Bøger udgivet af CORNERHOUSE PUBLICATIONS

How much are you willing to pay for this book? EUR 9, EUR 28 or EUR 150? The buyers of the book become part of a process of value and value generation: Do they choose the bargain with the evaluative addition "cheap" on the cover, do they buy the book at the market price, or do they pay the honest price of its socially and ecologically fair production? The unusual and also radical concept follows the interest of the Danish artist group SUPERFLEX in value systems and the shifting of valuations.The illustrated book is published on the occasion of the exhibition Sometimes As A Fog, Sometimes As A Tsunami by SUPERFLEX at Kunsthaus Graz. This is focusing on the instability of capitalism inherent in the speculative nature of financial markets and instruments and examines the dissolving factor of capitalist-oriented action on society. The book places the works on display in a larger discursive context and locates them in SUPERFLEX's artistic practice from its early works to the present.

Portraits in a Chinese Studio. In the Summer of 2005, photographer Grace Lau set up a portrait studio on Hastings seafront. The studio was on a busy route, a few doors away from the Iceland store and the former Borough Parking Office and on the main route into the tourist draw of Hastings Old Town.Over six weeks, she made 400 photographs everyone who posed received a free digital print. She called her project 21st Century Types and the photographs speak volumes about the way we see ourselves and the way we are seen.Through this project I am making an oblique comment on Imperialist visions of the exotic Chinese and by reversing

Excentriques Monumenta 2012 Esquisses Graphiques. The drawings I make are a way of trying to understand what my imagination would like. A long time ago, I wrote about what I meant by drawing, and why I dont use this term when I draw on a sheet of paper. For me, drawing is found in my works, in situ, shapes that form in space, walls that are built and that form curved, straight and broken lines. Anything that helps me clarify certain thoughts, on the other hand, constitutes a graphic sketch. My handwritten texts fall into this category. Daniel Buren, March 2012Daniel Buren is the Monumenta 2012 guest artist. This book, a collection of preparatory

co Jolyon. Commissioned by dOCUMENTA 13 and the Goethe-Institut, Kabul and produced on the occasion of the exhibition at Queens Palace, Bagh-eBabur in Kabul, Afghanistan, June 20 July 19, 2012, the artist book c/o Jolyon 2012 consists of 50 out of 100 found vintage postcards with prewar views of Kassel, painted over with gouache by the artist with contemporary views of the same sites.They were mailed to the former CEO of the Aga Khan Trust for Culture in Kabul, Jolyon Leslie who shares his first name with Tacita Deans father and who due to her grandfathers friendship with writer John Galsworthy, was given it as a middle name