Bøger udgivet af Coach House Books

Fiction. Film. Memoir. Guy Maddin is one of Canada's most celebrated and original filmmakers, however, he is just as gifted as a writer, and his resolutely prose, as eccentric and enchanting as his film work, is a true delight. FROM THE ATELIER TOVAR gathers, in one volume, the best of Maddin's writing: his journalism, unpublished short stories and film treatments, and selections, both lurid and illuminating, from the filmmaker's personal journals. Here are Maddin's feverish musings on hockey, the Osmonds, divas of the Italian silent cinema, Bollywood, his own twisted biography, and much, much more. What emerges finally is both a fragrant potpourri and a treasure trove, a singular portrait of this very unique artist.

Botanist Alfred Homer, ever hopeful and constantly surprised, is invited on a road trip by his parents' friend, Professor Morgan Bruno, who wants company as he tries to unearth the story of the mysterious poet John Skennen. But this is no ordinary road trip. Alfred and the Professor encounter towns where Black residents speak only in sign language and towns that hold Indigenous Parades; it is a land of house burnings, werewolves, and witches.Complete with Alfred's drawings of plants both real and implausible, Days by Moonlight is a Dantesque journey taken during the "e;hour of the wolf,"e; that time of day when the sun is setting and the traveller can't tell the difference between dog and wolf. And it asks that perpetual question: how do we know the things we know are real, and what is real anyway?

Gunnars work is as though designed for handselling: These novellas, previously published only in Canada, were the underground books of their time, smuggled over borders, beloved by booksellers-indeed, they were the tomes booksellers didn't want to pass on to just any random customer: can a bookseller just keep a book for themselves? We hope you don't…Autofiction before such a term existed: These works by writer, poet and painter Kristjana Gunnars presaged the work of writers like Rachel Cusk, Karl Ove Knausgaard, Ben Lerner, and Sheila Heti. For readers of Duras' The Lover, Michael Ontaatje's Coming Through Slaughter, anything by Roland Barthes, and Lisa Robertson's The Baudelaire Fractal.Kazim Ali wrote the introductionThere's a pleasant 80s/90s vibe to these books, like the film An Unbearable Lightness of Being or long letters sent by mail, coin telephones, train rides unfettered by noise….Gunnars has written in dialogue with thoughts and poems and works of Italo Calvino; Hélène Cixous; Annie Dillard; Hermann Hesse; Clarise Lispector; Toni Morrison; Alain Robbe-Grillet; Christa Wolf; W.B Yeats; Antonin Artaud; Jean Cocteau; Northrop Frye; Martin Heidegger; Susan Howe; Fredric Jameson; Søren Kierkegaard; Julia Kristeva; Anaïs Nin; Marcel Proust; Virginia Woolf, and others.

A bold and absurd new take on the dystopian plague novel, where people are treated like IKEA furniture Distraught and hopeless, an eighteen-year-old distance runner, Regan, decides to end her life. And she''ll do it through an unusual new method available only on the dark web. Enter Ülle, a woman with amnesia, who will, inadvertently, make Regan''s wish come true. But Ülle begins to remember her past and the outrageous steps her government took to combat a deadly pandemic of parasitic infections, which have brought her to this new country and to Regan''s house. Meanwhile, Regan might be changing her mind, and she finds herself more and more concerned about keeping both Ülle and herself alive. But the shadowy organization that brought them together wants to keep them both quiet - permanently. A Suitable Companion for the End of Your Life is a darkly comic dystopian tale that probes our anxieties around boundaries, whether territorial or bodily, and our fraught desire not to die alone."Gripping from the first page, Robert McGill''s A Suitable Companion for the End of Your Life is a dark, speculative novel with echoes of The Handmaid''s Tale, set against the backdrop of a plague. Some of us would do anything to survive, down to flatpacking ourselves like IKEA furniture, while others would do anything to make our miserable lives end. This is timely, provocative, ethically challenging fiction that asks whether the drive to survive is stronger than the inevitability of death." -Ian Williams, author of Reproduction"Terrifying and tender, A Suitable Companion''s sci-fi angle serves to frame a fascinating parable about the post-post-modern family. Unpredictable and completely original, this is a propulsive, rewarding, and thought-provoking read." -Michael Redhill, author of Bellevue Square ​​"The guy knows what he''s doing, from missing children to silk parachutes, you are never lost and he will catch you." - Zadie Smith, author of NW "A storyteller who refuses to keep things straight, and for this produces freshly captivating effects." - Andrew Pyper, author of The Demonologist "A writer of striking talent and originality." - Daily Mail on The Mysteries "McGill is a talented writer, adept at expressing the nuanced, unspoken truths that beg the lies by which we live." - Observer on The Mysteries

A buddy-cop dramedy starring a bottle of Advil and a headache that wont quitImagine youre standing in a room, and someone on the other side of the door wont stop knocking ever. Welcome to Andrew Faulkners world of the never-ending, low-grade headache, a medical issue resolved only by striking up a committed relationship with the slippery miracle that is Advil. Through direct address, sideways glances, lyrical interludes and deep consideration of what it means to overcome a condition when living is a part of the condition itself, these poems observe the speakers world as it crowds around him, coming into sharper and specific focus, from the hard wisdom of saints on suffering and a slightly unhinged Caravaggio on the metaphysics of painting, through to the deep meaning of a hot dog and a thoroughly botched retelling of a Norm Macdonald joke. Throughout it all, Advil whirls around like an unruly tornado of a sidekick, snapping Polaroids and searching for a cloud that resembles a plausible end-of-life scenario.Think of this collection as a meditation on how to deal with pain and uncertainty when life itself is an uncertain, painful mess. These are poems that acknowledge the shakiness of the ground we stand on. The opening poem wonders: If you stay with the shakiness through its conjugations? Who knows. But dont worry. Advils on the case and aims to find out.These wry poems cajole the reader into feverish attentiveness. Andrew Faulkner'sHeady Bloomis that unusual collection of poems whose aim is generous and profound, but whose means are often comic and provocative, all jagged edges and elbows. Chaplinesque, perhaps, but Chaplin at an all-ages hardcore show, or having been to one and reflecting on it later, in tranquility. Ed Skoog, author ofTravelers Leaving for the City and Run the Red LightsAmong other issues, this book explores how the seizures, hallucinations, and excruciating pain caused by neurological conditions that are now treated clinically were once thought of as visions granted to and endured by saints. Faulkner does this in poems that are filled with seriousness but also humor, unlikely allusions, and exhilarating wordplay. A running conceit is the speakers ambivalent relationshipa kind of bromancewith Advil, modern medicine personified as his nemesis and doppelgnger, a taunting comedian but also a vital helpmate, a debased version of the saints archangelic protectors. Faulkners imagery and conceits surprise and delight. A strange and beautiful book. Geoffrey Nutter

For fans of the creative translations of Mary Jo Bang and Kathy AckerFor readers of classic literature who enjoy playful, loose retellings of classic books in the tradition of Jack Spicer's After Lorca and James Joyce's UlyssesThis version of Beowulf fits in well with the trend of modern, feminist translations such as Emily Wilson's The Odyssey and Maria Dahvana Headley's Beowulf: A New Feminist Translation of the Epic PoemMarkotic offers a contemporary take on Beowulf's language and, more unusually, the culture and character of the hero of this foundational text.Classic poetry continues to find new readers with the help of modernized translations, such as Mary Jo Bang's recent translations of Dante's Divine Comedy. Blurbs forthcoming

An Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in peoples lives, including the dispossession and extinguishment of Indigenous title to land.Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design.Whitemud Walkingis so smart and so ceaselessly innovative. It represents for me a fully assured instantiation of the Indigenous literary project: a confrontation of history's terrors head on and an articulation in the present of our beauty and indomitability. Weigel refuses the archive's efforts to flatten Indigenous subjectivity and, in so doing, opens up a kind of boundless space to remember and grieve but also to hope and imagine otherwise. A deeply felt accomplishment. Billy-Ray Belcourt, author ofA History of My Brief BodyWhitemud Walkingis a testament to the power of grief and outrage that so much theft has been allowed to bulldoze Indigenous land rights. Matthew James Weigel's passion for research both honours and mourns what has been trampled and lied about. This is a devastating read but one to learn from. Mahsi cho, Matthew. Your grief is our call to action to learn our own histories and build upon our own Indigenous testimonies of what really happened and when and who was there to witness it. Mahsi cho. Richard Van Camp, Tlicho Dene author ofThe Lesser BlessedandMoccasin Square GardensWhitemud Walkingis a textual ecology, that through archival troubling, sampling, and reframing, allows the material, human, truly cellular historicity of treaty to enter as a living presence in our contemporary moment. Weigel writes, 'Here treaty means reciprocity and obligation. Here, treaty lasts forever'. This book is not the document you may hold in your hands but the shift in consciousness it foments within you. It is a gift. Liz Howard, author ofInfinite Citizen of the Shaking TentEchoing the caw and grackle of magpies, Matthew James WeigelsWhitemud Walkinglives the sound of Treaty 6. Voices whisper sanctuary in creekbeds, papers rustle precedence in archives; theres a buzz in your ear, a catch in your throat listen. Derek Beaulieu, Banff Poet Laureate

From LAMBDA Literary Award winner Sina Queyras, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mindThirty years ago, a professor threw a chair at Sina Queyras after theyd turned in an essay on Virginia Woolf.Queyras returns to that contentious first encounter with Virignia Woolf to recover the body and thinking of that time. Using Woolfs A Room of Ones Own as a touchstone, this book is both an homage to and provocation of the idea of a room of ones own at the centre of our idea of a literary life.How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and on social media.With Virginia Woolf alongside them, Queyras journeys through rooms literal and figurative, complicating and deepening our understanding of what it means to create space for oneself as a writer. Their hard-won language challenges us to resist any glib associations of Woolfs famous room with an easy freedom. Inspiring and moving, Queyrass memoir testifies to Woolfs continuing generative power.Mark Hussey, editor ofVirginia Woolf's Between the Acts(2011) and author ofClive Bell and the Making of Modernism(2021)In this beautiful, perceptive book, Sina Queyras moves deftly between the words and wake of Virginia Woolf and their own formation as writer, lover, teacher, friend, and person.Roomsis expert in its depiction of personal and literary histories, and firmly aware of its moment of composition. Reading these pages, I was enticed by Queyrass curiosity and openness, thrilled by the sharp edges of their anger. Tight prose, electric thinking, self-discovery its all here, all abuzz.Roomsis alive. Heather Christle, author ofThe Crying BookIt is impossible not to question the world as we thought we knew it by the end of this book. Sina Queyras painstakingly aims their extraordinary nerve and talent at Virginia Woolfs idea of a room of ones own: 'Its a mistake to consider the room without all of its entanglements.' Taking Woolfs cue, Queyras explores writing that is not world-building but something far more generous and transformative; as Woolf wrote, 'Literature is open to everybody.' CAConrad, author ofAMANDA PARADISE: Resurrect Extinct Vibration

Every major airport has a three-letter code from the International Air Transport Association. In perhaps history's greatest-ever feat of armchair travel, Nasser Hussain has written a collection of poetry entirely from those codes. In a dazzling aeronautic feat of constraint-based writing, SKY WRI TEI NGS explores the relationship between language and place in a global context. Watch as words jet-set across the map, leaving a poetic flight path. See letters take flight (and leave their baggage behind).

From basketball hoops to cricket bats, the role community sports play in our cities and how crucial they are to diversity and inclusion.';The virus exposed how we live and work. It also revealed how we play, and what we lose when we have to stop.' For every kid who makes it to the NBA, thousands more seek out the pleasure and camaraderie of pick-up basketball in their local community centre or neighbourhood park. It's a story that plays out in sport after sport team and individual, youth and adult, men's and women's. While the dazzle of pro athletes may command our attention, grassroots sports build the bridges that link city-dwellers together in ways that go well beyond the physical benefits. The pandemic and heightened awareness of racial exclusion reminded us of the importance of these pastimes and the public spaces where we play. In this closely reported exploration of the role of community sports in diverse cities, Toronto journalist Perry King makes an impassioned case for re-imagining neighbourhoods whose residents can be active, healthy, and connected."e;I couldn't stop reading Perry King's Rebound. An evocative essay about the transformative and uniting power of local sports in a city with residents from every country in the world, the book is well researched, entertaining, and informative. It spoke to my own experiences as a young athlete fitting into a new city when I first came to Toronto and to the importance our city government must place on local recreation and sports if our city is to help all residents reach their potential. A fantastic contribution to understanding Toronto and to the power of local recreation in any major city."e; David Miller, former mayor of Toronto

Shortlisted for the ReLit 2022 Poetry Awardink earl takes the popular subgenre of erasure poetry to its illogical conclusion.Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of 100 essays and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families. The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths assiduously erased by normative forces. ink earls variations are testament in micro to the act of poiesis as not so much a building as an intrepid series of effacements; we rub away at the walls of language weve lived within in order to release both whats been written over, and what we want to say now.

Away From Her meets Strangers on a Train in this follow-up to cult bestseller And the Birds Rained DownAfter And The Birds Rained Down, a stunning meditation on aging and freedom, Jocelyne Saucier is back with her unique outlook on self-determination in this unsettling story about a woman's disappearance.Gladys might look old and frail, but she is determined to finish her life on her own terms. And so, one September morning, she leaves Swastika, her home of the past fifty years, and hops on the Northlander train, eager to put thousands of miles of northern Quebec between her and the improbably named village, and leaving behind her perennially tormented daughter, Lisana.Our mysterious narrator, who is documenting these disappearing northern trains, is eager to uncover the truth of Gladys's voyage, tracking down fellow passengers and train employees for years to learn what happened to Gladys and her daughter, and why.

Words like radio waves, bouncing off the spectres of mortality, middle age, and the mundane. Arriving at middle age was a decisive experience for David O'Meara, standing equidistant to the past and future with its accompanying doubts and anticipations, inviting re-evaluation of past goals, confronting personal loss, and the death of his father and friends. These are the masses on radar, indistinct but detectable existential presences encroaching, and in the center of the radar is the lyric 'I' sweeping its adjacent experience. Poems like "e;I Carry a Mouse to the Park Beside the Highway,"e; "e;I Keep One Eye Open and One Eye Closed,"e; and "e;I Sleep as the Volcano Ash Falls like Snow,"e; usher the reader through thematic corridors of memory, fracture, and recovery. Embracing uncertainty and incorporating seasonal forecasts, humour, trivia, satire, politics, the environment, loss, and the mundane, these poems are a detection system signaling a paradox of meanings.

A nuanced, feminist, and deeply personal take on beauty culture and YouTube consumerism, in the tradition of Maggie Nelson's BluetsAs Daphn B. obsessively watches YouTube makeup tutorials and haunts Sephora's website, she's increasingly troubled by the ways in which this obsession contradicts her anti-capitalist and intersectional feminist politics. In this poetic treatise, she rejects the false binaries of traditional beauty standards and delves into the celebrities and influencers, from Kylie to Grimes, and the poets and philosophers, from Anne Boyer to Audre Lorde, who have shaped the reflection she sees in the mirror. At once confessional and essayistic, Made-Up is a meditation on the makeup that colours, that obscures, that highlights who we are and who we wish we could be.The original French-language edition was a cult hit in Quebec. Translated by Alex Manleylike Daphn, a Montreal poet and essayistthe book's English-language text crackles with life, retaining the flair and verve of the original, and ensuring that a book on beauty is no less beautiful than its subject matter.';The most radical book of 2020 talks about makeup. Radical in the intransigence with which Daphne B hunts down the parts of her imagination that capitalism has phagocytized. Radical also in its rejection of false binaries (the authentic and the fake, the futile and the essential) through the lens of which such a subject is generally considered. With the help of a heady combination of pop cultural criticism and autobiography, a poet scrutinizes her contradictions. They are also ours.' Dominic Tardif, Le Devoir';[Made-Up] is a delight. I read it in one go. And when, out of necessity, I had to put it down, it was with regret and with the feeling that I was giving up what could save me from a catastrophe.' Laurence Fournier, Lettres Qubcoises, five stars"e;Made-Up is a radiant, shimmering blend of memoir and cultural criticism that uses beauty culture as an entry point to interrogating the ugly contradictions of late capitalism. In short, urgent chapters laced with humor and wide-ranging references, Daphn B. plumbs the depths of a rich topic that's typically dismissed as shallow. I imagine her writing it in eye pencil, using makeup to tell the story of her life, as so many women do."e; Amy Berkowitz, author of Tender Points"e;A companion through the thicket of late stage capitalism, a lucid and poetic mirror for anyone whose image exists on a screen."e; Rachel Kauder Nalebuff"e;Made-Up is anything butcommitted to the grit of our current realities, Daphn B directs her piercing eye on capitalism in an intimate portrayal of what it means to love, and how to paint ourselves in the process. Alex Manley has gifted English audiences with a nuanced translation of a critical feminist text, exploring love and make-up as a transformative social tool."e; Sruti Islam"e;The book will leave you both laughing in recognition and wincing at the reality of the beauty world's impact on our collective psyche."e; Chatelained"e;[Made-Up] examines the intersection of beauty culture and consumer culture... Aided by the work of writers like Anne Carson, Anne Boyer, Amanda Hess, and Arabelle Sicardi... B. makes sharp observations about the ideologies behind both beauty [...] and consumerism."e; Bitch Media"e;MadeUp: A True Story of Beauty Culture under Late Capitalism is well worth reading."e; Literary Review of Canada"e;[Made-Up], newly translated by writer/poet Alex Manley from its original French, puts an intersectional, feminist lens on the author's personal fascination with the makeup industry; it also reckons with the cultural dominance of this fascination as she aims to square anti-capitalist principles with beauty-product obsession."e; BitchReads: 11 Books Feminists Should Read in September

The genius and artistry behind Superbrothers and the making of an indie video game, from inception to its highly anticipated launch. Superbrothers: Sword & Sworcery was released in 2011 at the forefront of an exciting era of “indie gamesâ€? ‿ with the aesthetic of punk rock and the edge of modernist fiction, indie games pushed gaming into the realm of the avant-garde. Superbrothers (Craig D. Adams) was hailed as a visionary in the video game world. Now, his long-awaited follow-up, JETT: The Far Shore, has been released for Sony PlayStation and Epic Games Store. In the decade from inception to launch, Adams brought author Adam Hammond along for the ride, allowing unprecedented insight into the complicated genesis of Jett. The Far Shore offers a portrait of the enigmatic Adams and his team, the genius and artistry, the successes and setbacks, that went into building the world of JETT, in which you‿re tasked with scouting a new home for a humanoid people after they‿ve decimated their planet. To provide context, Hammond recounts the history of indie games and how their trajectory has followed that of independent art and literature. A riveting insider‿s look at one of our most popular art forms.

Four writers, four different perspectives on the problematic notion of purity."e;All purity is created by resemblance and disavowal."e; With this sentence as a starting point, four authors each write a novella considering the concept of purity, all from astonishingly different angles. Jean Marc Ah-Sen writes about love blooming between two writers belonging to feuding literary movements. Emily Anglin explores an architect's search for her twin at a rural historic house. Devon Code documents the Wittgensteinian upheavals of the last days of an elderly woman. And Lee Henderson imagines Dada artist Kurt Schwitters finding unlikely inspiration in a Second World War internment camp in northern Norway.Wildly different in style and subject matter, these four virtuoso pieces give us a 360-degree view of a philosophical theme that has never felt so urgent."e;Despite the disparity of their subject matter - a Nazi-evading Dadaist detained in Norway, urban and familial estrangements, complicated love amid the avant-garde, the vicissitudes of old age - these brilliantly inventive, delightfully strange stories cling together like four unlikely soulmates, unified by art's pursuit of coherence through life's various disintegrations."e; —Pasha Malla, author of Kill the Mall

Kicking ass and taking notes—what it's like to be a woman in the ring.Alison Dean teaches English literature. She also punches people. Hard. But despite several amateur fights under her belt, she knows she will never be taken as seriously as a male boxer. ';You punch like a girl' still isn't a compliment — women aren't supposed to choose to participate in violence.Her unique perspective as a 30-something university lecturer turned amateur fighter allows Dean to articulately and with great insight delve into the ways martial arts can change a person's — and particularly a woman's — relationship to their body and to the world around them, and at the same time considers the ways in which women might change martial arts.Combining historical research, anecdotal experience, and interviews with coaches and fighters, Seconds Out explores our culture's relationship with violence, and particularly with violence practiced by women."e;An important addition to women's martial arts scholarship, Dean provides personal insight into the radical space women occupy in sport fighting. Seconds Out is a must-read for all fighters looking for mentors in the complicated world of martial arts."e; —L.A. Jennings, author of Mixed Martial Arts: A History from Ancient Fighting Sports to the UFC"e;Dean brings a fresh new female voice to the topic of combat sports."e; —Trevor Wittman, renowned MMA trainer, UFC analyst, and founder of ONX Sports"e;Trained in the discipline and art of both fighting and literature, Dean combines both with style. She honors the fighters, writers, and historians who have come before her and definitively ends the idea of women fighters as a novelty. Seconds Out is a must-read for anyone who feels the call of the bell and reverence for a good fight."e; —Sue Jaye Johnson

Shortlisted for the ReLit 2022 Poetry AwardSmart, raunchy poems that are sorry-not-sorry.Sticky, sad, and sultry, Exhibitionist is a merry-go-round circling back to the tender, awkward parts of ourselves. Molly Cross-Blanchard allows her poems to ask the reader out for ice cream, to fart at a dinner party, to sprawl out on a chaise lounge, stare through a dusty skylight and whisper that they think they may love you. And that love will be unmistakably mutual. Mallory Tater, author of The Birth Yard and This Will Be GoodMultiple orgasms appear in the first line of the first poem in Exhibitionist. Multiple orgasms, as a relative image or a practice, elicit everything from mystical worship to moral panic. Molly Cross-Blanchard understands this diametric power. She nods to this power with countless crisp and explicit images throughout her debut collection. Read her poems first to marvel at the well-crafted voicing of sexuality. Read a second time to appreciate Cross-Blanchards beautiful charge of juxtaposition. Again and again, she places the erotic beside mundane so that both are transformed a dirty basement carpet becomes the backdrop of profound intimacy and gas station coffee acts as a symbol of self-discovery. Amber Dawn, author of My Art is Killing Me and Sodom Road ExitIf this book had a fragrance, it'd be a Britney perfume, any one of them really, but with hints of prairie in the dry late-summer, notes of the sweet ocean smell that passes through Vancouver when the wind gets high, and a fabulous pair of overalls. Katherena Vermette, author of River Woman and The BreakOne minute shes drying her underwear on the corner of your mirror, the next shes asking the sky to swallow her up: the narrator of Exhibitionist oscillates between a complete rejection of shame and the consuming heaviness of it. Painfully funny, brutally honest, and alarmingly perceptive, Molly Cross-Blanchards poems use humour and pop culture as vehicles for empathy and sorry-not-sorry confessionalism. What this speaker wants more than anything is to be seen, to tell you the worst things about herself in hopes that youll still like her by the end.

Camus's Meursault and Thelma and Louise meet up under the blazing sun.Vexed by the ';unremarkable star' that ';presses' Camus's Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun's pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun."e;Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne's making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book."e; Michael Dickman, author of Days & Days"e;This beautiful work wraps Camus's The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun's burning punctum burst telling shards of what is erased by Camus's remarkable construction of whiteness in-the-masculine: the dead 'Arab,' the female body's interminable violations - but also its warming, even blinding capacity for consequential pleasures."e; Gail Scott, author of Heroine"e;Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway."e; Juliana Spahr, author of That Winter the Wolf Came

WINNER OF THE HERITAGE TORONTO 2022 BOOK AWARDRich and diverse narratives of Indigenous Toronto, past and presentBeneath many major North American cities rests a deep foundation of Indigenous history that has been colonized, paved over, and, too often, silenced. Few of its current inhabitants know that Toronto has seen twelve thousand years of uninterrupted Indigenous presence and nationhood in this region, along with a vibrant culture and history that thrives to this day.With contributions by Indigenous Elders, scholars, journalists, artists, and historians, this unique anthology explores the poles of cultural continuity and settler colonialism that have come to define Toronto as a significant cultural hub and intersection that was also known as a Meeting Place long before European settlers arrived."This book is a reflection of endurance and a helpful corrective to settler fantasies. It tells a more balanced account of our communities, then and now. It offers the space for us to reclaim our ancestors' language and legacy, rewriting ourselves back into a landscape from which non Indigenous historians have worked hard to erase us. But we are there in the skyline and throughout the GTA, along the coast and in all directions." -- from the introduction by Hayden King

A warning, a movement, a collection borne of protest. In Watch Your Head, poems, stories, essays, and artwork sound the alarm on the present and future consequences of the climate emergency. Ice caps are melting, wildfires are raging, and species extinction is accelerating. Dire predictions about the climate emergency from scientists, Indigenous land and water defenders, and striking school children have mostly been ignored by the very institutions ‿ government, education, industry, and media ‿ with the power to do something about it. Writers and artists confront colonization, racism, and the social inequalities that are endemic to the climate crisis. Here the imagination amplifies and humanizes the science. These works are impassioned, desperate, hopeful, healing, transformative, and radical. This is a call to climate-justice action. Edited by Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, Kathryn Mockler, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline ValenciaProceeds will be donated to RAVEN and Climate Justice Toronto.