Bøger udgivet af Clemson University Digital Press

"Granville Bantock: A Guide to Research provides both researchers and British music aficionados an entry to documents, books, articles, recordings, and the like currently available for further study about Bantock's life and music. Location and descriptive details of the manuscripts that are extant will assist those looking to construct editions of especially those works which have remained in manuscript and updated editions of those works which were initially published nearly 100 years ago. A discography provides insight into the wide variety of recording companies that first served Bantock's music. Included in the book are sections about: academic theses and dissertations, citations of locations of many of Bantock's letters, and an index that cross-references all of these details to the works which they highlight is a major help to the reader"--

"The first study of his little-known screen writing, John Dos Passos and Motion Pictures: Writing Film, Film Writing draws on previously unpublished manuscripts and letters to explore his cinematic methods and his controversial mid-career conservative political shift"--

"Scholarly Milton is a collection of essays concerned with the function of scholarship in both the invention and the reception of Milton's writings in poetry and prose. The eleven essays examine 'scholarly Milton' the writer and 'scholarly Milton' as an established academic discipline"--

Virginia Woolf and the World of Books will examine Leonard and Virginia Woolf's Hogarth Press as a key intervention in modernist and women's writing and mark its importance to independent publishing, bookselling, and print culture at large. The research in this volume coincides with the centenary of the founding of Hogarth Press in 1917, thus making a timely addition to scholarship on the Woolfs and print culture.

The T. S. Eliot Studies Annual strives to be the leading venue for the critical reassessment of Eliot's life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot's work as a poet, critic, playwright, editor, or foremost exemplar of literary modernism. John D. Morgenstern, General Editor Editorial Advisory Board: Ronald Bush, University of OxfordDavid E. Chinitz, Loyola University ChicagoAnthony Cuda, University of North Carolina-GreensboroRobert Crawford, University of St AndrewsFrances Dickey, University of MissouriJohn Haffenden, University of SheffieldBenjamin G. Lockerd, Grand Valley State UniversityGail McDonald, Goldsmiths, University of LondonGabrielle McIntire, Queen's UniversityJahan Ramazani, University of VirginiaChristopher Ricks, Boston UniversityRonald Schuchard, Emory UniversityVincent Sherry, Washington University at St. Louis

"A Scientific Companion to Robert Frost represents the first systematic attempt to document all of the references to science and natural history in Frost's poetry. The book, which is organized chronologically, uses accessible language and includes illustrations and appendices that should make it a valuable resource for teachers and scholars"--

This is a three-volume project of readings of individual sections from the central modernist long poem, The Cantos of Ezra Pound. The project as a whole represents a landmark publication for modernist studies, bringing together, in a ground-breaking format, a number of critical readings of The Cantos by the world's leading Pound and modernist scholars. In each chapter a contributor approaches either a single Canto or a defined small group of Cantos in isolation, providing a clear, informative, and interpretive 'reading' that includes an up-to-date assessment of sources and an idea of recent critical approaches to the work. Most importantly, each essay offers guidance to those wishing to understand the works while contributing to the creation of a new manner of reading The Cantos as a remarkably diverse but coherent work. This first volume illuminates the gestation of the Cantos-technique and includes essays on the most important Cantos and groups of Cantos from the Ur-Cantos (early, discarded versions of the beginning of Pound's poem), A Draft of XVI Cantos (1924), A Draft of the Cantos 17-27 (1928), and Eleven New Cantos XXXI-XLI, also known as "Jefferson-Nuevo Mundo" (1934).

"The Fire that Breaks traces Gerard Manley Hopkins's continuing and pervasive influence among writers of the twentieth and twenty-first centuries. Not only do the essays explore responses to Hopkins by individual writers--including, among others, Virginia Woolf, T.S. Eliot, Elizabeth Bishop, Seamus Heaney, Geoffrey Hill, and Charles Wright--but they also examine Hopkins's substantial influence among Caribbean poets, Appalachian writers, and contemporary poets whose work lies at the intersection of ecopoetry and theology. Combining essays by the world's leading Hopkins scholars with essays by scholars from diverse fields, the collection examines both known and unexpected affinities. The Fire that Breaks is a persistent testimony to the lasting, continuing impact of Hopkins on poetry in English"--