Bøger udgivet af CHRYSLER MUSEUM

The Last of the African Kings follows the wayward fortunes of a noble African family. It begins with the regal Béhanzin, an African king who opposed French colonialism and was exiled to distant Martinique. In the course of this brilliant novel, Maryse Condé tells of Béhanzin's scattered offspring and their lives in the Caribbean and the United States. A book made up of many characters and countless stories, The Last of the African Kings skillfully intertwines the themes of exile, lost origins, memory, and hope. It is set mainly in the Americas, from the Caribbean to modern-day South Carolina, yet Africa hovers always in the background.

"Fully Alive uses the work of Karl Barth to develop a humanism that can produce a form of Christianity that gives people hope in a time of uncertainty. It is assumed that Christianity no longer has social and political power but that makes possible a church that may actually tell the truth. Besides Barth, Reinhold Niebuhr plays a prominent role in the book, and race is treated in a retrospective essay"--

"Richly illustrated and thoroughly researched, A Shared Vision showcases one of the most significant collections of American art assembled in the twenty-first century. At the same time, it celebrates the generosity and vision of collectors Macon and Joan Brock, whose promised gift of the Macon and Joan Brock Collection of American Art to the Chrysler Museum of Art represents the most transformative addition to the institution's collection since Walter P. Chrysler Jr.'s foundational gift more than 50 years ago. The Brocks exercised great foresight in the construction of a collection for the public's benefit and the gift of the collection elevates the stature of the Chrysler's American art holdings and programs, transforming it into a national leader in the exhibition, study, and appreciation of American art. In addition to an introductory essay and interview with collector Joan Brock, catalogue entries by a distinguished group of scholars and curators offer new insights into more than 70 works of art by 54 different artists. The Brock Collection spans nearly one hundred years of American art, from just after the Civil War to the mid-twentieth century. Works by a wide range of artists from Winslow Homer, Childe Hassam, and John Singer Sargent to Marsden Hartley, Max Weber, and George Bellows chart a broad history of American art. Less well-known figures like Mary Fairchild MacMonnies, Helen Corson Hovenden, and Sally Michel bolster the rich depth of the collection and propose new contours to the shape of American art history. Together the works included in the volume and their scholarly commentaries contribute a fresh look at one of the most vital and dynamic periods of American art"--

"With the artworks brought together in Barbara Earl Thomas: The Illuminated Body, the artist focuses on the body in order to convey how light and shadow trigger a visual experience and to explore how we communicate who we are as well as our intentions to one another. In one sense, this exploration is highly personal: "As a Black person, I can't help but see myself in the landscape and imagine how others might experience me based on how I appear to them. I search myself to see how I react to and employ my thoughts and opinions because, aside from being Black, I'm also human and subject to the world's influences." In another sense, Thomas's latest works seek to express not just the physical but also the metaphysical and metaphorical, the profound and intangible: what is within, what is beyond the sight of our eyes"--

Sharing their insights, anecdotes, and experiences in a clear, accessible style, the contributors provide readers with a rare glimpse into the inner workings of the Supreme Court.

In an evocative blending of words and images, painter-photographer Carol Burch-Brown and poet David Rigsbee offer a depiction of trailers and their inhabitants. The understated imagery of Burch-Brown's 48 photos implies rather than proclaims the living conditions of these mobile-home dwellers, while Rigsbee's meditative, autobiographical essay parallels and illuminates the subjects and chronicles family histories with trailers.

It provides profiles on the various game species and information on how to hunt them, how to care for them in the field, and how to prepare them for the table.

The design of this book is to furnish information with which the plants can be identified without resorting to technical language or requiring that the structure of plant parts be understood. Color photographs and descriptive comments are provided as identification materials for each species.