Bøger udgivet af Clemson University Digital Press

Poet in Place and Time: Critical Essays on Joanne Kyger addresses the work of poet Joanne Kyger from a variety of approaches, from her first book The Tapestry and the Web (1965) to her last major work On Time (2015), situating her within various movements of 20th century American poetry.

Marianne Moore and the Archives features new archival research to explore the work of a major American modernist poet, providing innovative approaches to Moore's career as it is documented in her archives in Philadelphia. This volume is also the first that draws upon the Marianne Moore Digital Archive (MMDA).

2023 marks 400 years since the death of English renaissance composer, William Byrd. Byrd's rich musical oeuvre and storied career has long captured the attention of audiences and scholars alike. This all-new collected edition marks his anniversary with thirteen brand-new essays from leading scholars on Byrd's musical life and legacy.

"Imagining Musical Pasts considers the ways early twentieth-century musicologists Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson approached gender and sexuality in their scholarly and creative work. This book explores the place of musicology as literature, as well as the role of gossip and speculation in constructing queer music histories"--

"This study explores Mahler's songs based on poetry from an 1805 collection of German folk poetry entitled Des Knaben Wunderhorn: Alte deutsche Lieder, collected by Arnim and Brentano, and identifies the connections the composer found between these products of Germany's folk past and his own cultural, social and political environments"--

Analyzing a number of important works from influential poets drawn from the Late Modernist period (ca. 1930-1970), this book demonstrates how the fresh insights provided by New Materialism can inform our thinking about poetry. This fresh theoretical perspective challenges longstanding assumptions about our anthropocentric worldview.

"As the first scholarly treatment of the relationship between Beat writers and the academy, this book will open exciting new directions in the field of Beat Studies and will reshape our understanding of the historical tensions between the Beats and higher education"--

This essay collection explores the inextricable link between rhetoric, public memory, and campus history projects. Since the early twentieth century after Brown University appointed its Steering Committee on Slavery and Justice, higher education institutions around the globe have launched initiatives to research, document, and share their connections to slavery and its legacies. Many of these explorations have led to investigations about the rhetorical nature of campus history projects, including the names of buildings, the installation of monuments, the publication of books, the production of resolutions, and the hosting of

vol 2 Yeatss Writings. This book is itself a resource to enable scholars and students in Yeats studies to explore the materials in his library, which, together with most of his unpublished papers and manuscripts, forms part of the writers archive in the National Library, and all are available for consultation. This book could not have been written without the generous participation of the Yeats family over many years. Their legacy, now entrusted to the National Library, is robust and endless in potential. This book is about individual cases but also the building of an ioeuvre/i.In short, this book enriches our understanding

"American Modern(ist) Epic argues that a cadre of minority novelists revitalized the classic epic form in an effort to recast the United States according to modern, diverse, and pluralistic grounds. These modern(ist) epic novels undermined and revised the foundational ideology of the United States, modernizing the epic form in an effort to refound the nation"--

This volume addresses the integration of Beat authors, texts, and themes into formal academic settings. Addressed to secondary and post secondary instructors, the book features six domains: 1) Foundational Issues, 2) Beat Literary Genres, 3) Beat Literary Topics, 4) Beat Lineages and Legacies, 5) Selected Resources, and 6) Sample Assignments.

"Sam Aleckson was the pen name for Samuel Williams, a man born into slavery in Charleston, South Carolina, who wrote a memoir about his life and the world around him during and after his bondage. Published privately by his family, Before the War and After the Union traces Williams's life from his earliest memories of being enslaved and forced to serve Confederate soldiers in army camps, through the post-Civil War years as his family struggled to re-connect and build a new life during Reconstruction. It the ends with tales about his life as the head of a southern Black family newly relocated to Vermont at the turn-of-the-century"--

The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot's life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot's work as a poet, critic, playwright, or editor. Volume 3 features two special forums on "Eliot and Green Modernism," edited by Julia E. Daniel, and "First Readings of the Eliot-Hale Archive," edited by John Whittier-Ferguson and Frances Dickey. John D. Morgenstern, General Editor Editorial Advisory Board: Ronald Bush, University of OxfordDavid E. Chinitz, Loyola University ChicagoAnthony Cuda, University of North Carolina-GreensboroRobert Crawford, University of St AndrewsFrances Dickey, University of MissouriJohn Haffenden, University of SheffieldBenjamin G. Lockerd, Grand Valley State UniversityGail McDonald, Goldsmiths, University of LondonGabrielle McIntire, Queen's UniversityJahan Ramazani, University of VirginiaChristopher Ricks, Boston UniversityRonald Schuchard, Emory UniversityVincent Sherry, Washington University at St. Louis

"Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound's Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share the poet traveler's joys and discoveries"--