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A collection of columns, reviews, introductions, interviews, and previously uncollected stories revealing the method behind the madness and critical acumen of Charles Bukowski.
“Ah,” said Hassan, “I don’t believe in the world. There’s another world where life is different."These are stories of that world. The word m’hashish (equivalent in Moghrebi of “behashished” or “full of hashish”) is used not only in a literal sense, but also figuratively, to describe a person whose behavior seems irrational or unexpected. The tales here deal with some of the possible results, desirable and questionable, of being in that state.Mohammed Mrabet was born in Tangier in 1936. Since meeting in the early 1960's, Paul Bowles has taped and translated numerous strange legends and lively stories recounted by Mrabet: Love with a Few Hairs (novel), The Lemon (novel), The Boy Who Set Fire (stories), Harmless Poisons, Blameless Sins (stories), The Beach Café & Look & Move On (autobiography) and The Big Mirror (novella). After moving back to Tangier after living in New York for four years, Mrabet resumed his role as a fisherman and began painting. He continues to paint while living in the Souani area of Tangier.
"Get the Money!" was Ted Berrigan's mantra for the paid writing gigs he took on in support of his career as a poet. This long-awaited collection of his essential prose-written between 1960 and his early death in 1983-draws upon the many essays, reviews, introductions, and other texts he produced for hire, as well as material from his journals, travelogues, and assorted, unclassifiable creative texts. Get the Money! documents Berrigan's innovative poetics and techniques, as well as the creative milieu around the East Village New York's Poetry Project for which he served as both nurturer and catalyst. Highlights include his journals from the '60s, depicting his early poetic discoveries and bohemian activities in New York; the previously unpublished "Some Notes About 'C, '" an account of his mimeo magazine that serves as a de facto memoir of the early days of the second-generation New York School; a moving and prescient obituary, "Frank O'Hara Dead at 40"; book "reviews" consisting of poems entirely collaged from lines in the book; insightful art reviews of friends and collaborators like Joe Brainard, George Schneeman, and Jane Freilicher; and his notorious "Interviews" with John Cage and John Ashbery, both of which were completely fabricated. Get the Money! provides a view into the development of Berrigan's aesthetics in real time, as he captures the heady excitement of the era and champions the poets and artists he loves"--
Satirical essays by a countercultural icon about the moral obscenity of contemporary politics, culture, and comedy.
San Franciscans portray the unvarnished life of the city not seen in postcards and travelogues.
Tales of Jewish life in Berlin at the precarious moment between world wars.
Maintaining political, intellectual, and ethical hope in the heart of the world's most powerful nation.
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