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Named "among the most important works of fiction of the decade" by the "New York Times Book Review" when first published in 1972. Williams is exhaustive and accurate in his historical research of the significant role played by African Americans in the military.
Poetry. "Notley is the foremost practitioner of the New York School of poetry. Heir to the likes of Frank O'Hara and widow of the larger-than-life Ted Berrigan, Notley has over the course of her last few books finally hit her stride.... Notley writes from an accumulation of meaning. Similar to the techniques of the abstract expressionists, it is in that heavily built-up surface that we find the depth of meaning.... Some poems are so right, so perfectly conceived, it's a wonder that anyone would write in any other way"--John Stickney, The Columbus Dispatch. "These poems, for the most part imaginary conversations with herself, are energetic, good clean fun. They also contain some serious under currents. At their best, they tease readers into a new way of viewing their surroundings"--Library Journal.
Almost thirteen, Sonny is on the verge of becoming a man, but in his mother's eyes he is still a naive little boy. Everything changes when his father, Jake Cantrell, owner of the Snake Nation Cock Farm, presents him with his own rooster - a Gray which the boy calls Lion. A three-time winner worth nearly $4000, the bird becomes the pet Sonny always wanted. But cockfighting is not for pets, or children. Sonny quickly comes to love Lion, but is soon faced with the biggest decision of his life, one that will change him forever, driving him into deep moral conflict. Rebelling against his father's demands, Sonny chooses his own way - preserving his integrity and drawing on the courage, fierceness, and determination that he reveres in Lion. He steps into manhood by facing the frightening consequences of his actions.
In a heartbreaking and hilarious Yom Kippur sermon, Jonah tells a tragicomic Jewish-Buddhist love story that takes on one of the critical religious issues of the 1990s - can we stay true to tradition and keep our faith relevant to our everyday lives?
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