Bøger udgivet af Conundrum Press

When a local lake catches fire, a group of teens set out to see the spectacle for themselves—but not everything goes as planned. A very rare natural phenomenon is causing quite a stir in Rivière-aux-Corbeaux: Lake Kijikone has caught fire and grown into a veritable inferno. When the disaster occurs, an old local legend re-emerges, and a group of local teens decide to find out if the stories are true. Deep in the woods, one of the teens shares a secret so shocking that the group splits up—and the real nightmare begins.

Olive's post-secondary education isn't what they'd planned. Instead of college, they spend five days a week, eight hours a day at what Olive calls "Food School": a full-time outpatient program for eating disorder recovery where they learn, talk, and cry about eating disorders as part of a survivor support group. Intensely committed to recovery, Olive confronts the secretive, self-destructive, and sometimes tragically comedic nature of their illness, while struggling with the complexities of modern mental health care. With support and perspective from their roommate, a fellow patient, and their partner, Olive learns to open up about their abusive relationship with food and exercise--and finds ways to cope with the reality of living in a society that actively encourages disordered eating.

A story about a newly realized lesbian woman in her 40s, hellbent on reaching spiritual enlightenment. Even if it kills her. Cheryl just came out and she's been doing just fine, thanks for asking!!!! She just broke up with her dog, quit gluten, cut contact with her father, and is just really trying to focus on getting enough water daily! It's all going great!! Except it isn't and everything is terrible, because no matter what Cheryl does she really can't shake that there's something wrong deep down in the core of her being. What would really fix things would be to address her lingering internalized homophobia and childhood trauma. Or reach total spiritual enlightenment, reaching total enlightenment sounds easier, let's go with that one. As Cheryl falls further down the New Age wellness industrial complex however, the world turns out to be a lot weirder and sicker than she could have ever imagined. Now Cheryl is forced to confront that not only is it not all about her, but that she might have some part to play in making it better. From the (self-proclaimed) cackling gremlin that created Lake Jehovah, Cheryl is a vision board of a coming out gone sideways.

"Dave's on the verge of summer vacation and change is on the horizon. Developers have begun digging up a field on the edges of Dave's universally familiar small town, presenting endless nooks and crannies for Dave and his fearless friend Edward to explore. Over the course of the summer, while the town's adults remain focused on their fractured marriages and neighbourly resentments, the children are allowed to run wild in the field, collecting caterpillars and tadpoles, catching field mice (which they smuggle home), and nursing a curious fascination with Dave's mother's matches and their potential for disaster. As the summer meanders on, Edward brings a new friend into the circle. But John's got a mean streak that's strong enough to flip Dave s world--and his place in it--upside down."--

"The tension between free-spirited off-grid living and prosaic adult responsibility runs through Alison McCreesh’s tender and loving ode to the people and landscapes of the Far North." —Joe Sacco, Paying the LandAt age 21, Alison hitchhiked to the Yukon and spent the summer living in a tent. 10 years later, in the deep of winter and seven months pregnant, she returns. Degrees of Separation is about what happened in between.Over the course of a decade, artist Alison McCreesh lived, worked, and travelled north of the 60th parallel. Through a combination of autobiographical stories, drawings and sketches, Degrees of Separation offers an intimate and understated glimpse of the North as Alison experienced it. From frigid days spent killing time while stranded in the High Arctic, to the challenges of raising a baby in a small shack with no running water, it is one young woman's personal experience of both passing through and of setting down roots.Tinged with McCreesh's characteristic blend of humour and humanity, Degrees of Separation is about the north and its vastness and its diversity. While the backdrop may seem foreign to many, this collection is also a universal exploration of those transformative years from young-adulthood to motherhood. It's a graphic novel navigating themes of connection and disconnect, between the north and the south, but also between different norths and between our different selves.

Culturally significant setting: What's Fear Got to Do With It is set in the Richmond Night Market in Vancouver, the largest night market in North America.Timely and unflinching: A nuanced examination of power imbalances in complex romantic relationshipsGritty and stylish: Influenced by European artist Blutch, Filipovich joins the noir genre with signature slick cinematic visuals

"As Langosh and Yeva embark on an epic cross-country journey, they discover that old wounds--and differing personal experiences--have begun to threaten their close-knit friendship. The landscape of America creates a constantly evolving backdrop to their emotional voyage. As they explore big cities, small towns, prairies, and mountains, Langosh opens up to Yeva about his experience of police brutality, and the stark difference between how they respond to the situation leads to deep reflection on how the past informs their current choices. The more they seek to influence each other, the more obscured their path becomes"--

Noir, fantascienza, thriller politico, costruttivismo russo, incubo grottesco. Sono questi gli ingredienti del nuovo graphic novel firmato dall¿Illustratore e fumettista underground croato Igor Hofbauer e co-sceneggiato dal giornalista britannico Jonathan Bousfield.

The residents of an isolated village in a dreamlike world scavenge for supplies in the surrounding forest, collecting scattered items left over from a long time past. No one strays far from this community, fearing what may lie beyond it. When they find a stack of notebooks by an unknown author, a young villager becomes obsessed with their contents. She sets out on a quest to find the writer. As she ventures into the unknown, she discovers a world both barren and increasingly complex. The closer she gets to her goal, the more she realizes that the encounter she's been seeking probably won't be what she wanted. --back cover.

Indigenous Voices Award winner Cole Pauls returns with a robust collection of stories that celebrate the cultural practices and experiences of Dene and Arctic peoplesGathering Pauls’s comics from magazines, comic festivals and zine making workshops, these comics are his most personal work yet. You’ll learn stories about the author’s family, racism and identity, Yukon history, winter activities, Southern Tutchone language lessons and cultural practices. Have you ever wanted to learn how to Knuckle Hop? or to acknowledge and respect the Indigenous land you’re on? Or how to be an ally to Indigenous people? Well, gather around and hear this Kwändǖr! (Story!)

Other Stories and the Horse You Rode in On is a collection of Dakota McFadzean's comics. Short stories filled with yawning skies, dark humour, and quiet ruminations on memory, aging, and time. Drunken gnomes, sensitive teenagers, and a meditative cowboy all wander toward a sprawling, ghost-ridden horizon. McFadzean's stories have been featured in the Best American Comics anthology for 2012 and in Regina's Prairie Dog Magazine. His minicomic Ghost Rabbit won a Shuster Award and The Dailies was shortlisted for Slate magazine's Cartoonist Studio Prize for Best Web Comic of 2012.

Nina Bunjevac''s brilliant debut graphic novel returns in this expanded 10th Anniversary edition.¿Powered by an expressive black and white drawing style, reminiscent of Robert Crumb and the meticulous pointillist technique of Drew Friedman, the dark undertone of Bunjevac¿s humour brings into light the range of socio-political issues her comics deal with, such as gender, nationalism or urban alienation, always from an ironic feminist perspective. Her chain-smoking, slightly alcoholic and manically depressed character Zorka may just be today¿s ultimate antiheroine. A Balkan immigrant in the Brave New World, working in that same meat factory for the last twenty years, tormented by family constraints and her own secret desires¿ we simply can¿t get enough of her.¿ ¿ BTurnFor mature audiences

Henriette Valium has been called the greatest French-Canadian cartoonist of all time. He's one of underground comic's elder statesmen. Over the past three decades his creations have been widely dispersed in numerous anthologies, fanzines, self-published oversized silkscreened comics, and various mixed-media collaborations. He's become a regular in almost every independent zine, compilation and catalogue in North America and Europe. Yet he has never had an original graphic novel published in English, until now!The heavy black lines and psychotic detailing ofValium's comics demand attention, weeding out any casual readers. His style is like the bastard love child of S. Clay Wilson and Derf Backderf as raised by French avant-garde collective Le Dernier Cri.In his peculiar way, Valium explores decay, as in the rotting urban environments he obsessively renders, and his fascination with the various corruptions of the human body and mind, our illness and madness. His comics rant on subjects like "Science" or "Crisis," horrifically, sometimes nonsensically, often hilariously exposing our culture's fears and hypocrisies.The Palace of Champions is a historical document, finally bringing to light this underground legend. It includes an introduction and interview to give context for Valium's long career and expansive body of work.

On hearing a radio report of an accused priest Philippe is thrown back to a difficult time in his youth. He is faced with his parents' impending divorce, moves to a new city, goes to a new school, and needs to make new friends. To help him adapt to his new surroundings his mother urges him to join the "Snow Geese," a youth group led by a nonconformist priest who challenges Philippe to rethink his values. But as Philippe becomes more acquainted with the group and its charismatic leader, masks begin to slip, and he finds himself plunged into the centre of an unexpected drama. With his life turned upside-down, he seeks comfort in reading, and manages to find his bearings again when he discovers the old-fashioned adventure series of Jack Bowmore. Killing Velazquez is an autobiographical tale that gives us a glimpse into the complexities of manipulation and reminds us that sometimes an old book can actually save a life.

The final volume of the Drippy the Newsboy series based on the writings of Stephen Crane. Join Drippy, Harry, Bleeker and Zot in The Dripping Boat, as they battle waves, wind, wits, and wills. Following a shipwreck, the four find themselves stranded on a lifeboat, frantically trying to reach an invisible shore. Rub a dub dub, four men in a tub . . . but how many will return?Drippy the character emerged in 1999. Lawrence had been working as a comics editor at a Vancouver weekly publication called Terminal City. When Terminal City folded, Lawrence and a couple of other ex-employees rallied to put together their own monthly newspaper, The Drippy Gazette. The mandate of the monthly publication was to feature artist interviews and events, and keep the Vancouver comics scene together. While the newspaper lasted 12 months, the mascot of the paper lived on in Lawrence's work.

Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as ¿A Week in the Woods¿, it was situated in a room, in an apartment, in Montreal. Three years later, it became ¿This Neck of the Woods¿, in a cabin in a backyard in Rotterdam, The Netherlands. Finally, the project became a roving para-site called ¿Knock on Woods¿ which has temporarily staked claim to land in Holland, France, Portugal, Berlin, Japan, and Canada. Dwelling for Intervals is an independent state, a sculpture, a series of collaborations, an international artist residency, a wilderness, a tree house, a travelling circus and a relative site/situation for temporary doing and undoing. It will soon also be a full colour hardcover book which documents both the sites and the on-site work of the residents.

Over the past decade, the North, or at least the idea of it, has slowly made its way back to our consciousness, a notion that the North is synonymous with a lawless, rugged freedom. But at first glance Yellowknife, NWT is actually a somewhat disappointing modern capital city. There are tall buildings, yoga pants, a Walmart and a lot of government jobs. None the less, if you dig a little deeper, you do find that alternative off-grid reality. Barely five minutes from the downtown core, wedged between million dollar houses, you find little shacks where people exist without running water and use honey buckets for toilets.When Alison McCreesh moved from Quebec to Yellowknife she quickly fell in love with the quirky ways in which it seemed possible to live up North. Part travelogue, part comic book, part love story and part guide to the North and its quirky inhabitants Ramshackle spans her first summer north of 60.

"Chackowicz's great trick is making us think that he has merely drawn us comics and cartoons both surreal and laugh-out-loud hilarious, but at a closer glance we can see that he has also crafted honest-to-god poems--lyrical works of poignancy and depth." --Jonathan Goldstein (Heavyweight, This American Life, WireTap).reTap).

"An Infections Amalgam of Disarming Style and Pointed Imagination."

Highly respected visual artist: BlogTO wrote that Claytor's recent Toronto exhibition had "a cinematic quality..., a fascination with character and stillness that's alive with ambiguity."A classic road trip story in graphic novel format: Explore Canadian landscape and culture through an extremely unique-and personal-lens.Coming-of-(middle)age: Explores issues of alcoholism, recovery, and relationships with sensitivity and nuance.Timely and thoughtful: Addressed the complexity of relationships and support systems-highly relevant topics as we begin to emerge from the pandemic.