Bøger udgivet af Cambridge Scholars Publishing

This book brings together over eleven years of experience in the field of sustainable tourism, and will serve as handbook for further insights into this field. It will cater to the needs of those within the sustainable tourism industry, who wish to widen their perspective of the field by gaining further understanding of its problems and the opportunities and prospects it offers. Along the way, the book concentrates also on equipping the reader with managerial skills and marketing practices which are time-tested, as well as those currently in place. Its analysis draws on the tourism system framework to examine the current problems and prospects of tourism, while also looking forward to cater for the needs of students currently pursuing tourism courses in various Indian universities.

On September 9th, 2012, the Abruzzo National Park - now Abruzzo, Latium and Molise National Park - celebrated its ninetieth birthday. It is - along with the Gran Paradiso National Park - the oldest protected area in Italy and one of the oldest in Europe.

The Anglican Bishop George Bell (of Chichester) and the General Secretary of the World Council of Churches, Willem A. Visser't Hooft (of Geneva) exchanged hundreds of letters between 1938 and 1958. The correspondence, reproduced and commented upon here, mirrors the efforts made across the ecumenical movement to unite the Christian churches and also to come to terms with an age of international crisis and conflict. In these first decades of the World Council, it was widely felt that the Church could make a noteworthy contribution to the mitigation of political tensions all over the world. That's why Bell and Visser't Hooft talked not only to bishops and the clergy, but also to the prime ministers and presidents of many countries. They raised their voices in memoranda and published their public letters in important newspapers. This was the World Council's most successful period.

Popular anthologies hold that the Romantic Era in Great Britain ended promptly in 1832 and that the early Twentieth Century was the time of Modernism and the rejection of the Romantic in British letters. However, in Wales, just the opposite was true. This study traces the work of poets and novelists in Wales in the early- to mid-Twentieth Century who all found their poetic master to be William Wordsworth.In the early part of the century, W. H. Davies, John Cowper Powys and Huw Menai - a tramp, a mystic novelist and a coal miner - produce novels and poetry with Wordsworth as their acknowledged master. By mid-century, Idris Davies, a coal miner turned teacher, R. S. Thomas, an Anglican priest, and Leslie Norris, another teacher, are writing in the "e;mountainous shadow of William Wordsworth."e;While the literary lights of London are leading the Modernist revolution, in Wales, the inspiration is still the English poet, Wordsworth. This study will illuminate this flare up of Romanticism, and show the way in which Romanticism re-emerges from unexpected quarters.

Daniel-Francois-Esprit Auber (1782-1871) was long considered one of the most typically French as well as one of the most successful of the opera composers of the 19th century. Although musically gifted, he initially chose commerce as a career, but soon realized that his future lay in music. He studied under Cherubini, and it was not long before his opera-comique La Bergere Chateleine (1820), written at the age of 38, established him as an operatic composer. Perhaps the greatest turning point in Auber's life was his meeting with the librettist Eugene Scribe (1791-1861), with whom he developed a long and illustrious working partnership that only ended with Scribe's death. Success followed success; works such as Le Macon (1825) and La Muette de Portici (1828) brought Auber public fame and official recognition. In 1829 he was appointed a member of the Institut, in 1839 Director of Concerts at Court, in 1842 Director of the Conservatoire, in 1852 Musical Director of the Imperial Chapel, and in 1861 Grand Officer of the Legion d'Honneur.Auber seems to have been fated to live in revolutionary times; during his long life no less than four revolutions took place in France (1789, 1830, 1848, 1870). Auber's famous historical grand opera La Muette de Portici (also known by its hero's name as Masaniello) is perhaps unsurprisingly based on revolution, depicting the 1647 Neapolitan uprising against Spanish rule. It is a key work in operatic history, and has a revolutionary history itself: it was a performance of this work in Brussels in 1830 that helped spark the revolution that led to the separation of Belgium from Holland. It was a revolution that hastened Auber's death at the old age of 89. He died on 12 May 1871 as a result of a long illness aggravated by the privations and dangers of the Siege of Paris. He had refused to leave the city he had always loved, even after his house had been set on fire by the petroleurs et petroleuses. In a twist of fate, a mark had been placed on the house of the composer of Masaniello, the very voice of Romantic liberty!Auber's overtures were once instantly recognizable, favourites of the light Classical repertoire. His gracious melodies and dance rhythms had a huge influence, both on piano and instrumental music, and on the genre of Romantic comic opera, especially in Germany. Musical tastes and fashions have changed, and contemporary audiences are more accustomed to the heavier fare of verismo, Wagnerian transcendentalism, and twentieth-century experimentalism. The operas themselves, apart from Fra Diavolo (1830), are seldom performed, yet Auber's elegant, delicate and restrained art remains as appealing to the discerning listener as ever it was.Zerline, an opera in three acts with libretto by Eugene Scribe, was first performed at the Academie nationale de musique (Salle de la rue Le Peletier) on 16 May 1851. The scene is set in Palermo, during the Restoration. The Prince of Roccanera, married to the sister of the King, has a supposed niece, Gemma. She is really his daughter by Zerline, an orange-seller. The latter was abducted by pirates, and having returned to Palermo after many trials, now meets her daughter, assuming the role of her aunt. She learns that Gemma loves a young naval officer, Rodolphe, but that the Prince's wife wishes Gemma to marry the King's cousin, much against the girl's wishes. In the third act, Zerline, already alerted to an intrigue compromising to the two young lovers, is able to safeguard their integrity and bring about their union.The action is better suited to a vaudeville than an opera, and the scenario has little innate interest. The role of Zerline was devised especially for the great contralto Marietta Alboni (1823-94), the first role she created. The B-flat major overture immediately establishes the family nature of the drama, with its parable of past sins, social disparity and all-conquering maternal love.There is allusion to the Sicilian setting in the two opening choruses of act 1 which are dominated by barcarolle rhythms in establishing the couleur locale. Alboni's magnificent talent added great value to the light music written by Auber for this slight canvas. The work consequently contains many pieces of a purely virtuoso nature. Among them are the grand air d'entree "e;A"e; Palerme! o Sicile!"e;, the thematically central canzonetta "e;Achetez mes belles oranges"e;, and the duet for soprano and contralto "e;Quel trouble en mon ame"e; in act 1. It is as though the Italian setting of the story and the Italian origins of the prima donna caused Auber to look to his early love for Rossini, and his enduring attachment to Italian musical forms and local colour (as in Fiorella, La Muette de Portici, Fra Diavolo, Acteon, La Sirene, Zanetta and Haydee).The vocal part of Zerline is a conscious re-creation of the old Rossini mode, and her various solos are written in the style of the virtuoso contralto of the opera seria, obviously with a contemporary Gallic fleetness all Auber's own. The Grand Air demonstrates all the features.The original cast was: Merly (Roccanera); Mlle Marietta Alboni (Zerline); Mlle Maria-Dolores-Benedicta-Josephine Nau (Gemma); Aimes (Rodolphe); Mlle Dameron (the Princess of Roccanera); and Lyons (the Marquis of Bettura). The work was only performed 14 times in Paris, with no reprise. It was translated into Italian, and produced in Brussels (in French) and London (in Italian).

Byron at the Theatre is a collection of essays by a wide spectrum of European scholars, dealing with Byron's dramas in a variety of ways.

Researching the Self originated in a conference held at the University of Amsterdam in 2005, where scholars from various academic backgrounds presented their current theories and research. One central theme that emerged from the conference is the need for interdisciplinarity in the study of self.

The benefits of the digital age are huge. Our lives have been transformed, both in the developed and the undeveloped world. However, this transformation has its dark side.

Introduction written by Professor Benjamin B FerenczThis challenging volume examines the jurisprudence of international criminal justice from various points of view. The philosophy of justice may vary from time to time and from nation to nation, depending on prevailing attitudes towards the substantive rules which deal, in one way or another, with cultural norms. In the national and international area, the principles of criminal justice have a key role in examining the scope of the most serious violations of international criminal law. It is on the basis of appropriate judgment that these principles may be accumulated and achieved for the future conduct of man. This volume, therefore, examines the principles and dimensions of the constitutions of various international criminal tribunals/courts, with particular focus on the Statute of the International Criminal Court (ICC). As such, the volume offers a comprehensive evaluation of the rule of law and criminal justice and their legal tasks within the complementarity system of international criminal jurisprudence.The volume emphasises the prosecution and punishment of all those who may successfully escape from the proceedings of national and international criminal courts because of their juridical, political, religious, economic or military power. It demands the implementation of international law of jus cogens. The provisions of the Statute should not be deduced in contradiction to the norms from which no derogation is possible, such as prohibitions governing crimes against humanity, torture, apartheid, rape, war crimes, genocide and aggression. If the value of the task of the Court is to be realised by the majority of states in the international community, the cycle of impunity has to be abolished in the case of all states, including the five permanent members of the Security Council of the United Nations.

This book offers a substantial and up-dated discussion and presentation of the new European "frontiers" related to complex and controversial social and spatial (re)integration issues in multicultural and border regions.

This second decade of the millennium finds the world changing at a once unimaginable pace.

Truth, Dare or Promise: Art and Documentary Revisited reflects on the ways that artists and filmmakers address the innovations and limitations of producing and exhibiting their work. Ranging from community collaboration to individual interpretation, and from gallery installation to cinematic screening, exploring the differences and overlaps between definitions and methodologies. With an international reach, including contributors who are both practitioners and theorists, this book maps out developments in art and documentary, covering themes that include explorations of personal experience and representations of the past, while examining interactive galleries and the cinematic space.

Yesterday's Words: Contemporary, Current and Future Lexicography reflects the main issues of scholarly discussion in the fields of historical lexicography and lexicology including the historiography of lexicography. The state-of-the-art volume offers a wide range of contributions in five chapters.

At this moment in time, when the world is only just beginning to recover from the global impact of the COVID-19 pandemic, the research in this book makes for essential reading.

This book highlights the present status of manuscript collection in the different repositories of India, and also suggests some remedial measures which are required to be adopted for the proper conservation, care and management of manuscripts. It showcases the nature of base material, ink, pigments, binding materials, writing and illustration techniques used in different manuscripts, given the importance of having thorough knowledge about the chemical composition of different materials before adopting any kind of conservation practice.As dating of manuscript is a very difficult task, a great variety of techniques and methodology such as palaeography, style of writing, illustration and terminology, colophon, spectrometric methods, and radio carbon dating, among others, are discussed here. Furthermore, as prevention is better than cure, different preventive measures, including indigenous methods practiced during the ancient period for preservation of manuscripts, are also outlined, as are the hazards of using different chemicals for conservation of manuscripts.

Why write a book about the stars? Of what use is their study? This book covers this ground with a number of anecdotes arising from the author's almost 60 years' experience as a research scientist who has worked with some of the largest telescopes in the world. The text exposes much of what is glossed over in the canned information that the public get and holds nothing back with respect to uncertainties within the subject. People want answers, want somehow to be reassured that someone out there has a handle on things. This book details the basis for our knowledge of the universe, warts and all, and offers important insights as to where the science is going.

This book considers melancholy language in representative works by several British women writers in late Stuart England. To understand how these women writers understood and reframed the discussion about melancholy and women's experience of suffering in their art, it turns to the twentieth-century French feminist theorist Julia Kristeva, whose radical work on melancholy in Black Sun: Depression and Melancholia (1989) provides an alternative psychoanalytic perspective for considering melancholy discourse created by women experiencing alienation, depression, and anguish in earlier periods. Kristeva offers a theoretical lens for understanding loss as a significant and ongoing perspective on life experience that finds expression through art and language. This text argues that early women writers created a new expressive mode, revising existing models to account for their own losses during a time of cultural and political transitioning in England. These writers provide a melancholy aesthetic in their works or depict depressed female figures reflecting artistic angst and a new discourse within language for articulating pain.

This volume offers a critical yet empathic exploration of the ancient myth of Medea as immortalized by early Greek and Roman dramatists to showcase the tragic forces afoot when relational suffering remains unresolved in the lives of individuals, families and communities. Medea as a tragic figure, whose sense of isolation and betrayal interferes with her ability to form healthy attachments, reveals the human propensity for violence when the agony of unresolved grief turns to vengeance against those we hold most dear. However, metaphorically, her life story as an emblem for existential crisis serves as a psychological touchstone in the lives of early twentieth-century female authors, who struggled to find their rightful place in the world, to resolve the sorrow of unrequited love and devotion, and to reconcile experiences of societal abandonment and neglect as self-discovery.

For centuries the Orthodox and the Anglican churches have been in dialogue; however, this association matured during the twentieth century, also known as the Age of Ecumenism, where both became members of the World Council of Churches and part of the Official Dialogue. Nevertheless, it is the work of individuals and ecumenical bodies who undertake an important role in educating people in both the West and the East. An example of such a society is the Fellowship of St Alban and St Sergius, an ecumenical body that promotes relations between various Christian denominations. This book analyses the history, theology and practice of the Fellowship. Issues such as Church relations, Orthodoxy, Anglicanism, iconography, the role of women in the Church, intercommunion and the role of Moscow within the Orthodox world are examined. As such, it will appeal to academics, theologians, hierarchs, churches and anyone interested in modern and ecumenical Theology.

This book explains, in a simple and practical way, how and when the diabetic patient should conduct self-management activities. These include healthy eating, physical activity, the consumption of medication, the monitoring of blood glucose level, the cessation of smoking, and foot care, among others. Such activities can help the patient to establish a level of control over their condition, and thus reduce the risk of developing serious complications. As such, this book will be of particular interest to diabetic patients and their family members, as it will provide them with further information in their fight against diabetes. Additionally, it will also appeal to physicians, pharmacists and nurses as a guide for their work in educating diabetic patients.

Both collectively and individually we have a deep and abiding fascination with angels. This book explores depictions of angels in the visual arts and in scripture and associated apocryphal and mystical writings, specifically in the Hebrew and Christian Bibles and Islamic, Zoroastrian and other ancient and latter-day accounts. It examines the visual clues, artistic conventions and attributes that have been set down to help us to recognise angels in their particular roles and functions. Certain writings have had a particularly influential bearing on our understanding of angels. This text focuses on the hierarchies and orders proposed by the likes of Pseudo-Dionysius, St. Thomas Aquinas and others. In a new age of fascination with the metaphysical and supernatural (in film, television, popular mythology and literature), are we cementing or losing our connection with the authentic meaning and purpose that such vibrant and energised beings bring to our table? This book contains more than 30 illustrations in a central colour plates section. It also includes a useful glossary of terms and will prove a rich and enduring reference resource for libraries, as well as a stimulating go-to source for those interested in the world of angels and how human sensibilities and imaginative reasoning have enriched the subject, as a starting point for interreligious dialogue.

This is a concise, informed and practical manual detailing the cause, prevention and interventional treatment of oral cancer - the deadliest of oral diseases. In the 21st century, oral cancer remains a lethal and deforming disease exhibiting rising incidence of epidemic proportions, particularly in younger patients, and is of global significance with over 300,000 new cases presenting each year. Despite advances in diagnosis and management, half of all patients die within five years. Even following successful initial treatment, long-term prognosis is compromised by the presentation of advanced tumours and development of widespread, multi-focal disease throughout the mouth and upper aero-digestive tract. The transformation of normal mouth lining into 'potentially malignant' and subsequently malignant tissue is a complex, multistep and multifactorial process in which accumulated genetic alterations, often instigated by overuse of tobacco and alcohol, disrupt the normal functioning of oral epithelial cells. Unfortunately, there is considerable public ignorance regarding oral cancer, and it is imperative for disease prevention to raise awareness of the causes and symptoms of the disease, especially in those populations most 'at-risk' of cancer. This book provides pragmatic strategies to improve both prevention and treatment intervention. Spanning nearly 40 years of clinical investigation, it reviews the biological basis of oral cancer, outlines primary, secondary and tertiary preventive strategies and describe a pragmatic treatment intervention protocol that specifically utilizes the 'potentially malignant window' to identify malignant disease at the earliest possible stage and intervention to 'stop the oral cancer clock' and halt the progression of this deadliest of oral diseases.

There has been a significant growth in autobiographical documentary films in recent years. This innovative book proposes that the filmmaker in her dual role as maker and subject may act as a cultural guide in an exploration of the social world. It argues that, in the cinematic mediation of memory, the mimetic approach in the construction of documentary films may not be feasible, and memory may instead be evoked elliptically through hybrid strategies such as critical realism and fictional enactment. Recognizing that identity is formed by history and what 'goes on' in the world, the book charts the historical trajectory of the British independent filmmaking movement from the mid-1970s to the present growth of new online distribution outlets and new media through digital technologies and social media.

The capacity to reflect - individually and with others - is considered valuable in teacher professional development internationally. In the field of Teaching English as a Second or Foreign Language, reflective practice has been deemed to be a precious tool at the pre-service level and in the ongoing development of teachers. Despite the importance of teacher reflection, the field of Teaching English as a Foreign Language in Higher Education has tended to overlook this topic and especially its collaborative and emotional elements. This book proposes a new and practical model for engaging teachers in transformational learning through an 'emotionalized' version of reflection. More specifically, the Collaborative, Appreciative, Reflective Enquiry (CARE) model represents a guide for teachers who wish to engage in reflective practice alone and with others in an appreciative context. As such, this book will be invaluable to in-service language teachers and teacher educators who are committed to realizing their potential as educators and human beings through growth that only emancipatory reflection and positive emotionality can bring.

As chaste women devoted to God, nuns are viewed as the purest of the pure. Yet, as females who reject courtship, sex, marriage, child bearing, and materialism, they have been the anathema of how society has proscribed, expected, and regulated women: sex object, wife, mother, and capitalist consumer. They are perceived as otherworldly beings, yet revered for their salt-of-the-earth demeanor. This book illustrates how both English and Spanish Renaissance-era authors latched onto the figure of the nun as a way to evaluate the social construction of womanhood. This analysis of the nun's role in the popular imagination via literature explores how writers on both sides of the Catholic-Protestant divide employed the role of the nun to showcase the powerful potential these women possessed in acting out as sanctified subversives. The texts under consideration include William Shakespeare's Measure for Measure, Margaret Cavendish's The Convent of Pleasure, Maria de Zayas's The Disenchantments of Love, Aphra Behn's The History of the Nun, Catalina de Erauso's The Lieutenant Nun, and Sor Juana Ines de la Cruz's autobiographical and literary works. No other book addresses these issues through a concentrated study of these authors and their literary works, much less by offering an in-depth discussion of the literature and culture of seventeenth-century England, Spain, and Mexico.

Can Henry Kissinger be described as a serious statesman who altered the course of relations between states? Or was he a shallow impersonator of those whom he admired, and a geopolitical engineer who treated people as collateral fodder, reducing morality to the status of a strategic and tactical tool? Using the story of Kissinger's behaviour over Cyprus, backed up by recently revealed government documents, many critical, William Mallinson, former diplomat and leading authority on Cyprus' history, provides an incisive analysis and evaluation of Kissinger's approach, revealing a man who appears to have considered political strategy more important than law and ethics.

Currently, there is very little academic literature dealing with the topic of record collecting, and, when the topic is broached, it appears to be done so with some level of suspicion towards the record collector. As such, the only depictions of record collectors in the public domain tend to be very stereotypical and demeaning. This work serves as a new starting point in how the record collector and the practices involved are viewed and understood by considering the roots of these stereotypes, which mainly stem from the work of the Frankfurt School theorists who lived during a time of great insecurity, both in regards to new methods of production for cultural artefacts and art, but also their physical lives. Once this has been achieved, a consideration of more realistic record collecting practices takes place through discussions with collectors themselves, an examination of a collectible record label (Vertigo Records), and a diachronic analysis of the theories that have contributed to a fallacious view of the record collector. The record collector consumes his/her records on an individual basis - both in terms of person to person, but also - and crucially - even record to record. Ultimately, it is argued that one cannot define consumption through (the artefact's) production, which most considerations of the record collector have mistakenly done.

Proverbs have been described as "e;the wisdom of many and the wit of one"e;. Apart from being pleasurable to read, these gems of folklore contain keen observations of everyday life and provide an insight into human behaviour and character. Proverbs constitute a particular culture's popular philosophy of life. One can tell a people's character from that people's proverbs. As Francis Bacon said, "e;The genius, wit, and spirit of a nation are discovered in its proverbs"e;. This collection contains over one thousand Greek and over one thousand English proverbs accompanied by their translations. The bilingual introduction relates the history, the origin, and the importance of proverbs. The book also includes a short chapter on the use of proverbs in English, French, German, Italian, Spanish and Modern Greek literature.