate and moving memoir-in-essays, LeBlanc reflects on the impact of erasure in her family, particularly on the women through four generations. Marked by grief for the loss of her mother and the discovery of buried family secrets, LeBlanc sets out on a journey, both literary and cultural, in the form of a voyage by canoe to the home of her ancestors. Permission to Land is a powerful and vulnerable exploration of the complexities of family, heritage and identity, courageously questioning whether it is possible to seek renewal after irrevocable loss.

In the 1920s, Canada's claim on the Arctic archipelago was tenuous at best. In 1880, the United Kingdom had handed over control of the area to the expanding dominion, though much of the area was still unoccupied and unexplored. But the need to reinforce sovereignty-- and quickly-- was driven by increasing threats on the horizon. The Americans, Danish and Norwegians were particularly active in the Arctic, posing sovereign challenges from both individuals and their nations. Something drastic had to be done. Legendary RCMP Inspector, Alfred Herbert Joy, joined by young recruit Reginald Andrew Taggart of Ireland, as well as the renowned Inughuit guide, Nuqaqpainguaq, embark on an 1,800-mile dogsled patrol to the outer fringes of the archipelago. As tensions rise and negotiations with Norway threaten to escalate, the three men face treacherous conditions and unexpected obstacles on a journey that takes on mythic proportions. In Arctic Patrol, Lieutenant Governor's Medal winner Eric Jamieson uncovers the fascinating history of Canada's fight to secure its Arctic territories in this thrilling tale of international politics, polar exploration, and human endurance.

Carly Butler was a lively, imaginative child being raised by her strong and independent mom, DJ, in 1990s Montana. Then, a whisper of a threatened future began to grow louder: Y2k was coming. Believing every conspiracy theory and Evangelical Christian prediction they encountered to be true, Carly and her mother flee to the Canadian wilderness, leaving behind Barbies and Nintendo for chopping wood and shooting empty bottles for target practice. They connected with other Evangelical Christians preparing for doomsday, but were often stranded alone, without electricity, for weeks at a time as the winter-- and the apocalypse-- approached. But what happens when the world doesn't end, after all? Apocalypse Child is a startling memoir about growing up in a tumultuous home, coming of age in isolation, and trying to figure out how to connect as an adult when your education has consisted of conspiracy theories, survivalist measures, and religious doctrine. From doomsday preparation and ideologies of purity and paranoia to motherhood and explorations of a burgeoning queer, Mexican-Indigenous identity, Carly Butler takes us on a gripping journey of resilience, self-discovery, and community.

Instructions for a Flood is a non-fiction account, in the form of personal essays and vignettes, of a life in the central interior and coastal regions of British Columbia. Inspired by her passion for exploration and a desire to reframe her understanding of the areas in which she grew up, Adrienne Fitzpatrick embarks upon a decade of reflection and personal reconciliation within her own community and the broader landscape she inhabits. Though she is accompanied by fellow travellers, workmates and guides on these journeys, Fitzpatrick is drawn to the isolation of these areas and the resilience and community this isolation necessitates. In these encounters, the stories of the people and places meld, connected to the land and to other communities by great bodies of water and remote lakes and streams. Like the water that connects and imprints upon the land, there are glints of light and beauty, as well as deep, dark places of danger to be uncovered here. Instructions for a Flood serves as a cartographic study of the strong pull of nature in places where the past is ever present, inscribing upon the land like a network of arteries and instilling in us a guidebook for being.

Three generations of Acadian women grapple with the impacts of dislocation, exile, and violence in award-winning writer Judy LeBlanc's debut novel, The Broken Heart of Winter. Lise, Appoline, and Anne are related, though they live on opposite coasts at different moments of time, with the vast geography of Canada and decades of change in between. The three women are linked by generations of hardship, displacement, and an eighteenth-century French musket that has been passed down through the LeBlanc family since the time of the Acadian expulsion. In contemporary Victoria, BC, Lise's estranged son, Daniel, reappears in Nova Scotia. Lise goes to him and begins to unravel a family history that brings about unintended consequences. In 1832, on Isle Madame, Nova Scotia, eighteen-year-old Appoline is left by her older brother to overwinter in an isolated cove, where she's in charge of five members of her family ranging in age from ten to ninety-nine. Finally, Grand-mère tells her own story of the Acadian expulsion of 1755. Her memories follow a group of Acadian fugitives on their flight into northern New Brunswick, seeking refuge at the infamous Camp D'Espérance. In each successive generation, the imprint of the expulsion perpetuates further suffering and contributes to the gradual erosion of cultural identity. Nevertheless, these three women remain resilient.

Canadian physician Maureen Mayhew returns to her time spent working in Taliban-occupied Afghanistan in an honest and heartfelt examination of our own cultural assumptions around gender, tradition, and belief. When Médecins sans Frontières (MSF) offered to send Maureen Mayhew to Taliban-occupied Afghanistan, she refused. Fearing she would be forced to give up her independence to preserve her safety, it was the last place on earth she wanted to volunteer medical expertise. But in April 2000, wrapped in unfamiliar clothing, she stepped out onto the Afghan dust for the first time. Little did she know that she would return to this country seven more times over the span of a decade, learn to converse in the regional Afghan language of Dari, and develop lasting relationships with women, men--even members of the Taliban, and families through her work as a physician. Mayhew juxtaposes her experiences of Afghanistan as a foreign, female physician with her personal journey of questioning who she is as a professional woman in the 21st century. As she travels from one remote outpost to another, sharing cups of tea in secret, muddling through language barriers, and brokering trust with her patients, she finds her Western beliefs challenged and makes sense of her own struggles with gender roles. With curiosity and tenderness, Mayhew reflects on moments of disorientation, fear, wonder, and joy.